Search

Search Results

• 41. [Image] PH036_6656 Lee Moorhouse photographs; Native American man in horned headdress

  	An image of a print of a Native American man wearing a horned headdress, a shirt, armbands, a neckerchief, and hair ornaments. His hair is in braids.
  	Citation × Citation Citation Abstract Copy Title: PH036_6656 Lee Moorhouse photographs; Native American man in horned headdress Year: 1897 An image of a print of a Native American man wearing a horned headdress, a shirt, armbands, a neckerchief, and hair ornaments. His hair is in braids. Title: PH036_6656 Lee Moorhouse photographs; Native American man in horned headdress Year: 1897 An image of a print of a Native American man wearing a horned headdress, a shirt, armbands, a neckerchief, and hair ornaments. His hair is in braids. Close

• 42. [Image] PH036_6650 Lee Moorhouse photographs; Native American on horseback

  	A Native American woman wearing traditional clothing, including earrings and a headscarf, sits on a horse. The horse is draped with blankets and outfitted with a bridle, reins, and stirrups.
  	Citation × Citation Citation Abstract Copy Title: PH036_6650 Lee Moorhouse photographs; Native American on horseback Year: 1897 A Native American woman wearing traditional clothing, including earrings and a headscarf, sits on a horse. The horse is draped with blankets and outfitted with a bridle, reins, and stirrups. Title: PH036_6650 Lee Moorhouse photographs; Native American on horseback Year: 1897 A Native American woman wearing traditional clothing, including earrings and a headscarf, sits on a horse. The horse is draped with blankets and outfitted with a bridle, reins, and stirrups. Close

• 43. [Image] PH021_indian_girl; Native American girl in regalia

  	A portrait of a Native American girl in regalia posing next to a horse. The girl is wearing a dress with abstract patterning on its surface, and fringes at its edges. Around her forehead she wears a beaded ...
  	Citation × Citation Citation Abstract Copy Title: PH021_indian_girl; Native American girl in regalia Author: unknown (photographer) Year: 1905 A portrait of a Native American girl in regalia posing next to a horse. The girl is wearing a dress with abstract patterning on its surface, and fringes at its edges. Around her forehead she wears a beaded headband with an attached feather. She wears earrings and has beaded accessories in her braided hair. She holds a rope that is attached to a horse standing behind her. The horse is draped with decorative beaded bags, and material with long fringes. One bag displays a stag with leaves and the other designs appear to be abstract patterns. Tipis, horses, and a wooden fence are visible in the distance. Title: PH021_indian_girl; Native American girl in regalia Author: unknown (photographer) Year: 1905 A portrait of a Native American girl in regalia posing next to a horse. The girl is wearing a dress with abstract patterning on its surface, and fringes at its edges. Around her forehead she wears a beaded headband with an attached feather. She wears earrings and has beaded accessories in her braided hair. She holds a rope that is attached to a horse standing behind her. The horse is draped with decorative beaded bags, and material with long fringes. One bag displays a stag with leaves and the other designs appear to be abstract patterns. Tipis, horses, and a wooden fence are visible in the distance. Close

• 44. [Image] Mariah Huhndorf Oral History Interview

  	At the time of this interview, Mariah Huhndorf was an activities coordinator at the Native American Longhouse. A junior General Science major studying to become a physician's assistant, Huhndorf came to ...
  	Citation × Citation Citation Abstract Copy Title: Mariah Huhndorf Oral History Interview Year: 2013 At the time of this interview, Mariah Huhndorf was an activities coordinator at the Native American Longhouse. A junior General Science major studying to become a physician's assistant, Huhndorf came to OSU from her hometown of Kenai, Alaska. Huhndorf, a native Alaskan with an Athabaskan mother and Yupik father, describes her experiences at Oregon State University, both as a student and as an activities coordinator at the Native American Longhouse. She discusses Longhouse events, such as the Alaska Winter Games, which she coordinated; the challenges and solutions that NAL staff have experienced with communication; her suggestions that staff learn more about events hosted at the NAL by other groups and work to make it clear that the NAL welcomes all visitors, native or not; what the new Longhouse means to her; how OSU and the NAL have affected her own identity as a native Alaskan; the importance of sharing stories; and the "culture shock" she felt coming to Corvallis, with a population of about 54,700, from her hometown of Kenai, Alaska, with a population of about 7,000. Link to Audio Recording: http://media.oregonstate.edu/media/Oral+History+Interview%3A+Mariah+Huhndorf/0_frg7uz6g Title: Mariah Huhndorf Oral History Interview Year: 2013 At the time of this interview, Mariah Huhndorf was an activities coordinator at the Native American Longhouse. A junior General Science major studying to become a physician's assistant, Huhndorf came to OSU from her hometown of Kenai, Alaska. Huhndorf, a native Alaskan with an Athabaskan mother and Yupik father, describes her experiences at Oregon State University, both as a student and as an activities coordinator at the Native American Longhouse. She discusses Longhouse events, such as the Alaska Winter Games, which she coordinated; the challenges and solutions that NAL staff have experienced with communication; her suggestions that staff learn more about events hosted at the NAL by other groups and work to make it clear that the NAL welcomes all visitors, native or not; what the new Longhouse means to her; how OSU and the NAL have affected her own identity as a native Alaskan; the importance of sharing stories; and the "culture shock" she felt coming to Corvallis, with a population of about 54,700, from her hometown of Kenai, Alaska, with a population of about 7,000. Link to Audio Recording: http://media.oregonstate.edu/media/Oral+History+Interview%3A+Mariah+Huhndorf/0_frg7uz6g Close

• 45. [Image] Daniel Cárdenas Oral History Interview

  	At the time of this interview, Daniel Cárdenas was a graduate teaching assistant at the Native American Longhouse. A first-year graduate student in College Student Services Administration, Cárdenas came ...
  	Citation × Citation Citation Abstract Copy Title: Daniel Cárdenas Oral History Interview Year: 2013 At the time of this interview, Daniel Cárdenas was a graduate teaching assistant at the Native American Longhouse. A first-year graduate student in College Student Services Administration, Cárdenas came to OSU from his hometown of Fair Oaks, California. Cárdenas discusses the challenges, responsibilities, and growth he has experienced working as a graduate teaching assistance in the Longhouse; the events of Native Heritage Month; the planning and challenges of opening and moving into the new Longhouse; the annual Pow Wow thrown by the Native American Student Association; relationships with other cultural centers staff; ideas for inter-cultural center collaboration; the Oregon One Percent for Art law and the art in the new Longhouse, including the art of artist Shirod Younker; the importance of honoring intersecting identities; the generosity of the local Native community; ideas about bringing in Native language speakers, visiting other longhouses and building ties with the nine tribes of Oregon; and OSU's impact on his personal racial, ethnic, and spiritual identity. Link to Audio Recording: http://media.oregonstate.edu/media/Oral+History+Interview%3A+Daniel+C%C3%A1rdenas/0_3w7pz01j Title: Daniel Cárdenas Oral History Interview Year: 2013 At the time of this interview, Daniel Cárdenas was a graduate teaching assistant at the Native American Longhouse. A first-year graduate student in College Student Services Administration, Cárdenas came to OSU from his hometown of Fair Oaks, California. Cárdenas discusses the challenges, responsibilities, and growth he has experienced working as a graduate teaching assistance in the Longhouse; the events of Native Heritage Month; the planning and challenges of opening and moving into the new Longhouse; the annual Pow Wow thrown by the Native American Student Association; relationships with other cultural centers staff; ideas for inter-cultural center collaboration; the Oregon One Percent for Art law and the art in the new Longhouse, including the art of artist Shirod Younker; the importance of honoring intersecting identities; the generosity of the local Native community; ideas about bringing in Native language speakers, visiting other longhouses and building ties with the nine tribes of Oregon; and OSU's impact on his personal racial, ethnic, and spiritual identity. Link to Audio Recording: http://media.oregonstate.edu/media/Oral+History+Interview%3A+Daniel+C%C3%A1rdenas/0_3w7pz01j Close

• 46. [Image] Native American Longhouse (NAL) Album, 1997-2000

  	Events and activities depicted: Pow Wow, 1998; Faces of the Longhouse, 1997; Diversity Development Staff Training, 1998-1999; Indigenous Peoples Day celebration with guest speaker Edward Castillo, October ...
  	Citation × Citation Citation Abstract Copy Title: Native American Longhouse (NAL) Album, 1997-2000 Author: Native American Longhouse Eena Haws Year: 1997 Events and activities depicted: Pow Wow, 1998; Faces of the Longhouse, 1997; Diversity Development Staff Training, 1998-1999; Indigenous Peoples Day celebration with guest speaker Edward Castillo, October 1998; The Visiting Writers Series and The Craft of Writing Series with James Welch, October 1998; American Indian Student Retreat; NAL Advisory Board Dinner, October 1998; Frybread Booth / Can Food Drive for the Hurricane Mitch victims, November 1998; Winter Longhouse Potluck; Winter Term Staff Retreat; MLK Jr. Fun Run/Walk, 1999; Test Taking Skills Workshop, February 1999; Drum Making Class, February 1999; Craft Night, February 1999; The Ethnic Studies Colloquium Series guest speaker author Laura Tohe, March 1999; Salem Bake, Winter 1999; Winter Finals Week Breakfast; Longhouse Needs Assessment Dinner; Baseball game, Spring 1999; R. Carlos Nakai Concert, Spring 1999; Winona LaDuke, environmental activist, lecture, Spring 1999; Pow Wow, Spring 1999; Pumpkin Carving, October 1999; The Longhouse Blessing, November 1999; Staff Retreat, January 2000; Welcome Dinner for Frank and Allison, January 2000; NAL staff at the rec center; Building Bridges, January 2000; All Staff Bowling Night, February 2000; Siblings Weekend, February 2000; Pine Nut Beading and Craft Night; Longhouse Grand Opening, May 2000; Wacky Olympics, May 2000; Salmon Bake, 2000; Making Leis, 2000. Title: Native American Longhouse (NAL) Album, 1997-2000 Author: Native American Longhouse Eena Haws Year: 1997 Events and activities depicted: Pow Wow, 1998; Faces of the Longhouse, 1997; Diversity Development Staff Training, 1998-1999; Indigenous Peoples Day celebration with guest speaker Edward Castillo, October 1998; The Visiting Writers Series and The Craft of Writing Series with James Welch, October 1998; American Indian Student Retreat; NAL Advisory Board Dinner, October 1998; Frybread Booth / Can Food Drive for the Hurricane Mitch victims, November 1998; Winter Longhouse Potluck; Winter Term Staff Retreat; MLK Jr. Fun Run/Walk, 1999; Test Taking Skills Workshop, February 1999; Drum Making Class, February 1999; Craft Night, February 1999; The Ethnic Studies Colloquium Series guest speaker author Laura Tohe, March 1999; Salem Bake, Winter 1999; Winter Finals Week Breakfast; Longhouse Needs Assessment Dinner; Baseball game, Spring 1999; R. Carlos Nakai Concert, Spring 1999; Winona LaDuke, environmental activist, lecture, Spring 1999; Pow Wow, Spring 1999; Pumpkin Carving, October 1999; The Longhouse Blessing, November 1999; Staff Retreat, January 2000; Welcome Dinner for Frank and Allison, January 2000; NAL staff at the rec center; Building Bridges, January 2000; All Staff Bowling Night, February 2000; Siblings Weekend, February 2000; Pine Nut Beading and Craft Night; Longhouse Grand Opening, May 2000; Wacky Olympics, May 2000; Salmon Bake, 2000; Making Leis, 2000. Close

• 47. [Image] PH036_6809 Lee Moorhouse photographs; Group of Native American men on horseback;

  	Fourteen Native American men on horeback are riding through an encampment. All are wearing some sort of headdress and tribal costume. Some are carrying staffs with feather adornment. The horses have ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6809 Lee Moorhouse photographs; Group of Native American men on horseback; Year: 1897 Fourteen Native American men on horeback are riding through an encampment. All are wearing some sort of headdress and tribal costume. Some are carrying staffs with feather adornment. The horses have beaded harnesses. They are riding through a meadow edged by a line of trees where people stand watching. There are five tipis spaced along the tree line on the meadow. On the opposite side of the photo is a photographer dressed in European-American clothing and a camera. Some of the people watching are wearing cowboy hats and are wrapped in blankets. Title: PH036_6809 Lee Moorhouse photographs; Group of Native American men on horseback; Year: 1897 Fourteen Native American men on horeback are riding through an encampment. All are wearing some sort of headdress and tribal costume. Some are carrying staffs with feather adornment. The horses have beaded harnesses. They are riding through a meadow edged by a line of trees where people stand watching. There are five tipis spaced along the tree line on the meadow. On the opposite side of the photo is a photographer dressed in European-American clothing and a camera. Some of the people watching are wearing cowboy hats and are wrapped in blankets. Close

• 48. [Image] Poker Jim, Chief of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup. ; PH036_3723

  	A Native American man identified as Poker Jim, Chief of Round Up, sits in front of a backdrop. He wears traditional Native American clothing, including a buckskin coat and a headdress with feathers, furs, ...
  	Citation × Citation Citation Abstract Copy Title: Poker Jim, Chief of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup. ; PH036_3723 Year: 1900 A Native American man identified as Poker Jim, Chief of Round Up, sits in front of a backdrop. He wears traditional Native American clothing, including a buckskin coat and a headdress with feathers, furs, and other ornamentation. His eyes are closed and in his right hand he holds a medal with a likeness of a European American man in profile. In his left hand he holds an object, possibly a scabbard, that is made of buckskin and decorated with beadwork. Title: Poker Jim, Chief of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup. ; PH036_3723 Year: 1900 A Native American man identified as Poker Jim, Chief of Round Up, sits in front of a backdrop. He wears traditional Native American clothing, including a buckskin coat and a headdress with feathers, furs, and other ornamentation. His eyes are closed and in his right hand he holds a medal with a likeness of a European American man in profile. In his left hand he holds an object, possibly a scabbard, that is made of buckskin and decorated with beadwork. Close

• 49. [Image] Poker Jim, Chef of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup.

  	A Native American man, identified as Poker Jim, Chief at Round Up, sits in a chair wearing Native American clothing, including a buckskin coat with fringe, a headdress with eagle feathers, fur and other ...
  	Citation × Citation Citation Abstract Copy Title: Poker Jim, Chef of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup. Year: 1897 A Native American man, identified as Poker Jim, Chief at Round Up, sits in a chair wearing Native American clothing, including a buckskin coat with fringe, a headdress with eagle feathers, fur and other ornamentation, and moccasins. In his left hand he holds a rifle in a buckskin scabbard ornamented with beadwork, fringe, and an eagle feather. A fur is draped over his right forearm and in his right hand he holds a medal with a likeness of a European American in profile. Title: Poker Jim, Chef of Round Up, Pendleton, OR. ; Poker Jim, chief of Round-up ; Poker Jim, chief of the roundup. Year: 1897 A Native American man, identified as Poker Jim, Chief at Round Up, sits in a chair wearing Native American clothing, including a buckskin coat with fringe, a headdress with eagle feathers, fur and other ornamentation, and moccasins. In his left hand he holds a rifle in a buckskin scabbard ornamented with beadwork, fringe, and an eagle feather. A fur is draped over his right forearm and in his right hand he holds a medal with a likeness of a European American in profile. Close

• 50. [Image] PH036_4292 Lee Moorhouse photographs; Bones, Palouse Indian, in costume.

  	A Native American man, identified incorrectly as Bones of the Palouse tribe, stands on a mat in front of a backdrop. He wears Native American clothing, including a fur hair wrap, choker, bracelet, arm ...
  	Citation × Citation Citation Abstract Copy Title: PH036_4292 Lee Moorhouse photographs; Bones, Palouse Indian, in costume. Year: 1897 A Native American man, identified incorrectly as Bones of the Palouse tribe, stands on a mat in front of a backdrop. He wears Native American clothing, including a fur hair wrap, choker, bracelet, arm bands, necklaces, shirt, leggings, moccasins, and breechcloth. The man stands in profile to the camera. In his right hand he holds a piece of fabric, possibly a handkerchief. His left hand is raised to his brow. On the ground at his feet is a Euro-American style hat. Tribal members have identified him as Peter Gibbon of the Cayuse tribe. Title: PH036_4292 Lee Moorhouse photographs; Bones, Palouse Indian, in costume. Year: 1897 A Native American man, identified incorrectly as Bones of the Palouse tribe, stands on a mat in front of a backdrop. He wears Native American clothing, including a fur hair wrap, choker, bracelet, arm bands, necklaces, shirt, leggings, moccasins, and breechcloth. The man stands in profile to the camera. In his right hand he holds a piece of fabric, possibly a handkerchief. His left hand is raised to his brow. On the ground at his feet is a Euro-American style hat. Tribal members have identified him as Peter Gibbon of the Cayuse tribe. Close