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1. [Image] OSU women’s cross country team running in Avery Park


	The team included (from left) Kris Trom, Karen Brown, Julia Anderson, Janet Lovelace and Jenny Bird. Lovelace placed fifth at the regionals in 1977 and twenty-sixth at the AIWA championships in 1978.
	Citation Citation Citation Abstract Copy Title: OSU women’s cross country team running in Avery Park Year: 1977 The team included (from left) Kris Trom, Karen Brown, Julia Anderson, Janet Lovelace and Jenny Bird. Lovelace placed fifth at the regionals in 1977 and twenty-sixth at the AIWA championships in 1978. Title: OSU women’s cross country team running in Avery Park Year: 1977 The team included (from left) Kris Trom, Karen Brown, Julia Anderson, Janet Lovelace and Jenny Bird. Lovelace placed fifth at the regionals in 1977 and twenty-sixth at the AIWA championships in 1978.

2. [Image] Strawberry Field #5


	This aerial, color photograph presents an abstraction of the landscape that opens the door to endless possibilities for interpretation.
	Citation Citation Citation Abstract Copy Title: Strawberry Field #5 Author: Abrahamson, Mark Year: 1975 This aerial, color photograph presents an abstraction of the landscape that opens the door to endless possibilities for interpretation. Title: Strawberry Field #5 Author: Abrahamson, Mark Year: 1975 This aerial, color photograph presents an abstraction of the landscape that opens the door to endless possibilities for interpretation.

3. [Image] Sacrifice to Athena; Lekane; Vase B80


	Pottery: black-figure lekane (bowl); wheel-made; low conical body on a ring base; short rim, slifgrly concave; pair of opposing strap handles; made of buff clay and slip, decorated with figures in reddish-black ...
	Citation Citation Citation Abstract Copy Title: Sacrifice to Athena; Lekane; Vase B80 Author: unknown Pottery: black-figure lekane (bowl); wheel-made; low conical body on a ring base; short rim, slifgrly concave; pair of opposing strap handles; made of buff clay and slip, decorated with figures in reddish-black paint inside and out, some details incised; vessel mostly intact but repaired from fragments, with slight restoration on the rim. In the interior, three male figures are represented in a tondo with border of tongue-pattern. At the left a nude, bearded man facing right grips the arms of a bearded opponent in the centre and forces him down. This central figure, dressed in a short chiton with a sheath at his side, attempts to flee to the right and brandishes a sword in his right hand. In his left hand he holds a cord to which an object may be attached. At the right a third man, nude and bearded, retreats, looking back. In the field are a branch, a flower, and a tendril. On the outside of the lekane, under a frieze of ivy leaves below the rim, we see on side A a sacrificial procession moving toward the altar of the goddess Athena and on side B, seven men, a he-goat, and a bird. The two scenes are probably connected and linked to a rural festival. On side A, at the far right underneath one of the handles, Athena is represented facing to the left. She wears a peplos and a helmet. In her right hand she brandishes a spear, and she holds a shield on her left arm. Behind her is a snake coiled on a pedestal and a Doric column, which may suggest a temple or a sanctuary. In front of Athena is a two-stepped flaming altar with a flame-guard; at the left, a bird is on top of the altar, which is approached by a priestess in a peplos carrying a sacrificial tray on her head. Behind her, a man in a short tunic who is holding a wreath leads a bull to sacrifice. He is followed by an aulas (double-pipe) player and five men. They all seem to be nude, except for the aulos player, who wears a short garment, and the last figure, who has some drapery over his arm. The first in line holds two cords attached to the bull's hind legs; the second carries a wreath and the third a jug; the fourth has a short staff or perhaps a knife; and the fifth carries a staff (or a knife) and a wreath. Behind them, underneath the other handle, the procession is concluded by a cart, which is pulled by two mules and carries four draped figures. One is the driver, who holds a two-thonged whip; two others stand and one is seated at the back, holding a wreath. On side B seven bearded, nude male figures, a he-goat, and a bird are represented. The bird, at the far left, faces right. Next are two men, holding wreaths, who move to the right; the one in front looks back at his companion. Further to the right, two men are busy with a he-goat, who stands between them facing right with his head turned back. The man at the right holds the goat by a horn. Behind him are two men facing left and gesticulating. A third man, at the far right, faces right; he holds a stick in his hand, and a small piece of drapery hangs from his left arm. --The British Museum; default; Black-figure; Boeotian (pottery style) Title: Sacrifice to Athena; Lekane; Vase B80 Author: unknown Pottery: black-figure lekane (bowl); wheel-made; low conical body on a ring base; short rim, slifgrly concave; pair of opposing strap handles; made of buff clay and slip, decorated with figures in reddish-black paint inside and out, some details incised; vessel mostly intact but repaired from fragments, with slight restoration on the rim. In the interior, three male figures are represented in a tondo with border of tongue-pattern. At the left a nude, bearded man facing right grips the arms of a bearded opponent in the centre and forces him down. This central figure, dressed in a short chiton with a sheath at his side, attempts to flee to the right and brandishes a sword in his right hand. In his left hand he holds a cord to which an object may be attached. At the right a third man, nude and bearded, retreats, looking back. In the field are a branch, a flower, and a tendril. On the outside of the lekane, under a frieze of ivy leaves below the rim, we see on side A a sacrificial procession moving toward the altar of the goddess Athena and on side B, seven men, a he-goat, and a bird. The two scenes are probably connected and linked to a rural festival. On side A, at the far right underneath one of the handles, Athena is represented facing to the left. She wears a peplos and a helmet. In her right hand she brandishes a spear, and she holds a shield on her left arm. Behind her is a snake coiled on a pedestal and a Doric column, which may suggest a temple or a sanctuary. In front of Athena is a two-stepped flaming altar with a flame-guard; at the left, a bird is on top of the altar, which is approached by a priestess in a peplos carrying a sacrificial tray on her head. Behind her, a man in a short tunic who is holding a wreath leads a bull to sacrifice. He is followed by an aulas (double-pipe) player and five men. They all seem to be nude, except for the aulos player, who wears a short garment, and the last figure, who has some drapery over his arm. The first in line holds two cords attached to the bull's hind legs; the second carries a wreath and the third a jug; the fourth has a short staff or perhaps a knife; and the fifth carries a staff (or a knife) and a wreath. Behind them, underneath the other handle, the procession is concluded by a cart, which is pulled by two mules and carries four draped figures. One is the driver, who holds a two-thonged whip; two others stand and one is seated at the back, holding a wreath. On side B seven bearded, nude male figures, a he-goat, and a bird are represented. The bird, at the far left, faces right. Next are two men, holding wreaths, who move to the right; the one in front looks back at his companion. Further to the right, two men are busy with a he-goat, who stands between them facing right with his head turned back. The man at the right holds the goat by a horn. Behind him are two men facing left and gesticulating. A third man, at the far right, faces right; he holds a stick in his hand, and a small piece of drapery hangs from his left arm. --The British Museum; default; Black-figure; Boeotian (pottery style)