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• 41. [Image] Aerial view of Corvallis, Oregon, with hop fields on east bank of Willamette

  	This oblique aerial view of Corvallis, Oregon, shows downtown (lower right), the Oregon State College campus (middle left), and residential areas north and west of the campus and downtown. The hills, [now ...
  	Citation × Citation Citation Abstract Copy Title: Aerial view of Corvallis, Oregon, with hop fields on east bank of Willamette Year: 1930 This oblique aerial view of Corvallis, Oregon, shows downtown (lower right), the Oregon State College campus (middle left), and residential areas north and west of the campus and downtown. The hills, [now McDonald and Paul Dunn Forests] are located to the northwest. Because it is a composite of two prints, there is some discontinuity of roads in the middle-to-upper right portion. Notable landmarks include: Corvallis Lumber Company, established in 1909, at the confluence of the Marys and Willamette Rivers (center bottom). Hops Field on the east bank of the Willamette (bottom right corner) at the current location of the Corvallis Bypass and Alan B. Berg/Martin Luther King, Jr. Parks. Corvallis High School, constructed in 1935, at northern extent of residential areas (middle right). Fire-gutted Central School (middle) served as the Senior High School until 1935 and subsequently as the Junior High School until it was destroyed by fire in 1946. Western Oregon Packing Corp. Cannery on 9th Street. Title: Aerial view of Corvallis, Oregon, with hop fields on east bank of Willamette Year: 1930 This oblique aerial view of Corvallis, Oregon, shows downtown (lower right), the Oregon State College campus (middle left), and residential areas north and west of the campus and downtown. The hills, [now McDonald and Paul Dunn Forests] are located to the northwest. Because it is a composite of two prints, there is some discontinuity of roads in the middle-to-upper right portion. Notable landmarks include: Corvallis Lumber Company, established in 1909, at the confluence of the Marys and Willamette Rivers (center bottom). Hops Field on the east bank of the Willamette (bottom right corner) at the current location of the Corvallis Bypass and Alan B. Berg/Martin Luther King, Jr. Parks. Corvallis High School, constructed in 1935, at northern extent of residential areas (middle right). Fire-gutted Central School (middle) served as the Senior High School until 1935 and subsequently as the Junior High School until it was destroyed by fire in 1946. Western Oregon Packing Corp. Cannery on 9th Street. Close

• 42. [Image] 1998 Nez artist statement

  	My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic ...
  	Citation × Citation Citation Abstract Copy Title: 1998 Nez artist statement Author: Nez, David Year: 1975 My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic allegories. Similarly in my paintings I use imagery of birds, beasts, plants and minerals as symbols of the process of transformation, As an artist I view alchemy as a metaphor for the creative process in which there is progressive transformation and refinement of materials, imagery and ultimately consciousness. In alchemy and art alike the creative imagination is the vital agent of change. The alchemists described their labors as an "art". Like the alchemist I attempt to use physical processes as a mirror of inner experience. The materials become "transmuted" from their initially inert state through creative and chaotic struggle into a new synthesis. In my painting I use physical processes of dissolution, evaporation, heat and gravity which remind me of the alchemist's use of the elements of water, air, fire and earth. Humor is an important element of my work. Likewise humor and paradox were not unknown to the alchemist. The texts abound with cryptic riddles meant to befuddle the literal-minded and catalyze intuitive insight. Hermes, the Greek god of wisdom, was the patron of alchemists and also the trickster who could lead his followers on a search to find "fools gold". Anyone who embarks on a potentially quixotic search to find the elixir of immortality should have plenty of humor and humility to sustain themselves! The homunculus, a human-like creature nurtured in a glass vessel was reputed to have been created in the alchemical laboratory. In the novel "Frankenstein" the renegade doctor studies the writings of Paracelsus, the swiss alchemist, before creating his monster. I see the homunculus as a metaphor for modem technology with all its wonders and potential horrors. The series of "Homunculus" sculptures which utilize remnants of household appliances and found objects explores this theme in a whimsical fashion. The alchemist searched for the "gold of the philosophers"-philosophical wisdom. In their pursuit of nature's secrets they combined scientific experimentation with a mystical quest for illumination. Their holistic view of the universe viewed matter and consciousness as a continuum, anticipating recent developments in physics. Alchemy is the ancestor of modem science; perhaps there is something that can be learned from its legacy? I am inspired artistically by the beauty of the texts and their insights into the mysteries of creation. Hopefully my own fanciful creations convey something of the spirit of that tradition. (Nez, 1998) Title: 1998 Nez artist statement Author: Nez, David Year: 1975 My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic allegories. Similarly in my paintings I use imagery of birds, beasts, plants and minerals as symbols of the process of transformation, As an artist I view alchemy as a metaphor for the creative process in which there is progressive transformation and refinement of materials, imagery and ultimately consciousness. In alchemy and art alike the creative imagination is the vital agent of change. The alchemists described their labors as an "art". Like the alchemist I attempt to use physical processes as a mirror of inner experience. The materials become "transmuted" from their initially inert state through creative and chaotic struggle into a new synthesis. In my painting I use physical processes of dissolution, evaporation, heat and gravity which remind me of the alchemist's use of the elements of water, air, fire and earth. Humor is an important element of my work. Likewise humor and paradox were not unknown to the alchemist. The texts abound with cryptic riddles meant to befuddle the literal-minded and catalyze intuitive insight. Hermes, the Greek god of wisdom, was the patron of alchemists and also the trickster who could lead his followers on a search to find "fools gold". Anyone who embarks on a potentially quixotic search to find the elixir of immortality should have plenty of humor and humility to sustain themselves! The homunculus, a human-like creature nurtured in a glass vessel was reputed to have been created in the alchemical laboratory. In the novel "Frankenstein" the renegade doctor studies the writings of Paracelsus, the swiss alchemist, before creating his monster. I see the homunculus as a metaphor for modem technology with all its wonders and potential horrors. The series of "Homunculus" sculptures which utilize remnants of household appliances and found objects explores this theme in a whimsical fashion. The alchemist searched for the "gold of the philosophers"-philosophical wisdom. In their pursuit of nature's secrets they combined scientific experimentation with a mystical quest for illumination. Their holistic view of the universe viewed matter and consciousness as a continuum, anticipating recent developments in physics. Alchemy is the ancestor of modem science; perhaps there is something that can be learned from its legacy? I am inspired artistically by the beauty of the texts and their insights into the mysteries of creation. Hopefully my own fanciful creations convey something of the spirit of that tradition. (Nez, 1998) Close

• 43. [Image] 1985 Zee bio/series statement

  	Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa ...
  	Citation × Citation Citation Abstract Copy Title: 1985 Zee bio/series statement Author: Zee, Allan Bruce Year: 1975 Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985) Title: 1985 Zee bio/series statement Author: Zee, Allan Bruce Year: 1975 Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985) Close

• 44. [Image] 1985 Zee exhibition list

  	Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa ...
  	Citation × Citation Citation Abstract Copy Title: 1985 Zee exhibition list Author: Zee, Allan Bruce Year: 1975 Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985) Title: 1985 Zee exhibition list Author: Zee, Allan Bruce Year: 1975 Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985) Close

• 45. [Image] Aerial view of Marine Science Center, "Yaquina", and bay from Newport, Oregon

  	Citation × Citation Citation Abstract Copy Title: Aerial view of Marine Science Center, "Yaquina", and bay from Newport, Oregon Year: 1969 Title: Aerial view of Marine Science Center, "Yaquina", and bay from Newport, Oregon Year: 1969 Close

• 46. [Article] Islands of Castile: Artistic, Literary, and Legal Perception of the Sea in Castile-Leon, 1248-1450

  xiii, 322 p. : col. ill.

  Citation × Citation Citation Abstract Copy Title: Islands of Castile: Artistic, Literary, and Legal Perception of the Sea in Castile-Leon, 1248-1450 Author: Furtado, Michael Anthony, 1958- Year: 2012, 2011 xiii, 322 p. : col. ill. Title: Islands of Castile: Artistic, Literary, and Legal Perception of the Sea in Castile-Leon, 1248-1450 Author: Furtado, Michael Anthony, 1958- Year: 2012, 2011 xiii, 322 p. : col. ill. Close

• 47. [Article] Texture analysis riparian coniferous forest ADAR imagery to identify potential ecological indicators for monitoring

  The Airborne Data Acquisition and Registration (ADAR) remote sensing system captured one-meter resolution imagery of 25 different riparian sites in drift Creek Basin of coastal northwestern Oregon, USA. ...

  Citation × Citation Citation Abstract Copy Title: Texture analysis riparian coniferous forest ADAR imagery to identify potential ecological indicators for monitoring Author: Fiorella, M., Barker, Jerry R., Ringold, P.L., Bradshaw, Gay, Bollman, Mike The Airborne Data Acquisition and Registration (ADAR) remote sensing system captured one-meter resolution imagery of 25 different riparian sites in drift Creek Basin of coastal northwestern Oregon, USA. The multispectral, digital data characterized riparian areas with the intent to develop ecological indicators for long-term monitoring. Title: Texture analysis riparian coniferous forest ADAR imagery to identify potential ecological indicators for monitoring Author: Fiorella, M., Barker, Jerry R., Ringold, P.L., Bradshaw, Gay, Bollman, Mike The Airborne Data Acquisition and Registration (ADAR) remote sensing system captured one-meter resolution imagery of 25 different riparian sites in drift Creek Basin of coastal northwestern Oregon, USA. The multispectral, digital data characterized riparian areas with the intent to develop ecological indicators for long-term monitoring. Close

• 48. [Article] 'Kalos thanatos': The ideology and iconography of the Demosion Sema at Athens in the 5th and 4th centuries BCE

  xiii, 136 p. : ill. (some col.)

  Citation × Citation Citation Abstract Copy Title: 'Kalos thanatos': The ideology and iconography of the Demosion Sema at Athens in the 5th and 4th centuries BCE Author: Masek, Brooke Heather Year: 2011 xiii, 136 p. : ill. (some col.) Title: 'Kalos thanatos': The ideology and iconography of the Demosion Sema at Athens in the 5th and 4th centuries BCE Author: Masek, Brooke Heather Year: 2011 xiii, 136 p. : ill. (some col.) Close

• 49. [Article] Everything that Rises Must Converge: For Piano and Orchestra

  1 score (ix, 83 p.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.

  Citation × Citation Citation Abstract Copy Title: Everything that Rises Must Converge: For Piano and Orchestra Author: Krause, Benjamin A., 1985- Year: 2010 1 score (ix, 83 p.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Title: Everything that Rises Must Converge: For Piano and Orchestra Author: Krause, Benjamin A., 1985- Year: 2010 1 score (ix, 83 p.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Close

• 50. [Article] Periglacial debris-flow initiation and susceptibility and glacier recession from imagery, airborne LiDAR, and ground-based mapping

  To the best of our knowledge, one or more authors of this paper were federal employees when contributing to this work. This is the publisher’s final pdf. The published article is copyrighted by Geological ...

  Citation × Citation Citation Abstract Copy Title: Periglacial debris-flow initiation and susceptibility and glacier recession from imagery, airborne LiDAR, and ground-based mapping Author: Copeland, Elizabeth A., Lancaster, Stephen T., Grant, Gordon E., Nolin, Anne W. To the best of our knowledge, one or more authors of this paper were federal employees when contributing to this work. This is the publisher’s final pdf. The published article is copyrighted by Geological Society of America and can be found at: http://www.geosociety.org/. Title: Periglacial debris-flow initiation and susceptibility and glacier recession from imagery, airborne LiDAR, and ground-based mapping Author: Copeland, Elizabeth A., Lancaster, Stephen T., Grant, Gordon E., Nolin, Anne W. To the best of our knowledge, one or more authors of this paper were federal employees when contributing to this work. This is the publisher’s final pdf. The published article is copyrighted by Geological Society of America and can be found at: http://www.geosociety.org/. Close