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• 751. [Article] The Uneven Geography of River Conservation In The U.S.: Insights From The Application Of The Wild And Scenic Rivers Act

  Rivers are vital for sustaining biodiversity and human development, yet globally only a small fraction of rivers enjoy protection and those with protections are often impaired or modified. Rapid rates ...

  Citation × Citation Citation Abstract Copy Title: The Uneven Geography of River Conservation In The U.S.: Insights From The Application Of The Wild And Scenic Rivers Act Author: Perry, Denielle Year: 2017 Rivers are vital for sustaining biodiversity and human development, yet globally only a small fraction of rivers enjoy protection and those with protections are often impaired or modified. Rapid rates of freshwater species’ extinctions indicate current conservation practices are failing. Despite over fifty years of scientific evidence justifying river conservation, it remains that less attention is focused on protecting ecosystems than on developing water resources for economic growth. This disparity is indicative of the ‘nature as resource’ versus ‘conservation of nature’ paradigm. Today, this paradigm is complicated by new attentions centering both on water resource development projects and conservation policy as climate change adaptation strategies. Policies protecting rivers are recommended for contending with more intense storms and flooding, increasing resilience for species, forests, and agricultural areas, and fostering some types of water security. Creating, implementing, and managing climate adaptation policies will require a strong state presence in water resource governance. We know, however, the aforementioned paradigm hinders conservation policymaking. Therefore, understanding how conservation policy has already been rationalized, implemented, and managed is critical to advancing climate adaptation policymaking. Yet, little empirical research has been conducted on federal river conservation policy creation or application across the U.S. To that end, this dissertation, presented in three discrete original research articles, examines the United States National Wild and Scenic Rivers System. Specifically, this study investigates the socio-ecological drivers behind the creation of the Wild and Scenic Rivers Act of 1968 (WSRA hereinafter) and the spatial dimensions of the policy’s application and management over time. This study is grounded empirically in extensive archival materials, interviews with federal land management agency personnel, conservation advocates, and technical experts, as well as spatial and temporal analysis of a geodatabase. Together, these methods were employed to answer the following research questions which guide this study: (1) What factors influence the temporal and spatial distribution of river segments protected under the Wild & Scenic Rivers Act? (2) What does the history of management in designated segments suggest about emerging trends and patterns in river conservation? (3) How are competing environmental values and ideologies understood and reconciled in the context of river conservation? Title: The Uneven Geography of River Conservation In The U.S.: Insights From The Application Of The Wild And Scenic Rivers Act Author: Perry, Denielle Year: 2017 Rivers are vital for sustaining biodiversity and human development, yet globally only a small fraction of rivers enjoy protection and those with protections are often impaired or modified. Rapid rates of freshwater species’ extinctions indicate current conservation practices are failing. Despite over fifty years of scientific evidence justifying river conservation, it remains that less attention is focused on protecting ecosystems than on developing water resources for economic growth. This disparity is indicative of the ‘nature as resource’ versus ‘conservation of nature’ paradigm. Today, this paradigm is complicated by new attentions centering both on water resource development projects and conservation policy as climate change adaptation strategies. Policies protecting rivers are recommended for contending with more intense storms and flooding, increasing resilience for species, forests, and agricultural areas, and fostering some types of water security. Creating, implementing, and managing climate adaptation policies will require a strong state presence in water resource governance. We know, however, the aforementioned paradigm hinders conservation policymaking. Therefore, understanding how conservation policy has already been rationalized, implemented, and managed is critical to advancing climate adaptation policymaking. Yet, little empirical research has been conducted on federal river conservation policy creation or application across the U.S. To that end, this dissertation, presented in three discrete original research articles, examines the United States National Wild and Scenic Rivers System. Specifically, this study investigates the socio-ecological drivers behind the creation of the Wild and Scenic Rivers Act of 1968 (WSRA hereinafter) and the spatial dimensions of the policy’s application and management over time. This study is grounded empirically in extensive archival materials, interviews with federal land management agency personnel, conservation advocates, and technical experts, as well as spatial and temporal analysis of a geodatabase. Together, these methods were employed to answer the following research questions which guide this study: (1) What factors influence the temporal and spatial distribution of river segments protected under the Wild & Scenic Rivers Act? (2) What does the history of management in designated segments suggest about emerging trends and patterns in river conservation? (3) How are competing environmental values and ideologies understood and reconciled in the context of river conservation? Close

• 752. [Article] Late Quaternary and Holocene Paleoecology of Interior Mesic Forests of Northern Idaho

  The mesic forests distributed within the Rocky Mountains of northern Idaho are unique because many species contained within the forest are separated from their main distribution along the Pacific Northwest ...

  Citation × Citation Citation Abstract Copy Title: Late Quaternary and Holocene Paleoecology of Interior Mesic Forests of Northern Idaho Author: Herring, Erin Year: 2014 The mesic forests distributed within the Rocky Mountains of northern Idaho are unique because many species contained within the forest are separated from their main distribution along the Pacific Northwest coast. It remains unclear whether most species within the inland disjunction survived the glacial periods of the Pleistocene, or whether they were more recently dispersed from coastal populations. To see if the dominant tree taxa of the mesic forests today could have persisted in a refugium south of the large ice sheets, four sediment cores were used to reconstruct the vegetation and climate history of the region. A nearly continuous record of pollen and sediment composition (biogenic silica and inorganic and organic matter) over the last ca. 120,000 years provides evidence of a dynamic ecosystem. Over a long timescale, the slow shifts in vegetation are attributed to the changes in climate. During the last interglacial period, the region was warmer and drier with a Pinus dominated mixed conifer forest. Approximately 71,000 years ago, a Pseudotsuga/Larix forest became established in the area as a response to the increased available moisture. As climate cooled and glaciers expanded the Pinus and Picea forest was the dominant vegetation type until ca. 40,000 years ago. The environment during the Last Glacial Maximum (LGM) was so harsh that no vegetation record was recorded. After the LGM, climate warmed, enabling a Pinus and Picea forest to establish and persist until the Holocene. The mesic taxa that dominate the modern forests did not arrive in northern Idaho until the mid- to late-Holocene. The recent arrival of the dominant tree species, Thuja plicata and Tsuga mertensiana, suggests that they likely did not persist in a refugium during the last glaciation. Instead, these species recently dispersed from coastal populations, but expansion into their interior distributions was likely limited by both climate and species competition in already established forests. During the late-Quaternary, the deposition of thick tephra layers (>20 cm) from the eruptions of Glacier Peak (ca. 13,400 years ago) and Mt. Mazama (ca. 7,600 years ago) also facilitated an abrupt and persistent change in vegetation in northern Idaho. Title: Late Quaternary and Holocene Paleoecology of Interior Mesic Forests of Northern Idaho Author: Herring, Erin Year: 2014 The mesic forests distributed within the Rocky Mountains of northern Idaho are unique because many species contained within the forest are separated from their main distribution along the Pacific Northwest coast. It remains unclear whether most species within the inland disjunction survived the glacial periods of the Pleistocene, or whether they were more recently dispersed from coastal populations. To see if the dominant tree taxa of the mesic forests today could have persisted in a refugium south of the large ice sheets, four sediment cores were used to reconstruct the vegetation and climate history of the region. A nearly continuous record of pollen and sediment composition (biogenic silica and inorganic and organic matter) over the last ca. 120,000 years provides evidence of a dynamic ecosystem. Over a long timescale, the slow shifts in vegetation are attributed to the changes in climate. During the last interglacial period, the region was warmer and drier with a Pinus dominated mixed conifer forest. Approximately 71,000 years ago, a Pseudotsuga/Larix forest became established in the area as a response to the increased available moisture. As climate cooled and glaciers expanded the Pinus and Picea forest was the dominant vegetation type until ca. 40,000 years ago. The environment during the Last Glacial Maximum (LGM) was so harsh that no vegetation record was recorded. After the LGM, climate warmed, enabling a Pinus and Picea forest to establish and persist until the Holocene. The mesic taxa that dominate the modern forests did not arrive in northern Idaho until the mid- to late-Holocene. The recent arrival of the dominant tree species, Thuja plicata and Tsuga mertensiana, suggests that they likely did not persist in a refugium during the last glaciation. Instead, these species recently dispersed from coastal populations, but expansion into their interior distributions was likely limited by both climate and species competition in already established forests. During the late-Quaternary, the deposition of thick tephra layers (>20 cm) from the eruptions of Glacier Peak (ca. 13,400 years ago) and Mt. Mazama (ca. 7,600 years ago) also facilitated an abrupt and persistent change in vegetation in northern Idaho. Close

• 753. [Article] Lyric Poetry, Conservative Poetics, and the Rise of Fascism

  As fascist movements took hold across Europe in the 1920s and 1930s, there emerged a body of lyric poetry concerned with revolution, authority, heroism, sacrifice, community, heritage, and national identity. ...

  Citation × Citation Citation Abstract Copy Title: Lyric Poetry, Conservative Poetics, and the Rise of Fascism Author: Lisiecki, Chet Year: 2014 As fascist movements took hold across Europe in the 1920s and 1930s, there emerged a body of lyric poetry concerned with revolution, authority, heroism, sacrifice, community, heritage, and national identity. While the Nazi rise to power saw the deception, persecution, and brutalization of conservatives both in the Reichstag and in the streets, these themes resonated with fascists and conservatives alike, particularly in Germany. Whether they welcomed the new regime out of fear or opportunism, many conservative beneficiaries of National Socialism shared, and celebrated in poetry, the same ideological principles as the fascists. Such thematic continuities have made it seem as though certain conservative writers, including T. S. Eliot, Stefan George, and Hugo von Hofmannsthal, were proto-fascist, their work cohering around criteria consonant with fascist ideology. My dissertation, however, emphasizes the limits of such cohesion, arguing that fascist poetry rejects, whereas conservative poetry affirms, the possibility of indeterminacy and inadequacy. While the fascist poem blindly believes it can effect material political change, the conservative poem affirms the failure of its thematic content to correspond entirely to material political reality. It displays neither pure political commitment nor aesthetic autonomy, suspending these categories in an unresolved tension. Paul de Man's work on allegory hinges on identifying a reading practice that addresses this space between political commitment and aesthetic autonomy. His tendency to forget the immanence of history, however, is problematic in the context of fascism. Considering rhetorical formalism alongside dialectical materialism, in particular Adorno's essay "Lyric Poetry and Society," allows for a more rounded and ethical methodological approach. The poetic dramatization of the very indeterminacy that historically constituted conservative politics in late-Weimar Germany both distinguishes the conservative from the fascist poem while also accounting for its complicity. Fascism necessitated widespread and wild enthusiasm, but it also succeeded through the (unintentional) proliferation of political indifference as registered, for example, by the popularity of entertainment literature. While the work of certain conservative high modernists reflected critically on its own failures, such indeterminacy nonetheless resembles the failure to politically commit oneself against institutionalized violence and systematic oppression. Title: Lyric Poetry, Conservative Poetics, and the Rise of Fascism Author: Lisiecki, Chet Year: 2014 As fascist movements took hold across Europe in the 1920s and 1930s, there emerged a body of lyric poetry concerned with revolution, authority, heroism, sacrifice, community, heritage, and national identity. While the Nazi rise to power saw the deception, persecution, and brutalization of conservatives both in the Reichstag and in the streets, these themes resonated with fascists and conservatives alike, particularly in Germany. Whether they welcomed the new regime out of fear or opportunism, many conservative beneficiaries of National Socialism shared, and celebrated in poetry, the same ideological principles as the fascists. Such thematic continuities have made it seem as though certain conservative writers, including T. S. Eliot, Stefan George, and Hugo von Hofmannsthal, were proto-fascist, their work cohering around criteria consonant with fascist ideology. My dissertation, however, emphasizes the limits of such cohesion, arguing that fascist poetry rejects, whereas conservative poetry affirms, the possibility of indeterminacy and inadequacy. While the fascist poem blindly believes it can effect material political change, the conservative poem affirms the failure of its thematic content to correspond entirely to material political reality. It displays neither pure political commitment nor aesthetic autonomy, suspending these categories in an unresolved tension. Paul de Man's work on allegory hinges on identifying a reading practice that addresses this space between political commitment and aesthetic autonomy. His tendency to forget the immanence of history, however, is problematic in the context of fascism. Considering rhetorical formalism alongside dialectical materialism, in particular Adorno's essay "Lyric Poetry and Society," allows for a more rounded and ethical methodological approach. The poetic dramatization of the very indeterminacy that historically constituted conservative politics in late-Weimar Germany both distinguishes the conservative from the fascist poem while also accounting for its complicity. Fascism necessitated widespread and wild enthusiasm, but it also succeeded through the (unintentional) proliferation of political indifference as registered, for example, by the popularity of entertainment literature. While the work of certain conservative high modernists reflected critically on its own failures, such indeterminacy nonetheless resembles the failure to politically commit oneself against institutionalized violence and systematic oppression. Close

• 754. [Article] God and the Novel: Religion and Secularization in Antebellum American Fiction

  My dissertation argues that the study of antebellum American religious novels is hindered by the secularization narrative, the widely held conviction that modernity entails the decline of religion. Because ...

  Citation × Citation Citation Abstract Copy Title: God and the Novel: Religion and Secularization in Antebellum American Fiction Author: Wilkes, Kristin Year: 2015 My dissertation argues that the study of antebellum American religious novels is hindered by the secularization narrative, the widely held conviction that modernity entails the decline of religion. Because this narrative has been refuted by the growing field of secularization theory and because the novel is associated with modernity, the novel form must be reexamined. Specifically, I challenge the common definition of the novel as a secular form. By investigating novels by Lydia Maria Child, Susan Warner, Harriet Beecher Stowe, and Hannah Bond, I show that religion and the novel form are not opposed. In fact, scholars' unexamined and unacknowledged definitions of religion and secularity cause imprecision. For example, the Marxist definition of religion as ideology causes misrepresentations of novels with evangelical purposes, such as Warner's <i>The Wide, Wide World</i> and Bond's <i>The Bondwoman's Narrative</i>. Both novels feature protagonists who submit--one to patriarchy and the other to slavery--a stance that appears masochistic to feminist scholars and critics of slave narratives, respectively. However, attending to the biblical allusions, divine interventions, and theological arguments that saturate these texts places them in another framework altogether and reveals that they are commenting not on one's relationship with other humans but with God. Likewise, unexamined definitions of the secular are problematic because critics often conflate two definitions: the etymological sense of "earthly" and the modern sense of "anti-religious." This slippage underlies the view that religious literature of the nineteenth century became less religious, when it simply became more grounded in daily life. Therefore, to label as "secular" an author like Stowe, who promoted an earthly, lived Christianity, is only accurate if one means "mundane." Finally, my dissertation demonstrates that literary criticism itself relies on the secularization narrative, perceiving itself as modern and progressive. This reliance obscures the role literature has played in constructing this narrative. For example, colonial novels like <i>Hobomok</i> and <i>The Scarlet Letter</i> rewrite American religious history to exclude Calvinism. Noting how our investment in secularity has delimited interpretive possibilities, this project opens the way for increased clarity in the study of religion in literature. Title: God and the Novel: Religion and Secularization in Antebellum American Fiction Author: Wilkes, Kristin Year: 2015 My dissertation argues that the study of antebellum American religious novels is hindered by the secularization narrative, the widely held conviction that modernity entails the decline of religion. Because this narrative has been refuted by the growing field of secularization theory and because the novel is associated with modernity, the novel form must be reexamined. Specifically, I challenge the common definition of the novel as a secular form. By investigating novels by Lydia Maria Child, Susan Warner, Harriet Beecher Stowe, and Hannah Bond, I show that religion and the novel form are not opposed. In fact, scholars' unexamined and unacknowledged definitions of religion and secularity cause imprecision. For example, the Marxist definition of religion as ideology causes misrepresentations of novels with evangelical purposes, such as Warner's <i>The Wide, Wide World</i> and Bond's <i>The Bondwoman's Narrative</i>. Both novels feature protagonists who submit--one to patriarchy and the other to slavery--a stance that appears masochistic to feminist scholars and critics of slave narratives, respectively. However, attending to the biblical allusions, divine interventions, and theological arguments that saturate these texts places them in another framework altogether and reveals that they are commenting not on one's relationship with other humans but with God. Likewise, unexamined definitions of the secular are problematic because critics often conflate two definitions: the etymological sense of "earthly" and the modern sense of "anti-religious." This slippage underlies the view that religious literature of the nineteenth century became less religious, when it simply became more grounded in daily life. Therefore, to label as "secular" an author like Stowe, who promoted an earthly, lived Christianity, is only accurate if one means "mundane." Finally, my dissertation demonstrates that literary criticism itself relies on the secularization narrative, perceiving itself as modern and progressive. This reliance obscures the role literature has played in constructing this narrative. For example, colonial novels like <i>Hobomok</i> and <i>The Scarlet Letter</i> rewrite American religious history to exclude Calvinism. Noting how our investment in secularity has delimited interpretive possibilities, this project opens the way for increased clarity in the study of religion in literature. Close

• 755. [Article] Radical Epistemologies in Twenty-First Century Trans* Life Narratives

  This dissertation explores how life narratives created by trans*-identified people (transsexual, transgender, genderqueer, and other non-binary identities included in the term’s asterisk) imagine new categories ...

  Citation × Citation Citation Abstract Copy Title: Radical Epistemologies in Twenty-First Century Trans* Life Narratives Author: Rondot, Sarah Ray Year: 2016 This dissertation explores how life narratives created by trans*-identified people (transsexual, transgender, genderqueer, and other non-binary identities included in the term’s asterisk) imagine new categories by re-working familiar stories; trans* life narratives are thus indispensable for comprehending how gender, identity, and self shape each other across social contexts in relation to dominant cultural narratives and embedded epistemologies. Prevailing U.S. ideologies (created and maintained through medical and media discourses) conceive of trans* identity through a binary formation, reinforce trans* people as objects who exist for nontrans* consumers, and rationalize trans* people as trapped within improper bodies or liberated within surgically constructed new ones. In opposition, twenty-first century narratives by filmmakers Jules Rosskam and Gwen Tara Haworth, autobiographers Jennifer Finley Boylan and Alex Drummond and YouTube digital storytellers Ky Ford and Skylar Kergil imagine trans* identity as productive – the goal is not to explain or justify gender diversity but to embrace it and to continue to widen its collective scope. The twenty-first century narratives I analyze reconceptualize trans* identity as viable with or without medical intervention and articulate a whole, continuous subject rather than a subject split between pre- and post-transition. Evoking a new historical moment, these life writers and media producers celebrate their identity in spite of or even because of the transphobia they experience. In so doing, radical trans* life narratives exemplify how medical models and popular media fail those who they purport to protect and represent. Gender is an identity as well as a social and historical process, which is constantly open to investigation. If laying claim to an identity makes subjects, as Michel Foucault argues, the process also occurs bi-directionally: identities come into existence through the act of naming and narrating them. As more individuals articulate what it means to be trans*, personal and collective knowledges will expand to include a range of diverse subjectivities, some of which have yet to be narrated into existence. Title: Radical Epistemologies in Twenty-First Century Trans* Life Narratives Author: Rondot, Sarah Ray Year: 2016 This dissertation explores how life narratives created by trans*-identified people (transsexual, transgender, genderqueer, and other non-binary identities included in the term’s asterisk) imagine new categories by re-working familiar stories; trans* life narratives are thus indispensable for comprehending how gender, identity, and self shape each other across social contexts in relation to dominant cultural narratives and embedded epistemologies. Prevailing U.S. ideologies (created and maintained through medical and media discourses) conceive of trans* identity through a binary formation, reinforce trans* people as objects who exist for nontrans* consumers, and rationalize trans* people as trapped within improper bodies or liberated within surgically constructed new ones. In opposition, twenty-first century narratives by filmmakers Jules Rosskam and Gwen Tara Haworth, autobiographers Jennifer Finley Boylan and Alex Drummond and YouTube digital storytellers Ky Ford and Skylar Kergil imagine trans* identity as productive – the goal is not to explain or justify gender diversity but to embrace it and to continue to widen its collective scope. The twenty-first century narratives I analyze reconceptualize trans* identity as viable with or without medical intervention and articulate a whole, continuous subject rather than a subject split between pre- and post-transition. Evoking a new historical moment, these life writers and media producers celebrate their identity in spite of or even because of the transphobia they experience. In so doing, radical trans* life narratives exemplify how medical models and popular media fail those who they purport to protect and represent. Gender is an identity as well as a social and historical process, which is constantly open to investigation. If laying claim to an identity makes subjects, as Michel Foucault argues, the process also occurs bi-directionally: identities come into existence through the act of naming and narrating them. As more individuals articulate what it means to be trans*, personal and collective knowledges will expand to include a range of diverse subjectivities, some of which have yet to be narrated into existence. Close

• 756. [Article] Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals

  This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins ...

  Citation × Citation Citation Abstract Copy Title: Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals Author: Roberts, Rosalie Year: 2016 This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and aesthetics that late nineteenth-century literary regionalism shares with the Arts and Crafts Movement. Despite considerable feminist critical accomplishments, scholarship on regionalism has yet to relate its rural folkways, feminine aesthetics, and anti-urban stance to similar ideals in the Arts and Crafts Movement. Jewett, Austin, Chopin, and Freeman all depict the challenges of the regional woman artist in order to oppose the uniformity and conventionality of urban modernity. They were not alone in engaging these concerns: they shared these interests with period feminists, sexual radicals, and advocates of the Arts and Crafts Movement like John Ruskin and William Morris, all of whom deeply questioned industrial capitalism and modernization. Jewett, Austin, Chopin, and Freeman envisioned women’s Arts and Crafts communities that appealed to readers through narratives that detailed the potential uniqueness of homemade decorative arts and other aspects of women’s material culture. For Arts and Crafts advocates and regionalists, handcrafted goods made using local folk methods and natural materials fulfilled what they saw as the aesthetic requirements for artistic self-definition: The Country of the Pointed Firs and The Land of Little Rain embrace the destabilizing effect queer and feminist characters have on a presumably heterosexual domestic environment, and they formally resist the narrative structures of industrial modernity, emphasizing the Arts and Crafts ideal union between woman artist, natural environment, and communal bonds. The Awakening and The Portion of Labor expose the suffocating impact of industrial capitalism and sexism on women artists who strive for connection with their local environments and communities and cannot achieve their creative goals. I prove that all four texts do more than simply interpret regionalism through the Arts and Crafts Movement as a means to launch their critiques of industrial modernity, they transform the meaning of regionalist Arts and Crafts aesthetics and politics in late nineteenth-century American literature. Title: Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals Author: Roberts, Rosalie Year: 2016 This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and aesthetics that late nineteenth-century literary regionalism shares with the Arts and Crafts Movement. Despite considerable feminist critical accomplishments, scholarship on regionalism has yet to relate its rural folkways, feminine aesthetics, and anti-urban stance to similar ideals in the Arts and Crafts Movement. Jewett, Austin, Chopin, and Freeman all depict the challenges of the regional woman artist in order to oppose the uniformity and conventionality of urban modernity. They were not alone in engaging these concerns: they shared these interests with period feminists, sexual radicals, and advocates of the Arts and Crafts Movement like John Ruskin and William Morris, all of whom deeply questioned industrial capitalism and modernization. Jewett, Austin, Chopin, and Freeman envisioned women’s Arts and Crafts communities that appealed to readers through narratives that detailed the potential uniqueness of homemade decorative arts and other aspects of women’s material culture. For Arts and Crafts advocates and regionalists, handcrafted goods made using local folk methods and natural materials fulfilled what they saw as the aesthetic requirements for artistic self-definition: The Country of the Pointed Firs and The Land of Little Rain embrace the destabilizing effect queer and feminist characters have on a presumably heterosexual domestic environment, and they formally resist the narrative structures of industrial modernity, emphasizing the Arts and Crafts ideal union between woman artist, natural environment, and communal bonds. The Awakening and The Portion of Labor expose the suffocating impact of industrial capitalism and sexism on women artists who strive for connection with their local environments and communities and cannot achieve their creative goals. I prove that all four texts do more than simply interpret regionalism through the Arts and Crafts Movement as a means to launch their critiques of industrial modernity, they transform the meaning of regionalist Arts and Crafts aesthetics and politics in late nineteenth-century American literature. Close

• 757. [Article] The "Mourning Child": Divine and Mortal Absence in George Herbert's English and Classical Verse

  The period of tumultuous religious reformation during which George Herbert lived demanded of people a strict adherence to the paradigmatic structures that prescribed the ways in which public displays of ...

  Citation × Citation Citation Abstract Copy Title: The "Mourning Child": Divine and Mortal Absence in George Herbert's English and Classical Verse Author: Morton-Starner, Erica Year: 2016 The period of tumultuous religious reformation during which George Herbert lived demanded of people a strict adherence to the paradigmatic structures that prescribed the ways in which public displays of religious conviction were to be manifested. The freedom, indeed the necessity, to doubt is taken for granted by the modern reader, but for Herbert it was a matter of spiritual life and death. As country parson, he diligently labored to guide his parishioners, administer the sacraments, and exemplify the “right path.” This persona—reinforced by necessarily performative, faith-demonstrating actions—is continually destabilized by the experience of doubt, which leads Herbert to address his own persistent despair at the absence of God through poetry. His masterful use of the structural and thematic patterns of the Psalms in many of the poems of The Temple draws on the rich tradition of lament in contrast to the prescriptive, ideological agendas of the Book of Common Prayer and the Common Lectionary which privilege faith. The poems demonstrate an extensive knowledge of the epistemological foundations and history of both official Church doctrine and of medieval mystical thought and become a tool for exploring the paradoxes of human existence. His philosophical and rhetorical engagement with the Christological and ecclesiastical theology specific to Dionysian mysticism demonstrates the intensity of Herbert’s preoccupation with Divine absence and his near obsessive search for the ideal apophatic presence, that silent, knowing-unknowing that defines oneness with God. Nowhere are Herbert’s existential dilemmas more evident than in Memoriae Matris Sacrum, a sequence of poems written immediately following the death of his beloved mother, which reveals an inner life of the poet that his more controlled poetic voice of The Temple often conceals. These elegiac poems, written in Latin and Greek, show the poet as a “mourning child” and lay bare his most intimate fears about the constancy of his own faith and the uncertain terms of Christian death and resurrection embodied in the sacred ritual of the Eucharist. The poetic closure often ascribed to Herbert’s poems in fact disguises the nature of spiritual and psychological dilemmas which remain for Herbert persistent and unresolved. Title: The "Mourning Child": Divine and Mortal Absence in George Herbert's English and Classical Verse Author: Morton-Starner, Erica Year: 2016 The period of tumultuous religious reformation during which George Herbert lived demanded of people a strict adherence to the paradigmatic structures that prescribed the ways in which public displays of religious conviction were to be manifested. The freedom, indeed the necessity, to doubt is taken for granted by the modern reader, but for Herbert it was a matter of spiritual life and death. As country parson, he diligently labored to guide his parishioners, administer the sacraments, and exemplify the “right path.” This persona—reinforced by necessarily performative, faith-demonstrating actions—is continually destabilized by the experience of doubt, which leads Herbert to address his own persistent despair at the absence of God through poetry. His masterful use of the structural and thematic patterns of the Psalms in many of the poems of The Temple draws on the rich tradition of lament in contrast to the prescriptive, ideological agendas of the Book of Common Prayer and the Common Lectionary which privilege faith. The poems demonstrate an extensive knowledge of the epistemological foundations and history of both official Church doctrine and of medieval mystical thought and become a tool for exploring the paradoxes of human existence. His philosophical and rhetorical engagement with the Christological and ecclesiastical theology specific to Dionysian mysticism demonstrates the intensity of Herbert’s preoccupation with Divine absence and his near obsessive search for the ideal apophatic presence, that silent, knowing-unknowing that defines oneness with God. Nowhere are Herbert’s existential dilemmas more evident than in Memoriae Matris Sacrum, a sequence of poems written immediately following the death of his beloved mother, which reveals an inner life of the poet that his more controlled poetic voice of The Temple often conceals. These elegiac poems, written in Latin and Greek, show the poet as a “mourning child” and lay bare his most intimate fears about the constancy of his own faith and the uncertain terms of Christian death and resurrection embodied in the sacred ritual of the Eucharist. The poetic closure often ascribed to Herbert’s poems in fact disguises the nature of spiritual and psychological dilemmas which remain for Herbert persistent and unresolved. Close

• 758. [Article] The Importance of Public Primary Health Care in Addressing Infant Morbidity in Buenos Aires, Argentina: A case study of primary health care center of “La Esmeralda” in Florencio Varela

  65 pages. A thesis presented to the Department of International Studies and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, ...

  Citation × Citation Citation Abstract Copy Title: The Importance of Public Primary Health Care in Addressing Infant Morbidity in Buenos Aires, Argentina: A case study of primary health care center of “La Esmeralda” in Florencio Varela Author: Dayney, Emma Year: 2015 65 pages. A thesis presented to the Department of International Studies and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Spring 2015. Title: The Importance of Public Primary Health Care in Addressing Infant Morbidity in Buenos Aires, Argentina: A case study of primary health care center of “La Esmeralda” in Florencio Varela Author: Dayney, Emma Year: 2015 65 pages. A thesis presented to the Department of International Studies and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Spring 2015. Close

• 759. [Article] Gubernamentalidad y Construcción de Sentidos de Ciudadanía y Criminalidad en la Narcoliteratura

  In this dissertation, I argue against the idea that literary works that portray drug-trafficking, or “narconovelas,” are mere apologias for drug-trafficking and governing failures unique to Colombia and ...

  Citation × Citation Citation Abstract Copy Title: Gubernamentalidad y Construcción de Sentidos de Ciudadanía y Criminalidad en la Narcoliteratura Author: Romero Montano, Luz Year: 2016 In this dissertation, I argue against the idea that literary works that portray drug-trafficking, or “narconovelas,” are mere apologias for drug-trafficking and governing failures unique to Colombia and Mexico. In order to problematize that statement, it is necessary to understand how drug-trafficking and its policies started, changed over time, and came to shape our contemporary practices of citizenship and our sense of justice. Drawing on Foucault’s concept of “governmentality”, I argue that a political reading of narconovelas will help us to rethink categories of governmentality such as governed subjectivities, governed bodies and inhabited spaces. In narconovelas, these categories reveal the construction of a criminal otherness, which is portrayed as antagonistic to an ideal middle-class model of citizen. In other words, readers of “narconovelas” do not learn about “narcoculture” or drug-trafficking but paradoxically about the markers of a middle-class citizen: “well spoken,” educated, able to control his/her own pleasures, conservatively dressed, and responsive to the disciplining of security dispositifs. In the first part of this dissertation, I explain how the opium policies and wars in China during the 19th century as well as the colonialist efforts of the United States established a precedent for the governing of drugs on a global level. Colombian and Mexican governing of drugs is linked not only to that precedent but also to the neoliberal ways of the governing of drugs. The second part of this work contains the literary analysis. I found that feminine subjectivities are constructed by highlighting the differences between a middle-class woman and a subaltern woman, and the body of the criminal is constructed based on distinctions of social class; in addition, the micro-politics for the representation of bodies derive from the colonial assumption that bodies can be owned, abused and disposed. I also found that narconovelas reverse our understanding of the center and the periphery; some novels even depict a transforming sense of citizenship by reimaging the inhabited spaces. With this work, I demonstrate that cultural production and in particular the narconovelas reinforce, challenge or remain ambiguous to the various biases that shape contemporary categories of governmentality such as gender, body and space. This dissertation is written in Spanish. Title: Gubernamentalidad y Construcción de Sentidos de Ciudadanía y Criminalidad en la Narcoliteratura Author: Romero Montano, Luz Year: 2016 In this dissertation, I argue against the idea that literary works that portray drug-trafficking, or “narconovelas,” are mere apologias for drug-trafficking and governing failures unique to Colombia and Mexico. In order to problematize that statement, it is necessary to understand how drug-trafficking and its policies started, changed over time, and came to shape our contemporary practices of citizenship and our sense of justice. Drawing on Foucault’s concept of “governmentality”, I argue that a political reading of narconovelas will help us to rethink categories of governmentality such as governed subjectivities, governed bodies and inhabited spaces. In narconovelas, these categories reveal the construction of a criminal otherness, which is portrayed as antagonistic to an ideal middle-class model of citizen. In other words, readers of “narconovelas” do not learn about “narcoculture” or drug-trafficking but paradoxically about the markers of a middle-class citizen: “well spoken,” educated, able to control his/her own pleasures, conservatively dressed, and responsive to the disciplining of security dispositifs. In the first part of this dissertation, I explain how the opium policies and wars in China during the 19th century as well as the colonialist efforts of the United States established a precedent for the governing of drugs on a global level. Colombian and Mexican governing of drugs is linked not only to that precedent but also to the neoliberal ways of the governing of drugs. The second part of this work contains the literary analysis. I found that feminine subjectivities are constructed by highlighting the differences between a middle-class woman and a subaltern woman, and the body of the criminal is constructed based on distinctions of social class; in addition, the micro-politics for the representation of bodies derive from the colonial assumption that bodies can be owned, abused and disposed. I also found that narconovelas reverse our understanding of the center and the periphery; some novels even depict a transforming sense of citizenship by reimaging the inhabited spaces. With this work, I demonstrate that cultural production and in particular the narconovelas reinforce, challenge or remain ambiguous to the various biases that shape contemporary categories of governmentality such as gender, body and space. This dissertation is written in Spanish. Close

• 760. [Article] Fishing in Neoliberal Waters: The Political, Social, and Environmental Context of the Ley de Pesca in Chile

  59 pages. A thesis presented to the Department of Spanish and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Fall 2016

  Citation × Citation Citation Abstract Copy Title: Fishing in Neoliberal Waters: The Political, Social, and Environmental Context of the Ley de Pesca in Chile Author: Backen, Jane Cooper Year: 2017, 2016 59 pages. A thesis presented to the Department of Spanish and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Fall 2016 Title: Fishing in Neoliberal Waters: The Political, Social, and Environmental Context of the Ley de Pesca in Chile Author: Backen, Jane Cooper Year: 2017, 2016 59 pages. A thesis presented to the Department of Spanish and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Fall 2016 Close