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• 1. [Article] A Historical and Archaeological Study of the Nineteenth Century Hudson's Bay Company Garden at Fort Vancouver: Focusing on Archaeological Field Methods and Microbotanical Analysis

  The Hudson's Bay Company (HBC), a British fur-trading enterprise, created a large garden at Fort Vancouver, now in southwest Washington, in the early- to mid-19th century. This fort was the administrative ...

  Citation × Citation Citation Abstract Copy Title: A Historical and Archaeological Study of the Nineteenth Century Hudson's Bay Company Garden at Fort Vancouver: Focusing on Archaeological Field Methods and Microbotanical Analysis Author: Dorset, Elaine C. Year: 2012 The Hudson's Bay Company (HBC), a British fur-trading enterprise, created a large garden at Fort Vancouver, now in southwest Washington, in the early- to mid-19th century. This fort was the administrative headquarters for the HBC's activities in western North America. Archaeological investigations were conducted at this site in 2005 and 2006 in order to better understand the role of this large space, which seems incongruous in terms of resources required, to the profit motive of the HBC. Questions about the landscape characteristics, and comments by 19th century visitors to the site provided the impetus for theoretical research of gardens as representations of societal power, and, on a mid-range level, the efficacy of certain archaeological methods in researching this type of space. Documentary research related to the history of the HBC Garden was also conducted, including previous archaeology completed at the site. The results of these lines of inquiry are presented, providing insight as to the diverse roles this Garden fulfilled in the survival of the HBC in the region - as a commercial enterprise, as a microcosm of western societal practice, and in the health of its employees. Title: A Historical and Archaeological Study of the Nineteenth Century Hudson's Bay Company Garden at Fort Vancouver: Focusing on Archaeological Field Methods and Microbotanical Analysis Author: Dorset, Elaine C. Year: 2012 The Hudson's Bay Company (HBC), a British fur-trading enterprise, created a large garden at Fort Vancouver, now in southwest Washington, in the early- to mid-19th century. This fort was the administrative headquarters for the HBC's activities in western North America. Archaeological investigations were conducted at this site in 2005 and 2006 in order to better understand the role of this large space, which seems incongruous in terms of resources required, to the profit motive of the HBC. Questions about the landscape characteristics, and comments by 19th century visitors to the site provided the impetus for theoretical research of gardens as representations of societal power, and, on a mid-range level, the efficacy of certain archaeological methods in researching this type of space. Documentary research related to the history of the HBC Garden was also conducted, including previous archaeology completed at the site. The results of these lines of inquiry are presented, providing insight as to the diverse roles this Garden fulfilled in the survival of the HBC in the region - as a commercial enterprise, as a microcosm of western societal practice, and in the health of its employees. Close

• 2. [Article] Hawaiian Presence at Fort Vancouver National Historic Site

  Fort Vancouver, as the colonial "Capital" of the Pacific Northwest in the 1820s-1840s, supported a multiethnic village of 600-1,000 occupants. A number of the villagers were Hawaiian men who worked in ...

  Citation × Citation Citation Abstract Copy Title: Hawaiian Presence at Fort Vancouver National Historic Site Author: Wilson, Douglas C. Year: 2012 Fort Vancouver, as the colonial "Capital" of the Pacific Northwest in the 1820s-1840s, supported a multiethnic village of 600-1,000 occupants. A number of the villagers were Hawaiian men who worked in the agricultural fields and sawmills of the Hudson’s Bay Company (HBC) operations. Identification of Hawaiian residences and activities has been an important element of studies of Fort Vancouver National Historic Site, Vancouver, Washington, since the 1960s. Kauanui calls for a "broad research agenda that accounts for Hawaiian movements in their respective contexts of conditions, periods, reasons, and desires, to allow us to better account for Hawaiian presence on the North American continent.” Her call is to counter attempts to minimize or alter modern Hawaiian cultural identity and to better define the Hawaiian diaspora history. Research on fur trade Hawaiians dispels the notion that Hawaiian history is limited to Hawaii and allows us to better contextualize the broader issues of fur trade identity and social transition in the Pacific Northwest associated with indigenous, fur trade, and American immigrant eras (e.g., Philips 2008; Klimko 2004). This paper discusses Native Hawaiians at Fort Vancouver, and explores the material evidence of their lives. In it, I raise questions regarding the identity of Hawaiians as revealed in the material culture and documentary record of the Fort Vancouver village. Further, I present the rationale for an expanded exploration of the village to better define the uses of the landscape to augment other ongoing studies of architecture, ceramics, tobacco pipes, glass vessels, and other archeological data. Title: Hawaiian Presence at Fort Vancouver National Historic Site Author: Wilson, Douglas C. Year: 2012 Fort Vancouver, as the colonial "Capital" of the Pacific Northwest in the 1820s-1840s, supported a multiethnic village of 600-1,000 occupants. A number of the villagers were Hawaiian men who worked in the agricultural fields and sawmills of the Hudson’s Bay Company (HBC) operations. Identification of Hawaiian residences and activities has been an important element of studies of Fort Vancouver National Historic Site, Vancouver, Washington, since the 1960s. Kauanui calls for a "broad research agenda that accounts for Hawaiian movements in their respective contexts of conditions, periods, reasons, and desires, to allow us to better account for Hawaiian presence on the North American continent.” Her call is to counter attempts to minimize or alter modern Hawaiian cultural identity and to better define the Hawaiian diaspora history. Research on fur trade Hawaiians dispels the notion that Hawaiian history is limited to Hawaii and allows us to better contextualize the broader issues of fur trade identity and social transition in the Pacific Northwest associated with indigenous, fur trade, and American immigrant eras (e.g., Philips 2008; Klimko 2004). This paper discusses Native Hawaiians at Fort Vancouver, and explores the material evidence of their lives. In it, I raise questions regarding the identity of Hawaiians as revealed in the material culture and documentary record of the Fort Vancouver village. Further, I present the rationale for an expanded exploration of the village to better define the uses of the landscape to augment other ongoing studies of architecture, ceramics, tobacco pipes, glass vessels, and other archeological data. Close

• 3. [Article] Rebuilding the Architectural History of the Fort Vancouver Village

  In the mid-19th century, the Fort Vancouver employee Village was one of the most diverse settlements on the Pacific Coast. Trappers, tradesmen, and laborers from Europe, North America, and Hawaii worked ...

  Citation × Citation Citation Abstract Copy Title: Rebuilding the Architectural History of the Fort Vancouver Village Author: Mullaley, Meredith J. Year: 2011 In the mid-19th century, the Fort Vancouver employee Village was one of the most diverse settlements on the Pacific Coast. Trappers, tradesmen, and laborers from Europe, North America, and Hawaii worked and lived within a highly stratified colonial social structure. Their homes have been the site of archaeological research for nearly 50 years, but the architectural features and artifacts have received limited attention. Inspired by an 1845 description of the Village that described houses that were "as various in form" as their occupants (Hussey 1957:218), this study examined community-level social relationships in this 19th-century fur trade community through vernacular architecture and landscape. This thesis presents the life histories and layouts of five Village houses. The architectural analysis relied on data from features, square nails, window glass, and bricks. The resulting architectural interpretations were synthesized to explore the larger vernacular landscape of the Village and investigate whether the house styles reflect processes of creolization and community development, or distinction and segregation among the Village residents. The houses all stem from a common French-Canadian architectural tradition, built by the first employees at Fort Vancouver, but the life histories also revealed that the houses were occupied (and repaired) by a second wave of employees at some time during the 1840s. A reminder that Village houses deposits may reflect multiple owners, and should not be conceptualized as the result of a single household. Finally, this thesis demonstrates that nuanced architectural data that can yet be learned from past excavation assemblages when the many nails, bricks, and window glass specimens are reanalyzed using current methods. Title: Rebuilding the Architectural History of the Fort Vancouver Village Author: Mullaley, Meredith J. Year: 2011 In the mid-19th century, the Fort Vancouver employee Village was one of the most diverse settlements on the Pacific Coast. Trappers, tradesmen, and laborers from Europe, North America, and Hawaii worked and lived within a highly stratified colonial social structure. Their homes have been the site of archaeological research for nearly 50 years, but the architectural features and artifacts have received limited attention. Inspired by an 1845 description of the Village that described houses that were "as various in form" as their occupants (Hussey 1957:218), this study examined community-level social relationships in this 19th-century fur trade community through vernacular architecture and landscape. This thesis presents the life histories and layouts of five Village houses. The architectural analysis relied on data from features, square nails, window glass, and bricks. The resulting architectural interpretations were synthesized to explore the larger vernacular landscape of the Village and investigate whether the house styles reflect processes of creolization and community development, or distinction and segregation among the Village residents. The houses all stem from a common French-Canadian architectural tradition, built by the first employees at Fort Vancouver, but the life histories also revealed that the houses were occupied (and repaired) by a second wave of employees at some time during the 1840s. A reminder that Village houses deposits may reflect multiple owners, and should not be conceptualized as the result of a single household. Finally, this thesis demonstrates that nuanced architectural data that can yet be learned from past excavation assemblages when the many nails, bricks, and window glass specimens are reanalyzed using current methods. Close

• 4. [Article] An Archaeology of Capitalism: Exploring Ideology through Ceramics from the Fort Vancouver and Village Sites

  The Hudson's Bay Company (HBC), a mercantile venture that was founded by royal charter in 1670, conceived, constructed and ran Fort Vancouver as its economic center in the Pacific Northwest, a colonial ...

  Citation × Citation Citation Abstract Copy Title: An Archaeology of Capitalism: Exploring Ideology through Ceramics from the Fort Vancouver and Village Sites Author: Holschuh, Dana Lynn Year: 2013 The Hudson's Bay Company (HBC), a mercantile venture that was founded by royal charter in 1670, conceived, constructed and ran Fort Vancouver as its economic center in the Pacific Northwest, a colonial outpost at the edge of the company's holdings in North America. Research into the history of the HBC revealed that the company was motivated by mercantile interests, and that Fort Vancouver operated under feudal land policies while steadily adopting a hierarchical structure. Following the work of Marxist archaeologist Mark Leone whose work in Annapolis, Maryland explored the effects of capitalist ideology on archaeological assemblages of ceramics, this study sought to locate the material signatures of ideologies in the ceramic assemblages recovered from the Fort and its adjacent multi-ethnic Village sites. In Annapolis, matching sets of ceramics were used as a material indicator of the successful penetration of capitalist ideals of segmentation, division and standardization that accompanied the carefully cultivated ideology of individualism, into working class households. Following this model, this study analyzed six assemblages for the presence of matched sets of ceramic tablewares using the diversity measures of richness and evenness. The results of this analysis for five assemblages from households in the Village were then compared to those expected for a model assemblage that was inferred to represent the ultimate model of participation in and dissemination of the same ideals of segmentation and division: that recovered from the Chief Factor's House within the fort. Documentary research confirmed that ideology was used to indoctrinate workers into the unique relations of production at Fort Vancouver however it was an ideology of paternal allegiance to the company rather than one of possessive individualism, as in Annapolis. At Fort Vancouver the notion of individuality was subtly downplayed in favor of one that addressed the company's responsibility to its workers and encouraged them to view its hierarchy, which was reinforced spatially, socially and economically, as natural. Analysis of the archaeological assemblages revealed that it is unlikely that the Village assemblages are comprised of complete sets of matching ceramicwares. The lack of these sets is likely the result of the multivalent nature of the economic system at the fort and its distinct ideology of paternalism, as well as the diverse backgrounds and outlooks of the Village occupants themselves, who appear to have purchased and used these European ceramics in unique ways. Title: An Archaeology of Capitalism: Exploring Ideology through Ceramics from the Fort Vancouver and Village Sites Author: Holschuh, Dana Lynn Year: 2013 The Hudson's Bay Company (HBC), a mercantile venture that was founded by royal charter in 1670, conceived, constructed and ran Fort Vancouver as its economic center in the Pacific Northwest, a colonial outpost at the edge of the company's holdings in North America. Research into the history of the HBC revealed that the company was motivated by mercantile interests, and that Fort Vancouver operated under feudal land policies while steadily adopting a hierarchical structure. Following the work of Marxist archaeologist Mark Leone whose work in Annapolis, Maryland explored the effects of capitalist ideology on archaeological assemblages of ceramics, this study sought to locate the material signatures of ideologies in the ceramic assemblages recovered from the Fort and its adjacent multi-ethnic Village sites. In Annapolis, matching sets of ceramics were used as a material indicator of the successful penetration of capitalist ideals of segmentation, division and standardization that accompanied the carefully cultivated ideology of individualism, into working class households. Following this model, this study analyzed six assemblages for the presence of matched sets of ceramic tablewares using the diversity measures of richness and evenness. The results of this analysis for five assemblages from households in the Village were then compared to those expected for a model assemblage that was inferred to represent the ultimate model of participation in and dissemination of the same ideals of segmentation and division: that recovered from the Chief Factor's House within the fort. Documentary research confirmed that ideology was used to indoctrinate workers into the unique relations of production at Fort Vancouver however it was an ideology of paternal allegiance to the company rather than one of possessive individualism, as in Annapolis. At Fort Vancouver the notion of individuality was subtly downplayed in favor of one that addressed the company's responsibility to its workers and encouraged them to view its hierarchy, which was reinforced spatially, socially and economically, as natural. Analysis of the archaeological assemblages revealed that it is unlikely that the Village assemblages are comprised of complete sets of matching ceramicwares. The lack of these sets is likely the result of the multivalent nature of the economic system at the fort and its distinct ideology of paternalism, as well as the diverse backgrounds and outlooks of the Village occupants themselves, who appear to have purchased and used these European ceramics in unique ways. Close