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• 1. [Article] Insights into the Mental Imagery and Gestural Awareness of Representational Gestures Produced in Everyday Talk: An Exploratory Study of Using Participants' Comments as Data

  To better understand representational gestures used in everyday talk, this study explores the ways participants talk about their own mental imagery and gestural awareness, and how their comments affect ...

  Citation × Citation Citation Abstract Copy Title: Insights into the Mental Imagery and Gestural Awareness of Representational Gestures Produced in Everyday Talk: An Exploratory Study of Using Participants' Comments as Data Author: Wendel, Sue M. Year: 2015 To better understand representational gestures used in everyday talk, this study explores the ways participants talk about their own mental imagery and gestural awareness, and how their comments affect analysis. Literature pertaining to representational gestures, mental imagery, gestural awareness, and self-report data provide the theoretical framework for the study's design and implementation. Data is drawn from observations of two video recorded dyads engaged in everyday conversation, and four audio recorded interviews with each participant individually as they viewed and commented on selected video segments in which they had produced a representational gesture. Findings indicate that participants talked about mental imagery and gestural awareness in ways that were descriptive, explanatory, and self-reflective. They described their mental imagery in i) visual and motor terms, ii) as mental simulations, iii) as textural sensations, and iv) in linguistic metaphors. Participants talked about gestural awareness in terms of i) spontaneity, ii) intentionality, and iii) affective states. Taken altogether, participant comments suggest embodied cognition as a useful framework for analyzing and understanding representational gestures. Further, findings indicate that participant comments served to i) confirm, ii) clarify, and/or iii) expand my analysis, suggesting that participant comments can enhance understanding of mental imagery and gestural awareness in ways that could not be achieved by a researcher's observations and analysis alone. Title: Insights into the Mental Imagery and Gestural Awareness of Representational Gestures Produced in Everyday Talk: An Exploratory Study of Using Participants' Comments as Data Author: Wendel, Sue M. Year: 2015 To better understand representational gestures used in everyday talk, this study explores the ways participants talk about their own mental imagery and gestural awareness, and how their comments affect analysis. Literature pertaining to representational gestures, mental imagery, gestural awareness, and self-report data provide the theoretical framework for the study's design and implementation. Data is drawn from observations of two video recorded dyads engaged in everyday conversation, and four audio recorded interviews with each participant individually as they viewed and commented on selected video segments in which they had produced a representational gesture. Findings indicate that participants talked about mental imagery and gestural awareness in ways that were descriptive, explanatory, and self-reflective. They described their mental imagery in i) visual and motor terms, ii) as mental simulations, iii) as textural sensations, and iv) in linguistic metaphors. Participants talked about gestural awareness in terms of i) spontaneity, ii) intentionality, and iii) affective states. Taken altogether, participant comments suggest embodied cognition as a useful framework for analyzing and understanding representational gestures. Further, findings indicate that participant comments served to i) confirm, ii) clarify, and/or iii) expand my analysis, suggesting that participant comments can enhance understanding of mental imagery and gestural awareness in ways that could not be achieved by a researcher's observations and analysis alone. Close

• 2. [Article] Molding the History of a Maritime Empire: The Role of the Thirteenth‐century Mosaics of San Marco in Reforming the Venetian Past

  The mosaics of the Venetian Church of San Marco embody how this empire used imagery for political and ecclesiastical purposes. The church of San Marco is recognized as a force which drew the island fragments ...

  Citation × Citation Citation Abstract Copy Title: Molding the History of a Maritime Empire: The Role of the Thirteenth‐century Mosaics of San Marco in Reforming the Venetian Past Author: McCambly, Heather Year: 2013 The mosaics of the Venetian Church of San Marco embody how this empire used imagery for political and ecclesiastical purposes. The church of San Marco is recognized as a force which drew the island fragments of primitive Venice into a unified city and empire. This paper will examine the thirteenth-century mosaics by analyzing a variety of factors in the visual environment and the iconography of the mosaics themselves. First, I will examine briefly the nature medieval visuality and the previous architectural and artistic tradition within San Marco, moving then to analysis of the mosaics of the Old Testament cycle, the methods of transfer, and the model from which they were made. Next, I will explore the mosaics of the Cappella Zen and the South Transept as they pertain to the legend of Saint Mark. Last, I will present the historical context of the imagery in thirteenth-century Venice as well as the history of imitation and appropriation at San Marco. Finally, I will examine as a part of the historical context the medieval concept of time and history within the thirteenth-century environment, how it continues with and departs from prior traditions, and what this illustrates about the mosaics and the use of time and historical memory. Faculty Mentor: Anne McClanan Title: Molding the History of a Maritime Empire: The Role of the Thirteenth‐century Mosaics of San Marco in Reforming the Venetian Past Author: McCambly, Heather Year: 2013 The mosaics of the Venetian Church of San Marco embody how this empire used imagery for political and ecclesiastical purposes. The church of San Marco is recognized as a force which drew the island fragments of primitive Venice into a unified city and empire. This paper will examine the thirteenth-century mosaics by analyzing a variety of factors in the visual environment and the iconography of the mosaics themselves. First, I will examine briefly the nature medieval visuality and the previous architectural and artistic tradition within San Marco, moving then to analysis of the mosaics of the Old Testament cycle, the methods of transfer, and the model from which they were made. Next, I will explore the mosaics of the Cappella Zen and the South Transept as they pertain to the legend of Saint Mark. Last, I will present the historical context of the imagery in thirteenth-century Venice as well as the history of imitation and appropriation at San Marco. Finally, I will examine as a part of the historical context the medieval concept of time and history within the thirteenth-century environment, how it continues with and departs from prior traditions, and what this illustrates about the mosaics and the use of time and historical memory. Faculty Mentor: Anne McClanan Close

• 3. [Article] Advanced decorative ceramics techniques for high school students

  This thesis deals with the implementation of luster and underglaze ceramic decorating techniques into the secondary ceramic curriculum. The formation and presentation of this unit is based upon historical ...

  Citation × Citation Citation Abstract Copy Title: Advanced decorative ceramics techniques for high school students Author: Kent, Deborah Ann Year: 1981 This thesis deals with the implementation of luster and underglaze ceramic decorating techniques into the secondary ceramic curriculum. The formation and presentation of this unit is based upon historical and contemporary research of lusters and underglazes, as well as the author's own work with the materials. An instructional unit was designed to fulfill three primary objectives. First, to acquaint the student with the basic materials and techniques; second, to introduce the student to the conceptualization of successful imagery; third, to give the student ample opportunity to explore the uses and possibilities of the materials. Title: Advanced decorative ceramics techniques for high school students Author: Kent, Deborah Ann Year: 1981 This thesis deals with the implementation of luster and underglaze ceramic decorating techniques into the secondary ceramic curriculum. The formation and presentation of this unit is based upon historical and contemporary research of lusters and underglazes, as well as the author's own work with the materials. An instructional unit was designed to fulfill three primary objectives. First, to acquaint the student with the basic materials and techniques; second, to introduce the student to the conceptualization of successful imagery; third, to give the student ample opportunity to explore the uses and possibilities of the materials. Close

• 4. [Article] Again, With Feeling! [Exhibition Catalogue]

  Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations ...

  Citation × Citation Citation Abstract Copy Title: Again, With Feeling! [Exhibition Catalogue] Author: Colangelo, Dave Year: 2011 Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before. Title: Again, With Feeling! [Exhibition Catalogue] Author: Colangelo, Dave Year: 2011 Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before. Close

• 5. [Article] Western Juniper (Juniperus occidentalis) Ecology with an Exercise in Remote Sensing Techniques

  Western juniper (Juniperus occidentalis var. occidentalis) has been expanding its biogeographic range since the mid-1800's, resulting in decreased biodiversity, altered wildlife habitat, increased soil ...

  Citation × Citation Citation Abstract Copy Title: Western Juniper (Juniperus occidentalis) Ecology with an Exercise in Remote Sensing Techniques Author: Goralski, Elizabeth A. Year: 2008 Western juniper (Juniperus occidentalis var. occidentalis) has been expanding its biogeographic range since the mid-1800's, resulting in decreased biodiversity, altered wildlife habitat, increased soil erosion, reduced stream flows and reduced forage production. The direct causes of western juniper aforestation are unclear but appear to be related to altered fire regimes, over grazing, and climatic shifts. This study seeks to determine how Landsat images combined with Digital Orthoquads (DOQs) can be used to examine the geographic distribution of western juniper. Satellite imagery has yet to be applied to the large scale mapping of western juniper aforestation, resulting in the lack of regional and landscape level monitoring of western juniper range expansion. Remote sensing technologies, when combined with geographical information systems provide potentially valuable tools for monitoring western juniper expansion because of their abilities to assess large scale coverage of scenes, high cost effectiveness, and minimal field crew requirements. The two main objectives of my research are to review and summarize current literature regarding western juniper expansion and explore how remote sensing techniques may be used to quantify the expansion of the species. The results of my studies suggest that large patches of western juniper are detectable using Landsat imagery. Title: Western Juniper (Juniperus occidentalis) Ecology with an Exercise in Remote Sensing Techniques Author: Goralski, Elizabeth A. Year: 2008 Western juniper (Juniperus occidentalis var. occidentalis) has been expanding its biogeographic range since the mid-1800's, resulting in decreased biodiversity, altered wildlife habitat, increased soil erosion, reduced stream flows and reduced forage production. The direct causes of western juniper aforestation are unclear but appear to be related to altered fire regimes, over grazing, and climatic shifts. This study seeks to determine how Landsat images combined with Digital Orthoquads (DOQs) can be used to examine the geographic distribution of western juniper. Satellite imagery has yet to be applied to the large scale mapping of western juniper aforestation, resulting in the lack of regional and landscape level monitoring of western juniper range expansion. Remote sensing technologies, when combined with geographical information systems provide potentially valuable tools for monitoring western juniper expansion because of their abilities to assess large scale coverage of scenes, high cost effectiveness, and minimal field crew requirements. The two main objectives of my research are to review and summarize current literature regarding western juniper expansion and explore how remote sensing techniques may be used to quantify the expansion of the species. The results of my studies suggest that large patches of western juniper are detectable using Landsat imagery. Close

• 6. [Article] American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture

  Belly dance classes have become increasingly popular in recent decades in the United States. Many of the predominantly white, middle-class American women who belly dance proclaim that it is a source of ...

  Citation × Citation Citation Abstract Copy Title: American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture Author: Haynes-Clark, Jennifer Lynn Year: 2010 Belly dance classes have become increasingly popular in recent decades in the United States. Many of the predominantly white, middle-class American women who belly dance proclaim that it is a source of feminist identity and empowerment that brings deeper meaning to their lives. American practitioners of this art form commonly explain that it originated from ritual-based dances of ancient Middle Eastern cultures and regard their participation as a link in a continuous lineage of female dancers. In contrast to the stigmatization and marginalization of public dance performers in the Middle East today, the favorable meaning that American dancers attribute to belly dance may indicate an imagined history of this dance. Based on ethnographic fieldwork conducted on the West Coast of the United States and Morocco in 2008-2009, I explore American belly dance utilizing theoretical contributions from feminism, Foucauldian discourse analysis, and postmodernism. I argue that an anthropological investigation of American belly dance reveals that its imagery and concepts draw from a larger discourse of Orientalism, connected to a colonial legacy that defines West against East, a process of othering that continues to inform global politics and perpetuates cultural imperialism. But the creative identity construction that American women explore through belly dance is a multi-layered and complex process. I disrupt the binary assumptions of Orientalist thinking, highlighting the heterogeneity and dynamic quality of this dance community and exploring emergent types of American belly dance. Rather than pretending to be the exotic Other, American belly dancers are inventing a new exotic Self. This cultural anthropological study contributes to a greater understanding of identity and society by demonstrating ways that American belly dancers act as agents, creatively and strategically utilizing discursive motifs to accomplish social and personal goals. Title: American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture Author: Haynes-Clark, Jennifer Lynn Year: 2010 Belly dance classes have become increasingly popular in recent decades in the United States. Many of the predominantly white, middle-class American women who belly dance proclaim that it is a source of feminist identity and empowerment that brings deeper meaning to their lives. American practitioners of this art form commonly explain that it originated from ritual-based dances of ancient Middle Eastern cultures and regard their participation as a link in a continuous lineage of female dancers. In contrast to the stigmatization and marginalization of public dance performers in the Middle East today, the favorable meaning that American dancers attribute to belly dance may indicate an imagined history of this dance. Based on ethnographic fieldwork conducted on the West Coast of the United States and Morocco in 2008-2009, I explore American belly dance utilizing theoretical contributions from feminism, Foucauldian discourse analysis, and postmodernism. I argue that an anthropological investigation of American belly dance reveals that its imagery and concepts draw from a larger discourse of Orientalism, connected to a colonial legacy that defines West against East, a process of othering that continues to inform global politics and perpetuates cultural imperialism. But the creative identity construction that American women explore through belly dance is a multi-layered and complex process. I disrupt the binary assumptions of Orientalist thinking, highlighting the heterogeneity and dynamic quality of this dance community and exploring emergent types of American belly dance. Rather than pretending to be the exotic Other, American belly dancers are inventing a new exotic Self. This cultural anthropological study contributes to a greater understanding of identity and society by demonstrating ways that American belly dancers act as agents, creatively and strategically utilizing discursive motifs to accomplish social and personal goals. Close

• 7. [Article] The Venus Victorieuse and Renoir’s treatment of the Female Nude

  Pierre-­‐Auguste Renoir’s sculpture Venus Victorieuse is a mythic image of the ‘ideal’ woman that was influenced by The Judgment of Paris, the Aphrodite of Knidos, and the imagery of Eve in the Garden ...

  Citation × Citation Citation Abstract Copy Title: The Venus Victorieuse and Renoir’s treatment of the Female Nude Author: Yinger, Tess Year: 2010 Pierre-­‐Auguste Renoir’s sculpture Venus Victorieuse is a mythic image of the ‘ideal’ woman that was influenced by The Judgment of Paris, the Aphrodite of Knidos, and the imagery of Eve in the Garden of Eden. This work is fundamental to realizing Renoir’s overall treatment of the female nude, which is fully epitomized by this formal sculpture. Pierre-­‐Auguste Renoir was an Impressionist artist who dedicated the last three decades of his life primarily to the depiction of the female nude. His representation of the nude, both in painting and sculpture, was monumental and idealized, and he often created images of women that were mythic and evocative of the notion that woman belongs to the ‘natural sphere.’ Renoir’s sculpture, the Venus Victorieuse is an idealized and indeed mythic image that epitomizes the idea of woman as a seducer, animalistic by nature and inherently amoral. The first part of this essay will discuss the ways in which the Venus Victorieuse was influenced by two earlier works, The Judgment of Paris by Marcantonio Raimondi and Praxiteles’ Aphrodite of Knidos, and also how this image of Venus evokes the allegory of Eve and the notion of her ‘original sin’. Comparing the Venus with these two earlier works will address these influences and how they have informed the meaning behind Renoir’s sculptural interpretation of the mythic symbol of Venus. The second part of this essay will explore the ways in which Renoir has utilized the sculptural form to convey his ideas concerning the objectification of woman and the implications of her as inherently closer to nature, predisposed to sin and seduction. Title: The Venus Victorieuse and Renoir’s treatment of the Female Nude Author: Yinger, Tess Year: 2010 Pierre-­‐Auguste Renoir’s sculpture Venus Victorieuse is a mythic image of the ‘ideal’ woman that was influenced by The Judgment of Paris, the Aphrodite of Knidos, and the imagery of Eve in the Garden of Eden. This work is fundamental to realizing Renoir’s overall treatment of the female nude, which is fully epitomized by this formal sculpture. Pierre-­‐Auguste Renoir was an Impressionist artist who dedicated the last three decades of his life primarily to the depiction of the female nude. His representation of the nude, both in painting and sculpture, was monumental and idealized, and he often created images of women that were mythic and evocative of the notion that woman belongs to the ‘natural sphere.’ Renoir’s sculpture, the Venus Victorieuse is an idealized and indeed mythic image that epitomizes the idea of woman as a seducer, animalistic by nature and inherently amoral. The first part of this essay will discuss the ways in which the Venus Victorieuse was influenced by two earlier works, The Judgment of Paris by Marcantonio Raimondi and Praxiteles’ Aphrodite of Knidos, and also how this image of Venus evokes the allegory of Eve and the notion of her ‘original sin’. Comparing the Venus with these two earlier works will address these influences and how they have informed the meaning behind Renoir’s sculptural interpretation of the mythic symbol of Venus. The second part of this essay will explore the ways in which Renoir has utilized the sculptural form to convey his ideas concerning the objectification of woman and the implications of her as inherently closer to nature, predisposed to sin and seduction. Close

• 8. [Article] Gritos en el Desierto: Denuncia y Resistencia en las Obras de las Escritoras Wayuu Estercilia Simanca Pushaina y Vicenta Marí­a Siosi Pino

  The way we read and interpret literature is frequently influenced by factors that operate beyond the scope of the average reader's awareness. In this thesis, selected works by two Wayuu writers, Estercilia ...

  Citation × Citation Citation Abstract Copy Title: Gritos en el Desierto: Denuncia y Resistencia en las Obras de las Escritoras Wayuu Estercilia Simanca Pushaina y Vicenta Marí­a Siosi Pino Author: Perwak, Lindsay H. Year: 2016 The way we read and interpret literature is frequently influenced by factors that operate beyond the scope of the average reader's awareness. In this thesis, selected works by two Wayuu writers, Estercilia Simanca Pushaina and Vicenta Maria Siosi Pino, are analyzed and interpreted in an attempt to unveil some of these behind-the-scenes agents and issues, as well as explore how the stories' classification in the children's literature genre reveals a deep-rooted colonial tendency to infantilize indigenous individuals in contemporary Colombia. Despite the fact that the two authors, both mestizo women who self-identify with the Wayuu indigenous group of northern Colombia, prefer to write short stories that highlight the child and adolescent experience, the implicit themes and the complexity of their texts reject the "children's story" label that has been imposed on their literature. Furthermore, this thesis discusses how the two authors utilize the colonial trope of the Indian-as-child to their advantage by capsizing the imagery, thus rejecting the original power of the symbol and claiming it as their own. The first section of this investigation provides certain contextual specifics related to the cultural and social environment of the Wayuu indigenous group, particularly regarding that experienced by women. The second chapter includes an explanation of the impact a book's genre and its "paratext" may have on the reception and interpretation of these texts, and additionally proposes that the colonial practice of infantilizing indigenous people appears in both the assignment of genre as well as in several extratextual elements surrounding the stories. Chapter three offers an in-depth analysis of five selected pieces of the Wayuu authors' writing and explores how the texts may be read on multiple levels. This close reading reveals several examples of overt criticism towards the hegemonic society as well as displays instances of a more subtle rebellion; both explicit and implicit messages effectively expose and protest the current conditions of abuse, oppression and injustice that continue to anguish the Wayuu people. Title: Gritos en el Desierto: Denuncia y Resistencia en las Obras de las Escritoras Wayuu Estercilia Simanca Pushaina y Vicenta Marí­a Siosi Pino Author: Perwak, Lindsay H. Year: 2016 The way we read and interpret literature is frequently influenced by factors that operate beyond the scope of the average reader's awareness. In this thesis, selected works by two Wayuu writers, Estercilia Simanca Pushaina and Vicenta Maria Siosi Pino, are analyzed and interpreted in an attempt to unveil some of these behind-the-scenes agents and issues, as well as explore how the stories' classification in the children's literature genre reveals a deep-rooted colonial tendency to infantilize indigenous individuals in contemporary Colombia. Despite the fact that the two authors, both mestizo women who self-identify with the Wayuu indigenous group of northern Colombia, prefer to write short stories that highlight the child and adolescent experience, the implicit themes and the complexity of their texts reject the "children's story" label that has been imposed on their literature. Furthermore, this thesis discusses how the two authors utilize the colonial trope of the Indian-as-child to their advantage by capsizing the imagery, thus rejecting the original power of the symbol and claiming it as their own. The first section of this investigation provides certain contextual specifics related to the cultural and social environment of the Wayuu indigenous group, particularly regarding that experienced by women. The second chapter includes an explanation of the impact a book's genre and its "paratext" may have on the reception and interpretation of these texts, and additionally proposes that the colonial practice of infantilizing indigenous people appears in both the assignment of genre as well as in several extratextual elements surrounding the stories. Chapter three offers an in-depth analysis of five selected pieces of the Wayuu authors' writing and explores how the texts may be read on multiple levels. This close reading reveals several examples of overt criticism towards the hegemonic society as well as displays instances of a more subtle rebellion; both explicit and implicit messages effectively expose and protest the current conditions of abuse, oppression and injustice that continue to anguish the Wayuu people. Close