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• 411. [Image] PH036_5034 Lee Moorhouse photographs

  	A black-and-white photograph. The inscription in white ink at the bottom says 'Maj. Moorhouse and Wards' Umatilla Reservation. The number 5054 is written in the bottom left corner of the photo. Major ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5034 Lee Moorhouse photographs Year: 1900 A black-and-white photograph. The inscription in white ink at the bottom says 'Maj. Moorhouse and Wards' Umatilla Reservation. The number 5054 is written in the bottom left corner of the photo. Major Lee Moorhouse and two Native American children are seen in front of a tule-mat-and-canvas tipi. A wooden ladder leans against the right side of the tipi, along with some wooden poles. A striped blanket has been placed on the ground in front of the tipi, partly propped up by some unseen object, and two small children are on the blanket. The girl, who wears a scarf tied over her head, is sitting on the left side. She seems to be wearing a cloth shawl over a cloth dress. Standing to the right of her, next to Maj. Moorhouse, is a young boy, who appears to be wearing overalls topped with a dark cloth jacket missing all but the top button. His shoulder-length hair is cut in bangs. He wears European-style shoes or boots. Next to him squats the major in profile to the camera. His left hand is closest to the camera, and in it he holds the carcasse or hide of a small furry animal. The major wears a light-colored felt hat, a high-collar white shirt with a gingham patterned cravat, a vest, and striped wool trousers tucked into boots. He wears a buckskin jacket which is fringed at the seams and along the bottom and faced with fur. The front of the open jacket is also decorated with beadwork using floral motifs. Aside from a moustache, the major is clean-shaven. He is looking down towards the little boy. On the blanket in front of the children lies a semi-cylindrical basket with a geometric pattern woven in dark colors on a light background; the basket appears to have straps. Title: PH036_5034 Lee Moorhouse photographs Year: 1900 A black-and-white photograph. The inscription in white ink at the bottom says 'Maj. Moorhouse and Wards' Umatilla Reservation. The number 5054 is written in the bottom left corner of the photo. Major Lee Moorhouse and two Native American children are seen in front of a tule-mat-and-canvas tipi. A wooden ladder leans against the right side of the tipi, along with some wooden poles. A striped blanket has been placed on the ground in front of the tipi, partly propped up by some unseen object, and two small children are on the blanket. The girl, who wears a scarf tied over her head, is sitting on the left side. She seems to be wearing a cloth shawl over a cloth dress. Standing to the right of her, next to Maj. Moorhouse, is a young boy, who appears to be wearing overalls topped with a dark cloth jacket missing all but the top button. His shoulder-length hair is cut in bangs. He wears European-style shoes or boots. Next to him squats the major in profile to the camera. His left hand is closest to the camera, and in it he holds the carcasse or hide of a small furry animal. The major wears a light-colored felt hat, a high-collar white shirt with a gingham patterned cravat, a vest, and striped wool trousers tucked into boots. He wears a buckskin jacket which is fringed at the seams and along the bottom and faced with fur. The front of the open jacket is also decorated with beadwork using floral motifs. Aside from a moustache, the major is clean-shaven. He is looking down towards the little boy. On the blanket in front of the children lies a semi-cylindrical basket with a geometric pattern woven in dark colors on a light background; the basket appears to have straps. Close

• 412. [Image] PH036_5129 Lee Moorhouse photographs

  	A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5129 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. The canvas extends onto the floor and into the foreground of the photo; he is standing on it, and in front of him are two leaf-shaped stone arrowheads. The man's hair is pulled up and back from his face and into pigtails which are bound in fur hairwraps and extend nearly to his waist. A long quilled and beaded hair ornament hangs from the right side of his head; on the left side is an ornament of feathers. He wears shell disk earrings, a choker necklace, and loop necklaces, with a disk hanging from one of the loops. The collar of his long dark cloth shirt is turned down. Over the shirt he wears a wide beaded armband above the elbow on each arm. His open cloth vest is decorated or patterned, and it appears that a long ornament including hair, beads, and feathers is attached to the right shoulder. It hangs down to his knees. Under the vest but over the shirt he seems to be wearing a leather belt decorated with brass tacks. Below that is an dark apron with geometrical decorations made with buttons or coins; the hem has a white zigzag edging with the points facing down. His dark leggings also have a lighter zigzag edging, but on them the points face up. There seem to be lighter strips of weaving or beading, as well as some braids, hanging loose from underneath the apron or the shirt and reaching to his ankles. The man wears moccasins beaded with a floral design. In his hands he holds a hatchet-style pipe with the blade facing down. The handle of the pipe has geometric designs on it, and a triangle of beading or weaving hanging off the end, itself fringed with long strips that hang to the ground. The fringe is decorated with a few small bells. On the floor at the left of the photo is a pile of blankets and other objects. Title: PH036_5129 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. The canvas extends onto the floor and into the foreground of the photo; he is standing on it, and in front of him are two leaf-shaped stone arrowheads. The man's hair is pulled up and back from his face and into pigtails which are bound in fur hairwraps and extend nearly to his waist. A long quilled and beaded hair ornament hangs from the right side of his head; on the left side is an ornament of feathers. He wears shell disk earrings, a choker necklace, and loop necklaces, with a disk hanging from one of the loops. The collar of his long dark cloth shirt is turned down. Over the shirt he wears a wide beaded armband above the elbow on each arm. His open cloth vest is decorated or patterned, and it appears that a long ornament including hair, beads, and feathers is attached to the right shoulder. It hangs down to his knees. Under the vest but over the shirt he seems to be wearing a leather belt decorated with brass tacks. Below that is an dark apron with geometrical decorations made with buttons or coins; the hem has a white zigzag edging with the points facing down. His dark leggings also have a lighter zigzag edging, but on them the points face up. There seem to be lighter strips of weaving or beading, as well as some braids, hanging loose from underneath the apron or the shirt and reaching to his ankles. The man wears moccasins beaded with a floral design. In his hands he holds a hatchet-style pipe with the blade facing down. The handle of the pipe has geometric designs on it, and a triangle of beading or weaving hanging off the end, itself fringed with long strips that hang to the ground. The fringe is decorated with a few small bells. On the floor at the left of the photo is a pile of blankets and other objects. Close

• 413. [Image] PH036_5038 Lee Moorhouse photographs

  	Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5038 Lee Moorhouse photographs Year: 1897 Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph. Title: PH036_5038 Lee Moorhouse photographs Year: 1897 Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph. Close

• 414. [Image] Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi

  	A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised ...
  	Citation × Citation Citation Abstract Copy Title: Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi Year: 1897 A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures. Title: Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi Year: 1897 A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures. Close

• 415. [Image] Jennie Peo, with children, in camp; PH036_4081

  	This photograph was identified as 'Jennie Peo, with children, in camp' from Major Moorhouse. From a unidentified tribal member it is 'Mose and Levi' for the two boys and 'Jenny and Eva Van Pelt' both with ...
  	Citation × Citation Citation Abstract Copy Title: Jennie Peo, with children, in camp; PH036_4081 Year: 1900 This photograph was identified as 'Jennie Peo, with children, in camp' from Major Moorhouse. From a unidentified tribal member it is 'Mose and Levi' for the two boys and 'Jenny and Eva Van Pelt' both with a question mark next to the names. 2) A Native American woman is seated in front of a cloth backdrop, along with her four children. The woman is wearing a cloth dress, with a fringed shawl around her shoulders. She has long braids, moccasins, and a ring on one hand. She is holding an infant child on her lap. The baby is dressed in a long, white, cloth dress. Two young boys are standing on her right side. The boys are dressed in cloth shirts and overalls. The shorter boy is standing in front of the taller boy; he has a scarf or bandanna around his neck and is wearing leather boots. Both boys have very short hair. A young girl is standing on the left side of her mother. She is wearing a cotton dress with a collar and pockets, socks, and leather boots that lace up above the ankles. She has a white cloth bonnet on her head. Her face is not visible beneath the bonnet; she appears to be looking down and the bonnet is blurry as if she had moved her head as the photograph was taken. The woman's shawl hangs down to the ground and is draped behind her chair or stool and all of the children. The family is posed on top of a striped blanket that is on the ground in front of the backdrop. The cloth backdrop is suspended on the outside wall of a wooden building, with some of the wooden slats visible on the left side of the image. Title: Jennie Peo, with children, in camp; PH036_4081 Year: 1900 This photograph was identified as 'Jennie Peo, with children, in camp' from Major Moorhouse. From a unidentified tribal member it is 'Mose and Levi' for the two boys and 'Jenny and Eva Van Pelt' both with a question mark next to the names. 2) A Native American woman is seated in front of a cloth backdrop, along with her four children. The woman is wearing a cloth dress, with a fringed shawl around her shoulders. She has long braids, moccasins, and a ring on one hand. She is holding an infant child on her lap. The baby is dressed in a long, white, cloth dress. Two young boys are standing on her right side. The boys are dressed in cloth shirts and overalls. The shorter boy is standing in front of the taller boy; he has a scarf or bandanna around his neck and is wearing leather boots. Both boys have very short hair. A young girl is standing on the left side of her mother. She is wearing a cotton dress with a collar and pockets, socks, and leather boots that lace up above the ankles. She has a white cloth bonnet on her head. Her face is not visible beneath the bonnet; she appears to be looking down and the bonnet is blurry as if she had moved her head as the photograph was taken. The woman's shawl hangs down to the ground and is draped behind her chair or stool and all of the children. The family is posed on top of a striped blanket that is on the ground in front of the backdrop. The cloth backdrop is suspended on the outside wall of a wooden building, with some of the wooden slats visible on the left side of the image. Close

• 416. [Image] Young Chief, Whirlwind, and No-Shirt, Umatilla Indians in costume, on horseback, at Umatilla Reserve, July 4, 1903. Thumbing White Man for dropping in on US/U.S.; PH036_4847

  	Three Native American men, identified as Young Chief, Whirlwind, and Chief No-shirt, are mounted on dark-colored horses on a plain in front of four tipis. Each man carries a staff with ermine, eagle feathers, ...
  	Citation × Citation Citation Abstract Copy Title: Young Chief, Whirlwind, and No-Shirt, Umatilla Indians in costume, on horseback, at Umatilla Reserve, July 4, 1903. Thumbing White Man for dropping in on US/U.S.; PH036_4847 Year: 1903 Three Native American men, identified as Young Chief, Whirlwind, and Chief No-shirt, are mounted on dark-colored horses on a plain in front of four tipis. Each man carries a staff with ermine, eagle feathers, or other decoration, and Young Chief holds a second, shorter staff with long fringe. All wear headdresses with ermine hanging down, and eagle feather trails, and two have horned headdresses. The men wear beaded moccasins and beaded pants. One wears a cloth vest, one a cloth shirt, and one a buckskin shirt. The pants of two men are visible and seem to be cloth with strips of geometric beading. The horses have beaded bridles, martingales, masks, and reins, and Young Chief's horse shook its head as the photo was taken. Chief No-shirt's horse has a striped saddle blanket; the saddle has a long strip of fur hanging down from the saddle horn, nearly to the ground. All men wear jewelry. In the background at the right of the picture, the four tipis are lined up. In the background at the left, other people and part of a horse can be seen, and at the very left it looks as though someone were holding a flag. Title: Young Chief, Whirlwind, and No-Shirt, Umatilla Indians in costume, on horseback, at Umatilla Reserve, July 4, 1903. Thumbing White Man for dropping in on US/U.S.; PH036_4847 Year: 1903 Three Native American men, identified as Young Chief, Whirlwind, and Chief No-shirt, are mounted on dark-colored horses on a plain in front of four tipis. Each man carries a staff with ermine, eagle feathers, or other decoration, and Young Chief holds a second, shorter staff with long fringe. All wear headdresses with ermine hanging down, and eagle feather trails, and two have horned headdresses. The men wear beaded moccasins and beaded pants. One wears a cloth vest, one a cloth shirt, and one a buckskin shirt. The pants of two men are visible and seem to be cloth with strips of geometric beading. The horses have beaded bridles, martingales, masks, and reins, and Young Chief's horse shook its head as the photo was taken. Chief No-shirt's horse has a striped saddle blanket; the saddle has a long strip of fur hanging down from the saddle horn, nearly to the ground. All men wear jewelry. In the background at the right of the picture, the four tipis are lined up. In the background at the left, other people and part of a horse can be seen, and at the very left it looks as though someone were holding a flag. Close

• 417. [Image] PH036_5031 Lee Moorhouse photographs

  	A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5031 Lee Moorhouse photographs Year: 1901 A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket. Title: PH036_5031 Lee Moorhouse photographs Year: 1901 A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket. Close

• 418. [Image] PH036_4786 Lee Moorhouse photographs

  	A Native American man and woman, identified as Red Elk and his sister, of the Cayuse Tribe, stand in front of a large tipi. The tipi is made up of layers of tule mats, with some long sticks supporting ...
  	Citation × Citation Citation Abstract Copy Title: PH036_4786 Lee Moorhouse photographs Year: 1900 A Native American man and woman, identified as Red Elk and his sister, of the Cayuse Tribe, stand in front of a large tipi. The tipi is made up of layers of tule mats, with some long sticks supporting them on the outside. The man is dressed in a cloth shirt and cloth pants, with a plaid, fringed breechcloth. He is wearing beaded moccasins, a beaded bandoleer, and a beaded belt with a small pouch. His jewelry includes beaded looped necklaces, a beaded choker, and hoop earrings with shells. He is holding an object in each hand. The woman is dressed in a solid colored cloth dress, an underlayer dress, and has a sash around her waist. She has a large shawl draped over one shoulder and wrapped around her waist. The shawl has fringes and some embroidered flowers along the border. She is wearing moccasins, partially obscured by her shadow, and is holding a scarf or bandana in her hand. Her jewelry includes several strands of beaded necklaces and shell earrings. The man's hair is long and pulled back behind his head. The woman's hair is in two long ponytails. The man and woman are each standing on a pendleton blanket. Two more blankets are draped over a rope that circles the the tipi; one of them seems to be covering a doorway. A few objects are displayed on the blankets. There are deciduous trees and shrubs in the background and straw on the ground around the tipi. Title: PH036_4786 Lee Moorhouse photographs Year: 1900 A Native American man and woman, identified as Red Elk and his sister, of the Cayuse Tribe, stand in front of a large tipi. The tipi is made up of layers of tule mats, with some long sticks supporting them on the outside. The man is dressed in a cloth shirt and cloth pants, with a plaid, fringed breechcloth. He is wearing beaded moccasins, a beaded bandoleer, and a beaded belt with a small pouch. His jewelry includes beaded looped necklaces, a beaded choker, and hoop earrings with shells. He is holding an object in each hand. The woman is dressed in a solid colored cloth dress, an underlayer dress, and has a sash around her waist. She has a large shawl draped over one shoulder and wrapped around her waist. The shawl has fringes and some embroidered flowers along the border. She is wearing moccasins, partially obscured by her shadow, and is holding a scarf or bandana in her hand. Her jewelry includes several strands of beaded necklaces and shell earrings. The man's hair is long and pulled back behind his head. The woman's hair is in two long ponytails. The man and woman are each standing on a pendleton blanket. Two more blankets are draped over a rope that circles the the tipi; one of them seems to be covering a doorway. A few objects are displayed on the blankets. There are deciduous trees and shrubs in the background and straw on the ground around the tipi. Close