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• 141. [Image] PH036_6235 Lee Moorhouse photographs

  	Two Native American men dressed in regalia pose with weapons in front of a collection of Native American clothing and artifacts identified as belonging to Major Lee Moorhouse. The men wear feathered headdresses, ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6235 Lee Moorhouse photographs Year: 1897 Two Native American men dressed in regalia pose with weapons in front of a collection of Native American clothing and artifacts identified as belonging to Major Lee Moorhouse. The men wear feathered headdresses, arm bands, breechcloths, breastplates, and moccasins. One wields a tomahawk and the other draws a bow. They stand on blankets. Title: PH036_6235 Lee Moorhouse photographs Year: 1897 Two Native American men dressed in regalia pose with weapons in front of a collection of Native American clothing and artifacts identified as belonging to Major Lee Moorhouse. The men wear feathered headdresses, arm bands, breechcloths, breastplates, and moccasins. One wields a tomahawk and the other draws a bow. They stand on blankets. Close

• 142. [Image] PH036_4358 Lee Moorhouse photographs; Joe Bennet, Walla Walla Indian ; Joe Bennett, Walla Walla Indian in costume in front of tipi.

  	A Native American man identified as Joe Bennett of the Walla Walla tribe stands in traditional Native American clothing near a tipi. He wears a buckskin shirt with fringe, a headband with an eagle feather, ...
  	Citation × Citation Citation Abstract Copy Title: PH036_4358 Lee Moorhouse photographs; Joe Bennet, Walla Walla Indian ; Joe Bennett, Walla Walla Indian in costume in front of tipi. Year: 1897 A Native American man identified as Joe Bennett of the Walla Walla tribe stands in traditional Native American clothing near a tipi. He wears a buckskin shirt with fringe, a headband with an eagle feather, a choker, necklaces, and a breechcloth with a geometric motif. He holds a tomahawk and a fur and has a knife in a scabbard tucked in his belt. The man wears his hair in braids. Title: PH036_4358 Lee Moorhouse photographs; Joe Bennet, Walla Walla Indian ; Joe Bennett, Walla Walla Indian in costume in front of tipi. Year: 1897 A Native American man identified as Joe Bennett of the Walla Walla tribe stands in traditional Native American clothing near a tipi. He wears a buckskin shirt with fringe, a headband with an eagle feather, a choker, necklaces, and a breechcloth with a geometric motif. He holds a tomahawk and a fur and has a knife in a scabbard tucked in his belt. The man wears his hair in braids. Close

• 143. [Image] PH036_6702 Lee Moorhouse photographs; Umatilla Indians(?) ; Native American on horseback

  	A group of Native American men, identified as members of the Umatilla tribe, ride horses along a row of trees and tipis. The men wear regalia, including feathered headdresses. In the background is a line ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6702 Lee Moorhouse photographs; Umatilla Indians(?) ; Native American on horseback Year: 1897 A group of Native American men, identified as members of the Umatilla tribe, ride horses along a row of trees and tipis. The men wear regalia, including feathered headdresses. In the background is a line of deciduous trees in full leaf. Title: PH036_6702 Lee Moorhouse photographs; Umatilla Indians(?) ; Native American on horseback Year: 1897 A group of Native American men, identified as members of the Umatilla tribe, ride horses along a row of trees and tipis. The men wear regalia, including feathered headdresses. In the background is a line of deciduous trees in full leaf. Close

• 144. [Image] PH036_2229 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon. ; Elephant Rock, near Gibbon, Oregon.

  	A Native American man identified as Charley Whirlwind, Sr. (also known as Dr. Whirlwind), wearing a robe, or possibly a cape or cloak or capote coat, stands near a rock formation identified as Elephant ...
  	Citation × Citation Citation Abstract Copy Title: PH036_2229 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon. ; Elephant Rock, near Gibbon, Oregon. Year: 1897 A Native American man identified as Charley Whirlwind, Sr. (also known as Dr. Whirlwind), wearing a robe, or possibly a cape or cloak or capote coat, stands near a rock formation identified as Elephant Rock, near Gibbon, Oregon. The landscape is arid and rocky and the craggy rock formation resembles an elephant. Title: PH036_2229 Lee Moorhouse photographs; Elephant rock, near Gibbon, Oregon. ; Elephant Rock, near Gibbon, Oregon. Year: 1897 A Native American man identified as Charley Whirlwind, Sr. (also known as Dr. Whirlwind), wearing a robe, or possibly a cape or cloak or capote coat, stands near a rock formation identified as Elephant Rock, near Gibbon, Oregon. The landscape is arid and rocky and the craggy rock formation resembles an elephant. Close

• 145. [Image] Sally Chapman, Indian, in costume ; PH036_4288

  	A Native American woman, identified as Sally Chapman, in front of a backdrop on a mat with a geometric design. She wears Native American clothing, including a dress, hat, earrings, choker, and moccasins. ...
  	Citation × Citation Citation Abstract Copy Title: Sally Chapman, Indian, in costume ; PH036_4288 Year: 1900 A Native American woman, identified as Sally Chapman, in front of a backdrop on a mat with a geometric design. She wears Native American clothing, including a dress, hat, earrings, choker, and moccasins. She wears her hair in braids. In her hands she holds a bag or handbag with a geometric design. The identification of the woman is tentative and is being checked by tribal members. Title: Sally Chapman, Indian, in costume ; PH036_4288 Year: 1900 A Native American woman, identified as Sally Chapman, in front of a backdrop on a mat with a geometric design. She wears Native American clothing, including a dress, hat, earrings, choker, and moccasins. She wears her hair in braids. In her hands she holds a bag or handbag with a geometric design. The identification of the woman is tentative and is being checked by tribal members. Close

• 146. [Image] PH036_2528 Lee Moorhouse photographs; Looms in Pendleton woolen mills, Indians working mills. ; Looms in Pendleton woolen mills, Indians working looms.

  	A Native American woman and a Native American man stand at two industrial looms in the Pendleton Woolen Mills in Pendleton, Oregon. The man wears a blanket around his waist and the woman wears a blanket ...
  	Citation × Citation Citation Abstract Copy Title: PH036_2528 Lee Moorhouse photographs; Looms in Pendleton woolen mills, Indians working mills. ; Looms in Pendleton woolen mills, Indians working looms. Year: 1897 A Native American woman and a Native American man stand at two industrial looms in the Pendleton Woolen Mills in Pendleton, Oregon. The man wears a blanket around his waist and the woman wears a blanket over her shoulders. The man wears his hair in braids and holds a tool, possibly a shuttle, in his right hand. Title: PH036_2528 Lee Moorhouse photographs; Looms in Pendleton woolen mills, Indians working mills. ; Looms in Pendleton woolen mills, Indians working looms. Year: 1897 A Native American woman and a Native American man stand at two industrial looms in the Pendleton Woolen Mills in Pendleton, Oregon. The man wears a blanket around his waist and the woman wears a blanket over her shoulders. The man wears his hair in braids and holds a tool, possibly a shuttle, in his right hand. Close

• 147. [Image] PH036_3397 Lee Moorhouse photographs

  	A black-and-white photograph of three men, identified as Champions Jackson Sundown, Hall, and Rollen, 1916, are standing in an open space that might be a field or rodeo ring. One man appears to be Native ...
  	Citation × Citation Citation Abstract Copy Title: PH036_3397 Lee Moorhouse photographs Year: 1916 A black-and-white photograph of three men, identified as Champions Jackson Sundown, Hall, and Rollen, 1916, are standing in an open space that might be a field or rodeo ring. One man appears to be Native American and the other two appear to be caucasian. All three men are wearing cowboy hats and boots. The Native American man has his long braids tied in front underneath a scarf around his neck. He wears a beaded belt, long-sleeved light-colored shirt, and wooly chaps. He has bracelets at both wrists and is smiling, standing facing the photographer with his hand on his left hip, holding a rope.The man in the middle is wearing a dark knit shirt with a lighter stripe across the middle, and leather chaps with metal conchos down the side. He stands smiling with arms akimbo facing the photographer, hands resting on the thick rope tied around his waist. The third man is looking to the left of the photograph, and is frowning. He is wears a light-colored shirt and plain leather belt and his leather chaps have metal conchos with leather tassles down the sides. Title: PH036_3397 Lee Moorhouse photographs Year: 1916 A black-and-white photograph of three men, identified as Champions Jackson Sundown, Hall, and Rollen, 1916, are standing in an open space that might be a field or rodeo ring. One man appears to be Native American and the other two appear to be caucasian. All three men are wearing cowboy hats and boots. The Native American man has his long braids tied in front underneath a scarf around his neck. He wears a beaded belt, long-sleeved light-colored shirt, and wooly chaps. He has bracelets at both wrists and is smiling, standing facing the photographer with his hand on his left hip, holding a rope.The man in the middle is wearing a dark knit shirt with a lighter stripe across the middle, and leather chaps with metal conchos down the side. He stands smiling with arms akimbo facing the photographer, hands resting on the thick rope tied around his waist. The third man is looking to the left of the photograph, and is frowning. He is wears a light-colored shirt and plain leather belt and his leather chaps have metal conchos with leather tassles down the sides. Close

• 148. [Article] The Achfa-hammi Plankhouse: Understanding Tribal Architectures in the Realm of Historic Preservation

  After years of assimilation and acculturation, many Native Americans have both the means and strength to assert their unique identity among mainstream America. They have devised various channels for accomplishing ...

  Citation × Citation Citation Abstract Copy Title: The Achfa-hammi Plankhouse: Understanding Tribal Architectures in the Realm of Historic Preservation Author: Rieke, Lauren Year: 2013 After years of assimilation and acculturation, many Native Americans have both the means and strength to assert their unique identity among mainstream America. They have devised various channels for accomplishing this, such as language classes and continuing traditional practices, often using resources offered through State, Federal or Tribal Historic Preservation programs. Constructions of contemporary traditional architecture can be another of these tools used to promote this cultural renaissance. As a field that defines itself on the basis of cultural conservation, Historic Preservation principles claim to support these endeavors; however, because they do not meet the age criteria for "historic structures," such buildings are often left out of the preservation matrix. By examining the Achfa-hammi plankhouse of the Confederated Tribes of the Grand Ronde, this thesis will address the building's impact on cultural revitalization and explore the disconnect that exists between Historic Preservation policies and new constructions of tribal architectures. Title: The Achfa-hammi Plankhouse: Understanding Tribal Architectures in the Realm of Historic Preservation Author: Rieke, Lauren Year: 2013 After years of assimilation and acculturation, many Native Americans have both the means and strength to assert their unique identity among mainstream America. They have devised various channels for accomplishing this, such as language classes and continuing traditional practices, often using resources offered through State, Federal or Tribal Historic Preservation programs. Constructions of contemporary traditional architecture can be another of these tools used to promote this cultural renaissance. As a field that defines itself on the basis of cultural conservation, Historic Preservation principles claim to support these endeavors; however, because they do not meet the age criteria for "historic structures," such buildings are often left out of the preservation matrix. By examining the Achfa-hammi plankhouse of the Confederated Tribes of the Grand Ronde, this thesis will address the building's impact on cultural revitalization and explore the disconnect that exists between Historic Preservation policies and new constructions of tribal architectures. Close

• 149. [Article] Columbia Basin Heritage Fish Consumption Rates

  This is an author's peer-reviewed final manuscript, as accepted by the publisher. The published article is copyrighted by Springer and can be found at: http://link.springer.com/journal/10745

  Citation × Citation Citation Abstract Copy Title: Columbia Basin Heritage Fish Consumption Rates Author: Harper, Barbara L., Walker, Deward E., Jr. This is an author's peer-reviewed final manuscript, as accepted by the publisher. The published article is copyrighted by Springer and can be found at: http://link.springer.com/journal/10745 Title: Columbia Basin Heritage Fish Consumption Rates Author: Harper, Barbara L., Walker, Deward E., Jr. This is an author's peer-reviewed final manuscript, as accepted by the publisher. The published article is copyrighted by Springer and can be found at: http://link.springer.com/journal/10745 Close

• 150. [Image] Three Native American men spearing salmon on rapids of Columbia River. Prentiss photo

  	Black and white image of three Native American men fishing from rocks at Celilo Falls. All hold long poles or spears. Two are wearing caps, while one wears what looks like a knitted cap. Two of the men ...
  	Citation × Citation Citation Abstract Copy Title: Three Native American men spearing salmon on rapids of Columbia River. Prentiss photo Year: 1880 Black and white image of three Native American men fishing from rocks at Celilo Falls. All hold long poles or spears. Two are wearing caps, while one wears what looks like a knitted cap. Two of the men wear overalls; all have long sleeves and pants and wear shoes. In the middle ground of the photo are the falls, and two wooden structures, one of which may be a wooden fish wheel. Hills rise up in the background. The photo was taken before March, 1957, when the Dalles Dam began operation and covered the falls. Title: Three Native American men spearing salmon on rapids of Columbia River. Prentiss photo Year: 1880 Black and white image of three Native American men fishing from rocks at Celilo Falls. All hold long poles or spears. Two are wearing caps, while one wears what looks like a knitted cap. Two of the men wear overalls; all have long sleeves and pants and wear shoes. In the middle ground of the photo are the falls, and two wooden structures, one of which may be a wooden fish wheel. Hills rise up in the background. The photo was taken before March, 1957, when the Dalles Dam began operation and covered the falls. Close