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• 23161. [Image] PH036_5031 Lee Moorhouse photographs

  	A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5031 Lee Moorhouse photographs Year: 1901 A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket. Title: PH036_5031 Lee Moorhouse photographs Year: 1901 A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket. Close

• 23162. [Image] PH036_4149 Lee Moorhouse photographs; 354

  	A balck-and-white photograph of three men. The inscription at the bottom in white ink reads Yakima Chief Saponowox and sons. No. 354. Moorhouse. Chief Saponowox sits between the two younger men, who are ...
  	Citation × Citation Citation Abstract Copy Title: PH036_4149 Lee Moorhouse photographs; 354 Year: 1900 A balck-and-white photograph of three men. The inscription at the bottom in white ink reads Yakima Chief Saponowox and sons. No. 354. Moorhouse. Chief Saponowox sits between the two younger men, who are standing. The chief wears a broad-brimmed felt hat with a feather standing upright at the front of the hatband. More feathers hang down from the back of the hat. His arms are crossed on his lap; with his right hand he holds a feather up to the left side of his face. His long unbound hair hangs over his chest. He is wearing a white cloth under-shirt and appears to also be wearing a dark one; over all is a dark cloth shirt or jacket. What looks like a rabbit's foot hangs from a thong around his neck. His legs are covered by a patterned blanket but he appears to be wearing pants or leggings and to be barefoot or just wearing socks. The man on the left of the photo wears a furred and feathered hat. His long unbound hair hangs nearly to his waist. He appears to be wearing a choker of white beads or shells around his neck. A short bandoleer which appears to have the furry paw of a small animal attached, and a necklace with ermine and other ornaments, are hung over his dark cloth smock-like shirt, which has a lighter pattern in it which resembles snowflakes. It looks as though his left arm is missing, but it may be behind his back; in his right hand he holds at waist-level a stick from which eagle feathers depend. His cloth leggings are partly obscured by an apron of fringed tartan which hangs from below his smock to halfway below his knees. He appears to be wearing moccasins or dark socks. The man on the right has his hair pulled back from his forehead. He stands with his arms crossed underneath a long feather stole. White feathers hang from the end of the stole. Eagle feathers frame his face, and he has a large eagle feather tucked under his left arm. He wears a striped shirt and has a patterned blanket falling from his waist to the ground, hiding his legs and feet. The men appear to be standing on a carpet which has been covered with straw or some typed of dried vegetation. Title: PH036_4149 Lee Moorhouse photographs; 354 Year: 1900 A balck-and-white photograph of three men. The inscription at the bottom in white ink reads Yakima Chief Saponowox and sons. No. 354. Moorhouse. Chief Saponowox sits between the two younger men, who are standing. The chief wears a broad-brimmed felt hat with a feather standing upright at the front of the hatband. More feathers hang down from the back of the hat. His arms are crossed on his lap; with his right hand he holds a feather up to the left side of his face. His long unbound hair hangs over his chest. He is wearing a white cloth under-shirt and appears to also be wearing a dark one; over all is a dark cloth shirt or jacket. What looks like a rabbit's foot hangs from a thong around his neck. His legs are covered by a patterned blanket but he appears to be wearing pants or leggings and to be barefoot or just wearing socks. The man on the left of the photo wears a furred and feathered hat. His long unbound hair hangs nearly to his waist. He appears to be wearing a choker of white beads or shells around his neck. A short bandoleer which appears to have the furry paw of a small animal attached, and a necklace with ermine and other ornaments, are hung over his dark cloth smock-like shirt, which has a lighter pattern in it which resembles snowflakes. It looks as though his left arm is missing, but it may be behind his back; in his right hand he holds at waist-level a stick from which eagle feathers depend. His cloth leggings are partly obscured by an apron of fringed tartan which hangs from below his smock to halfway below his knees. He appears to be wearing moccasins or dark socks. The man on the right has his hair pulled back from his forehead. He stands with his arms crossed underneath a long feather stole. White feathers hang from the end of the stole. Eagle feathers frame his face, and he has a large eagle feather tucked under his left arm. He wears a striped shirt and has a patterned blanket falling from his waist to the ground, hiding his legs and feet. The men appear to be standing on a carpet which has been covered with straw or some typed of dried vegetation. Close

• 23163. [Image] PH036_2563 Lee Moorhouse photographs

  	"A black-and-white photograph identified as Moorhouse home, Pendleton, with family group in front. Eleven people sit or stand around the entrance to a light-colored wooden house. The house has gingerbread-style ...
  	Citation × Citation Citation Abstract Copy Title: PH036_2563 Lee Moorhouse photographs Year: 1900 "A black-and-white photograph identified as Moorhouse home, Pendleton, with family group in front. Eleven people sit or stand around the entrance to a light-colored wooden house. The house has gingerbread-style trim, with a lacy crest interrupted by finials running around the top of its small flat porch roof and the edge of the roof line, and delicate crenelation along the roof ridge with a finial at the gable above the porch. More gingerbread ornaments the gable. A leafy vine obscures the right side of the house and climbs up the porch past a birdcage; other leafy plants are near the porch and in the foreground of the photo, and a strip of netting has been strung on both sides of the porch front as guides for more vines. A boardwalk has been laid through the lawn to the porch. Two women sit on chairs on the porch. One wears a white shirt and darker long skirt and has some light-colored ornament in her hair. The other woman is all in white and sits in a rocking chair. There is no balustrade to the porch, and along its edge sit a man and woman. The man wears a three-piece suit and bow tie, and the woman is in a white shirt and dark skirt. Like the other women, she wears her hair in a pompadour. She sits with her feet on the boardwalk. Left of her a man with a moustache, wearing a suit, sits in a rocking chair on the grass, holding a young girl on his lap. The girl wears a white dress and stockings and dark shoes. Near their feet, sitting on the boardwalk, are two boys. The boy closest to the house wears dark shorts with suspenders and a white shirt; his legs and feet are bare. The boy next to him is in a dark sailor-suit-style polka-dotted shirt and dark shorts, with dark stockings and shoes. At the right side of the photograph is a group of three people. Major Moorhouse and his wife sit in wooden rocking chairs, while another man in a three-piece suit and bowler hat stands between them in the background. The Major also wears a suit; his wife is in a long dark dress with ruffles at the hem, and has a long chain ornamenting her ensemble. Only two people are not looking directly at the camera; the man sitting on the porch edge, and the woman in white on the porch. Behind her gleam glass windows, with lacy curtains and light blinds behind them; above the screen door is the house number 601." Title: PH036_2563 Lee Moorhouse photographs Year: 1900 "A black-and-white photograph identified as Moorhouse home, Pendleton, with family group in front. Eleven people sit or stand around the entrance to a light-colored wooden house. The house has gingerbread-style trim, with a lacy crest interrupted by finials running around the top of its small flat porch roof and the edge of the roof line, and delicate crenelation along the roof ridge with a finial at the gable above the porch. More gingerbread ornaments the gable. A leafy vine obscures the right side of the house and climbs up the porch past a birdcage; other leafy plants are near the porch and in the foreground of the photo, and a strip of netting has been strung on both sides of the porch front as guides for more vines. A boardwalk has been laid through the lawn to the porch. Two women sit on chairs on the porch. One wears a white shirt and darker long skirt and has some light-colored ornament in her hair. The other woman is all in white and sits in a rocking chair. There is no balustrade to the porch, and along its edge sit a man and woman. The man wears a three-piece suit and bow tie, and the woman is in a white shirt and dark skirt. Like the other women, she wears her hair in a pompadour. She sits with her feet on the boardwalk. Left of her a man with a moustache, wearing a suit, sits in a rocking chair on the grass, holding a young girl on his lap. The girl wears a white dress and stockings and dark shoes. Near their feet, sitting on the boardwalk, are two boys. The boy closest to the house wears dark shorts with suspenders and a white shirt; his legs and feet are bare. The boy next to him is in a dark sailor-suit-style polka-dotted shirt and dark shorts, with dark stockings and shoes. At the right side of the photograph is a group of three people. Major Moorhouse and his wife sit in wooden rocking chairs, while another man in a three-piece suit and bowler hat stands between them in the background. The Major also wears a suit; his wife is in a long dark dress with ruffles at the hem, and has a long chain ornamenting her ensemble. Only two people are not looking directly at the camera; the man sitting on the porch edge, and the woman in white on the porch. Behind her gleam glass windows, with lacy curtains and light blinds behind them; above the screen door is the house number 601." Close

• 23164. [Image] Urban decay: Saginaw, MI 48607, 8 Dec. 2005

  	On a December day in 2005, the artist visited her home town of Saginaw, Michigan. During the twentieth century, Saginaw was an important manufacturing town, but manufacturing and the automotive industry ...
  	Citation × Citation Citation Abstract Copy Title: Urban decay: Saginaw, MI 48607, 8 Dec. 2005 Author: Russell, Laura, book artist On a December day in 2005, the artist visited her home town of Saginaw, Michigan. During the twentieth century, Saginaw was an important manufacturing town, but manufacturing and the automotive industry declined and by the end of the century unemployment, poverty and crime, including gang activity had created an urban blight. This book is a photographic essay on the once attractive neighborhoods of Saganaw which are now largely burnt out and boarded up. Issued in folded chip-board case with velcro closure and the title stamped on the upper flap. The book is bound with post and screw in an album style. Covers are made of plywood, pages contain color photographs printed with acid free inks on Janus Duo Card paper. Page edges are hand burned. Text is digitally printed using Franklin Gothic. The title is burned into wood cover. Includes a map of the Saginaw neighborhood where the photos were shot. The artist writes: "The genesis of this book was a drive my husband and I took about three years ago while visiting friends in Detroit. In a two mile stretch of road, near tony Grosse Pointe, we saw so many burned out or boarded up houses that the area looked like it had been bombed. We were shocked and saddened to see this urban wasteland. An artist book was born on this trip as the images haunted me for three years while I waited for the chance to go back and shoot the photographs. After some research I discovered that what we saw that day was not unusual. Detroit's infamous battle with Devils' Night arson has left the city ravaged. But, what shocked me most was that I found the same kind of blight in my own home town of Saginaw, located 100 miles north of Detroit. Finally, three years after seeing these houses in Detroit the artist book I had in mind became even more personal and more important to complete."; This book is a limited-edition hand-bound artist book. Original photographs, poetry and text by Laura Russell. Digital printing with archival inks on archival paper. Flyleaves are stained Tyvek. Interior pages burned by hand. Plywood covers hinged with book cloth. Hand bound at Laura's studio, Simply Books, Ltd. www.laurarussell.net Title: Urban decay: Saginaw, MI 48607, 8 Dec. 2005 Author: Russell, Laura, book artist On a December day in 2005, the artist visited her home town of Saginaw, Michigan. During the twentieth century, Saginaw was an important manufacturing town, but manufacturing and the automotive industry declined and by the end of the century unemployment, poverty and crime, including gang activity had created an urban blight. This book is a photographic essay on the once attractive neighborhoods of Saganaw which are now largely burnt out and boarded up. Issued in folded chip-board case with velcro closure and the title stamped on the upper flap. The book is bound with post and screw in an album style. Covers are made of plywood, pages contain color photographs printed with acid free inks on Janus Duo Card paper. Page edges are hand burned. Text is digitally printed using Franklin Gothic. The title is burned into wood cover. Includes a map of the Saginaw neighborhood where the photos were shot. The artist writes: "The genesis of this book was a drive my husband and I took about three years ago while visiting friends in Detroit. In a two mile stretch of road, near tony Grosse Pointe, we saw so many burned out or boarded up houses that the area looked like it had been bombed. We were shocked and saddened to see this urban wasteland. An artist book was born on this trip as the images haunted me for three years while I waited for the chance to go back and shoot the photographs. After some research I discovered that what we saw that day was not unusual. Detroit's infamous battle with Devils' Night arson has left the city ravaged. But, what shocked me most was that I found the same kind of blight in my own home town of Saginaw, located 100 miles north of Detroit. Finally, three years after seeing these houses in Detroit the artist book I had in mind became even more personal and more important to complete."; This book is a limited-edition hand-bound artist book. Original photographs, poetry and text by Laura Russell. Digital printing with archival inks on archival paper. Flyleaves are stained Tyvek. Interior pages burned by hand. Plywood covers hinged with book cloth. Hand bound at Laura's studio, Simply Books, Ltd. www.laurarussell.net Close