Search

Search Results

• 81. [Article] OTAI_Presentation_NWA_2013.ppt

  Citation × Citation Citation Abstract Copy Title: OTAI_Presentation_NWA_2013.ppt Author: Fernández, Natalia, O'Neal, Jennifer, Lewis, David Title: OTAI_Presentation_NWA_2013.ppt Author: Fernández, Natalia, O'Neal, Jennifer, Lewis, David Close

• 82. [Article] OTAI_Presentation_NWA_2013.pdf

  Citation × Citation Citation Abstract Copy Title: OTAI_Presentation_NWA_2013.pdf Author: Fernández, Natalia, O'Neal, Jennifer, Lewis, David Title: OTAI_Presentation_NWA_2013.pdf Author: Fernández, Natalia, O'Neal, Jennifer, Lewis, David Close

• 83. [Article] MotorykinOleksiiChemistryDeterminationParentHydroxy.pdf

  Citation × Citation Citation Abstract Copy Title: MotorykinOleksiiChemistryDeterminationParentHydroxy.pdf Author: Stone, David, Harris, Stuart, Sudakin, Daniel, Schrlau, Jill, Harper, Barbara, Jia, Yuling, Motorykin, Oleksii, Kile, Molly, Harding, Anna, Simonich, Staci L. Massey Title: MotorykinOleksiiChemistryDeterminationParentHydroxy.pdf Author: Stone, David, Harris, Stuart, Sudakin, Daniel, Schrlau, Jill, Harper, Barbara, Jia, Yuling, Motorykin, Oleksii, Kile, Molly, Harding, Anna, Simonich, Staci L. Massey Close

• 84. [Article] MotorykinOleksiiChemistryDeterminationParentHydroxy_SupportingInformation.pdf

  Citation × Citation Citation Abstract Copy Title: MotorykinOleksiiChemistryDeterminationParentHydroxy_SupportingInformation.pdf Author: Stone, David, Harris, Stuart, Sudakin, Daniel, Schrlau, Jill, Harper, Barbara, Jia, Yuling, Motorykin, Oleksii, Kile, Molly, Harding, Anna, Simonich, Staci L. Massey Title: MotorykinOleksiiChemistryDeterminationParentHydroxy_SupportingInformation.pdf Author: Stone, David, Harris, Stuart, Sudakin, Daniel, Schrlau, Jill, Harper, Barbara, Jia, Yuling, Motorykin, Oleksii, Kile, Molly, Harding, Anna, Simonich, Staci L. Massey Close

• 85. [Image] PH036_6211 Lee Moorhouse photographs

  	A Native American woman, dressed in Native American costume, is seated on a chair, in front of a wall filled with various Native American artifacts. The woman is wearing a headdress with horns and feathers, ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6211 Lee Moorhouse photographs Year: 1897 A Native American woman, dressed in Native American costume, is seated on a chair, in front of a wall filled with various Native American artifacts. The woman is wearing a headdress with horns and feathers, a beaded buckskin dress with beaded fringe, beaded leggings, and floral design moccasins. She has long braids, a beaded choker and beaded necklace, a shell necklace, copper bracelets, a ring, and is holding a beaded bag. A Pendleton blanket is draped over the chair. Hanging from the wall are assorted feathers and knives, decorative cords with tassels, posters, a photograph, swords with scabbards, floral design cradleboards, a horse bridle with reins, woven bags, a beaded floral design glove or gauntlet, leather goods, beadwork, a walking stick, and a tanned animal hide on which is painted a Native American man. There are several items on the floor, including another blanket, a bow and two empty quivers (one beaded, one plain), a tomahawk decorated with a fur tail, more loose feathers, and a woven basket. Title: PH036_6211 Lee Moorhouse photographs Year: 1897 A Native American woman, dressed in Native American costume, is seated on a chair, in front of a wall filled with various Native American artifacts. The woman is wearing a headdress with horns and feathers, a beaded buckskin dress with beaded fringe, beaded leggings, and floral design moccasins. She has long braids, a beaded choker and beaded necklace, a shell necklace, copper bracelets, a ring, and is holding a beaded bag. A Pendleton blanket is draped over the chair. Hanging from the wall are assorted feathers and knives, decorative cords with tassels, posters, a photograph, swords with scabbards, floral design cradleboards, a horse bridle with reins, woven bags, a beaded floral design glove or gauntlet, leather goods, beadwork, a walking stick, and a tanned animal hide on which is painted a Native American man. There are several items on the floor, including another blanket, a bow and two empty quivers (one beaded, one plain), a tomahawk decorated with a fur tail, more loose feathers, and a woven basket. Close

• 86. [Image] WCPA 238-9

  	Warm Springs Native Americans
  	Citation × Citation Citation Abstract Copy Title: WCPA 238-9 Warm Springs Native Americans Title: WCPA 238-9 Warm Springs Native Americans Close

• 87. [Image] WCPA 212A-23

  	Notice that the Native American has snagged the fish instead of hooking it
  	Citation × Citation Citation Abstract Copy Title: WCPA 212A-23 Notice that the Native American has snagged the fish instead of hooking it Title: WCPA 212A-23 Notice that the Native American has snagged the fish instead of hooking it Close

• 88. [Image] WCPA 212A-29

  	Celilo Native American youngsters
  	Citation × Citation Citation Abstract Copy Title: WCPA 212A-29 Celilo Native American youngsters Title: WCPA 212A-29 Celilo Native American youngsters Close

• 89. [Image] WCPA 238-12

  	Native American Madonna
  	Citation × Citation Citation Abstract Copy Title: WCPA 238-12 Native American Madonna Title: WCPA 238-12 Native American Madonna Close

• 90. [Image] WCPA 238-8

  	Celilo Native American with fishnet - 1905
  	Citation × Citation Citation Abstract Copy Title: WCPA 238-8 Year: 1905 Celilo Native American with fishnet - 1905 Title: WCPA 238-8 Year: 1905 Celilo Native American with fishnet - 1905 Close

• 91. [Image] WCPA 212A-34

  	Beautiful Native Americans
  	Citation × Citation Citation Abstract Copy Title: WCPA 212A-34 Beautiful Native Americans Title: WCPA 212A-34 Beautiful Native Americans Close

• 92. [Article] Imagining them, reimagining ourselves : a case study of cultural appropriation and the politics of identity

  Several popular cultural movements emphasizing indigenous spirituality have arisen in the United States and Europe within the past thirty years. Spiritual discourses attributed to Native Americans, among ...

  Citation × Citation Citation Abstract Copy Title: Imagining them, reimagining ourselves : a case study of cultural appropriation and the politics of identity Author: Smith-Nolan, Mary K. Several popular cultural movements emphasizing indigenous spirituality have arisen in the United States and Europe within the past thirty years. Spiritual discourses attributed to Native Americans, among other groups, are borrowed by Euro-Americans in search of alternatives to dominant ideologies. In such a circumstance, Native Americans become part of a constructed and colonized homogenous category of indigenous people, considered by Euro-Americans as naturally close to the earth and essentially spiritual. The so-called New Age movement has, within it, several sub-movements, which are particularly noted for their emphasis on perceived Native American spiritualism. The Red Cedar Circle, made up primarily of white Americans, focuses on the Si.si.wiss Medicine of the Pacific Northwest Coast, and can be described as falling under the definitional heading of the New Age. The suppression and transformation of the heterogeneous reality of indigenous societies by the imaginings of the Euro-American dominant, has many ethical implications, as does cultural appropriation in a situation of major power differentials. Native communities are becoming increasingly outspoken in their opposition to the practice of Indian, or pseudo-Indian, religions by non-Natives. Many consider such practices to be morally suspect. Both Native and non-Native social critics feel that New Age practitioners involved in appropriated and popularized versions of indigenous religions, are interpreting and using aspects of traditionally subjugated cultures to meet their own needs. What may appear to be a harmless search for enlightenment by Europeans and Euro-Americans might have very real negative consequences for actual Native American lives. This study is based on participant observation of the Corvallis, Oregon Red Cedar Circle, and interviews with its members from June of 1991 to April of 1994. Analysis of data from New Age literature was also conducted, as well as an historical overview of the 'Nobel Savage' myth in Western cultures. Interviews with members of the local Native American community were carried out for feedback on how a given population of Native Americans perceives the Euro-American practice of Native spirituality. The data supports the supposition that cultural borrowing, or appropriation, is both a cause of, and a reaction to, the instability of cultural identity in late twentieth-century America. Title: Imagining them, reimagining ourselves : a case study of cultural appropriation and the politics of identity Author: Smith-Nolan, Mary K. Several popular cultural movements emphasizing indigenous spirituality have arisen in the United States and Europe within the past thirty years. Spiritual discourses attributed to Native Americans, among other groups, are borrowed by Euro-Americans in search of alternatives to dominant ideologies. In such a circumstance, Native Americans become part of a constructed and colonized homogenous category of indigenous people, considered by Euro-Americans as naturally close to the earth and essentially spiritual. The so-called New Age movement has, within it, several sub-movements, which are particularly noted for their emphasis on perceived Native American spiritualism. The Red Cedar Circle, made up primarily of white Americans, focuses on the Si.si.wiss Medicine of the Pacific Northwest Coast, and can be described as falling under the definitional heading of the New Age. The suppression and transformation of the heterogeneous reality of indigenous societies by the imaginings of the Euro-American dominant, has many ethical implications, as does cultural appropriation in a situation of major power differentials. Native communities are becoming increasingly outspoken in their opposition to the practice of Indian, or pseudo-Indian, religions by non-Natives. Many consider such practices to be morally suspect. Both Native and non-Native social critics feel that New Age practitioners involved in appropriated and popularized versions of indigenous religions, are interpreting and using aspects of traditionally subjugated cultures to meet their own needs. What may appear to be a harmless search for enlightenment by Europeans and Euro-Americans might have very real negative consequences for actual Native American lives. This study is based on participant observation of the Corvallis, Oregon Red Cedar Circle, and interviews with its members from June of 1991 to April of 1994. Analysis of data from New Age literature was also conducted, as well as an historical overview of the 'Nobel Savage' myth in Western cultures. Interviews with members of the local Native American community were carried out for feedback on how a given population of Native Americans perceives the Euro-American practice of Native spirituality. The data supports the supposition that cultural borrowing, or appropriation, is both a cause of, and a reaction to, the instability of cultural identity in late twentieth-century America. Close

• 93. [Image] PH036_6231 Lee Moorhouse photographs; Lee Moorhouse collection of Indian costumes and artifacts

  	A woman wearing Native American clothing stands behind a collection of Native American baskets identified as belonging to Lee Moorhouse. Some of the baskets are beaded and many have geometric patterns ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6231 Lee Moorhouse photographs; Lee Moorhouse collection of Indian costumes and artifacts Year: 1897 A woman wearing Native American clothing stands behind a collection of Native American baskets identified as belonging to Lee Moorhouse. Some of the baskets are beaded and many have geometric patterns or designs. Title: PH036_6231 Lee Moorhouse photographs; Lee Moorhouse collection of Indian costumes and artifacts Year: 1897 A woman wearing Native American clothing stands behind a collection of Native American baskets identified as belonging to Lee Moorhouse. Some of the baskets are beaded and many have geometric patterns or designs. Close

• 94. [Image] PH036_6447 Lee Moorhouse photographs; Three Native American men with blankets

  	Three Native American men, wearing wool blankets over their clothing, stand inside an office or store. A hat rests at one man's feet. The image is overexposed.
  	Citation × Citation Citation Abstract Copy Title: PH036_6447 Lee Moorhouse photographs; Three Native American men with blankets Year: 1897 Three Native American men, wearing wool blankets over their clothing, stand inside an office or store. A hat rests at one man's feet. The image is overexposed. Title: PH036_6447 Lee Moorhouse photographs; Three Native American men with blankets Year: 1897 Three Native American men, wearing wool blankets over their clothing, stand inside an office or store. A hat rests at one man's feet. The image is overexposed. Close

• 95. [Image] Native American women in front of shelter

  	Two Native American women wearing basket hats sit in front of shelter
  	Citation × Citation Citation Abstract Copy Title: Native American women in front of shelter Author: Southern Oregon Historical Society Two Native American women wearing basket hats sit in front of shelter Title: Native American women in front of shelter Author: Southern Oregon Historical Society Two Native American women wearing basket hats sit in front of shelter Close

• 96. [Image] Native American girl

  	Native American girl in traditional buckskin dress; hawk feather decoration on sleeve; basket hat
  	Citation × Citation Citation Abstract Copy Title: Native American girl Author: Maud Baldwin (Baldwin Art Studio: Klamath Falls, Or., 1902-1920), Southern Oregon Historical Society Year: 1909 Native American girl in traditional buckskin dress; hawk feather decoration on sleeve; basket hat Title: Native American girl Author: Maud Baldwin (Baldwin Art Studio: Klamath Falls, Or., 1902-1920), Southern Oregon Historical Society Year: 1909 Native American girl in traditional buckskin dress; hawk feather decoration on sleeve; basket hat Close

• 97. [Article] Mapping the Participatory Process

  This presentation explores the use of Practice-Based Evidence methodologies to support social work with Native American youth. It is based on a five-year collaborative effort between the Native American ...

  Citation × Citation Citation Abstract Copy Title: Mapping the Participatory Process Author: Friesen, Barbara J., Gowen, L. Kris, Jivanjee, Pauline, Bandurraga, Abby Year: 2009 This presentation explores the use of Practice-Based Evidence methodologies to support social work with Native American youth. It is based on a five-year collaborative effort between the Native American Youth and Family Center, National Indian Child Welfare Association, and the Research and Training Center on Family Support and Children's Mental Health. The researchers aims were to develop strategies for documenting the effectiveness of services, and to develop a process for conducting evaluations based on known outcomes of community based programs. Title: Mapping the Participatory Process Author: Friesen, Barbara J., Gowen, L. Kris, Jivanjee, Pauline, Bandurraga, Abby Year: 2009 This presentation explores the use of Practice-Based Evidence methodologies to support social work with Native American youth. It is based on a five-year collaborative effort between the Native American Youth and Family Center, National Indian Child Welfare Association, and the Research and Training Center on Family Support and Children's Mental Health. The researchers aims were to develop strategies for documenting the effectiveness of services, and to develop a process for conducting evaluations based on known outcomes of community based programs. Close

• 98. [Article] Native American Young People in the Transition to Adulthood: Perceptions of Challenges and Supports

  This presentation focuses on native American youth and how work with this population can be improved by following the Relational World View as a theoretical framework. Discusses practice-based evidence ...

  Citation × Citation Citation Abstract Copy Title: Native American Young People in the Transition to Adulthood: Perceptions of Challenges and Supports Author: Cross, Terry L., Jivanjee, Pauline, Bandurraga, Abby, Friesen, Barbara J., Gowen, L. Kris, Matthew, Cori Year: 2013 This presentation focuses on native American youth and how work with this population can be improved by following the Relational World View as a theoretical framework. Discusses practice-based evidence findings and development of the NAYA Assessment Tool, and the Finding Our Way study methods. Findings of the study explore young people's perceptions of challenges, needs and supports. Finally, the presenters discuss expansion of the assessment tool to address transition domains. Title: Native American Young People in the Transition to Adulthood: Perceptions of Challenges and Supports Author: Cross, Terry L., Jivanjee, Pauline, Bandurraga, Abby, Friesen, Barbara J., Gowen, L. Kris, Matthew, Cori Year: 2013 This presentation focuses on native American youth and how work with this population can be improved by following the Relational World View as a theoretical framework. Discusses practice-based evidence findings and development of the NAYA Assessment Tool, and the Finding Our Way study methods. Findings of the study explore young people's perceptions of challenges, needs and supports. Finally, the presenters discuss expansion of the assessment tool to address transition domains. Close

• 99. [Image] PH036_5432 Lee Moorhouse photographs

  	A sweat house on the Umatilla Indian Reservation is located in the middle of the photograph. A Native American man and a Native American woman, dressed in tribal garments, are standing in front of a tipi ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5432 Lee Moorhouse photographs Year: 1900 A sweat house on the Umatilla Indian Reservation is located in the middle of the photograph. A Native American man and a Native American woman, dressed in tribal garments, are standing in front of a tipi located behind and to the left of the sweat house. A river is in the background. Title: PH036_5432 Lee Moorhouse photographs Year: 1900 A sweat house on the Umatilla Indian Reservation is located in the middle of the photograph. A Native American man and a Native American woman, dressed in tribal garments, are standing in front of a tipi located behind and to the left of the sweat house. A river is in the background. Close

• 100. [Image] PH036_2227 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon ; Elephant Rock, near Gibbon, Oregon

  	A Native American man sits in front of Elephant rock. He is wearing a cloth robe and has a long braid. The landscape looks arid and rocky. Elephant rock is a large, craggy rock fromation, shaped like an ...
  	Citation × Citation Citation Abstract Copy Title: PH036_2227 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon ; Elephant Rock, near Gibbon, Oregon Year: 1897 A Native American man sits in front of Elephant rock. He is wearing a cloth robe and has a long braid. The landscape looks arid and rocky. Elephant rock is a large, craggy rock fromation, shaped like an elephant. The image is a stereograph. Title: PH036_2227 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon ; Elephant Rock, near Gibbon, Oregon Year: 1897 A Native American man sits in front of Elephant rock. He is wearing a cloth robe and has a long braid. The landscape looks arid and rocky. Elephant rock is a large, craggy rock fromation, shaped like an elephant. The image is a stereograph. Close