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• 22581. [Image] Class of 1914

  	Photos of Class of 1914 alumni.
  	Citation × Citation Citation Abstract Copy Title: Class of 1914 Year: 1910 Photos of Class of 1914 alumni. Title: Class of 1914 Year: 1910 Photos of Class of 1914 alumni. Close

• 22582. [Image] Umatilla Reservation near Thorn Hollow ; Camps on Umatilla Indian Reservation, near Cayuse Station, near Thorn Hollow ; Camps on Umatilla Indian reservation, near Thorn Hollow

  	Railroad tracks run in front of a wooded area identified as being near Cayuse Station, Thorn Hollow. Fences run along the railroad tracks and stop on either side of a railroad crossing. The crossing ...
  	Citation × Citation Citation Abstract Copy Title: Umatilla Reservation near Thorn Hollow ; Camps on Umatilla Indian Reservation, near Cayuse Station, near Thorn Hollow ; Camps on Umatilla Indian reservation, near Thorn Hollow Year: 1897 Railroad tracks run in front of a wooded area identified as being near Cayuse Station, Thorn Hollow. Fences run along the railroad tracks and stop on either side of a railroad crossing. The crossing is left of center and has a white sign beside it. There are three tipis among the trees. On the right side of the photo is a wooden building. In between the right most tipi and the wooden building is a cage raised up off the ground on legs and another undetermined object on the ground. On the right half of the photo between the tipis and the railroad tracks is a cultivated area that could be a garden. Behind the tipis among the trees is a stream or river, and in the background are hills. The trees are both deciduous without leaves and conifers. Title: Umatilla Reservation near Thorn Hollow ; Camps on Umatilla Indian Reservation, near Cayuse Station, near Thorn Hollow ; Camps on Umatilla Indian reservation, near Thorn Hollow Year: 1897 Railroad tracks run in front of a wooded area identified as being near Cayuse Station, Thorn Hollow. Fences run along the railroad tracks and stop on either side of a railroad crossing. The crossing is left of center and has a white sign beside it. There are three tipis among the trees. On the right side of the photo is a wooden building. In between the right most tipi and the wooden building is a cage raised up off the ground on legs and another undetermined object on the ground. On the right half of the photo between the tipis and the railroad tracks is a cultivated area that could be a garden. Behind the tipis among the trees is a stream or river, and in the background are hills. The trees are both deciduous without leaves and conifers. Close

• 22583. [Image] PH036_3705 Lee Moorhouse photographs

  	A black-and-white photograph of a scene identified in white ink at the bottom as Maj. Moorhouse leading Indian parade The Roundup. The photo was taken by O. G. Allen, Pendleton, Oregon. Major Lee Moorhouse ...
  	Citation × Citation Citation Abstract Copy Title: PH036_3705 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a scene identified in white ink at the bottom as Maj. Moorhouse leading Indian parade The Roundup. The photo was taken by O. G. Allen, Pendleton, Oregon. Major Lee Moorhouse rides a light-colored horse down the dirt street; beside him rides a Native American man on a darker horse with a white blaze. Tire and other tracks can be seen in the dust of the road. The Major wears some type of Western gear and a low-crowned felt hat. A coil of rope hangs from his saddle. His companion has a high-crowned hat with feathers in the headband and a shirt with decoration on the front. They are about to ride under a cord which has been stretched across the street; the pennants and flags hung from it, including the Stars and Strips and a flag with a cowboy on it, are flapping in the breeze. Behind them ride a number of Native American men in their regalia with feathered bonnets and standards. The parade is riding along one of the main streets of Pendleton. Brick or stone buildings line the side of the street behind the men; they have chimneys at regular intervals and arched windows behind which blinds and advertising posters can be seen. Painted near the roofs are legends such as Groceries and Farm Machinery. The stores at ground level have awnings, some open and some closed, with big plate-glass windows. The curb of the sidewalk is lined with telephone or telegraph poles. At the right of the photo in the entrance to the Umatilla Implement Company is a group of people watching the parade.The men wear suits and hats; the women, long dresses and hats. In front of them near the curb stand two children with a small dog on a leash. Title: PH036_3705 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a scene identified in white ink at the bottom as Maj. Moorhouse leading Indian parade The Roundup. The photo was taken by O. G. Allen, Pendleton, Oregon. Major Lee Moorhouse rides a light-colored horse down the dirt street; beside him rides a Native American man on a darker horse with a white blaze. Tire and other tracks can be seen in the dust of the road. The Major wears some type of Western gear and a low-crowned felt hat. A coil of rope hangs from his saddle. His companion has a high-crowned hat with feathers in the headband and a shirt with decoration on the front. They are about to ride under a cord which has been stretched across the street; the pennants and flags hung from it, including the Stars and Strips and a flag with a cowboy on it, are flapping in the breeze. Behind them ride a number of Native American men in their regalia with feathered bonnets and standards. The parade is riding along one of the main streets of Pendleton. Brick or stone buildings line the side of the street behind the men; they have chimneys at regular intervals and arched windows behind which blinds and advertising posters can be seen. Painted near the roofs are legends such as Groceries and Farm Machinery. The stores at ground level have awnings, some open and some closed, with big plate-glass windows. The curb of the sidewalk is lined with telephone or telegraph poles. At the right of the photo in the entrance to the Umatilla Implement Company is a group of people watching the parade.The men wear suits and hats; the women, long dresses and hats. In front of them near the curb stand two children with a small dog on a leash. Close

• 22584. [Image] PH036_5129 Lee Moorhouse photographs

  	A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. ...
  	Citation × Citation Citation Abstract Copy Title: PH036_5129 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. The canvas extends onto the floor and into the foreground of the photo; he is standing on it, and in front of him are two leaf-shaped stone arrowheads. The man's hair is pulled up and back from his face and into pigtails which are bound in fur hairwraps and extend nearly to his waist. A long quilled and beaded hair ornament hangs from the right side of his head; on the left side is an ornament of feathers. He wears shell disk earrings, a choker necklace, and loop necklaces, with a disk hanging from one of the loops. The collar of his long dark cloth shirt is turned down. Over the shirt he wears a wide beaded armband above the elbow on each arm. His open cloth vest is decorated or patterned, and it appears that a long ornament including hair, beads, and feathers is attached to the right shoulder. It hangs down to his knees. Under the vest but over the shirt he seems to be wearing a leather belt decorated with brass tacks. Below that is an dark apron with geometrical decorations made with buttons or coins; the hem has a white zigzag edging with the points facing down. His dark leggings also have a lighter zigzag edging, but on them the points face up. There seem to be lighter strips of weaving or beading, as well as some braids, hanging loose from underneath the apron or the shirt and reaching to his ankles. The man wears moccasins beaded with a floral design. In his hands he holds a hatchet-style pipe with the blade facing down. The handle of the pipe has geometric designs on it, and a triangle of beading or weaving hanging off the end, itself fringed with long strips that hang to the ground. The fringe is decorated with a few small bells. On the floor at the left of the photo is a pile of blankets and other objects. Title: PH036_5129 Lee Moorhouse photographs Year: 1900 A black-and-white photograph of a Native American man. In white ink near the bottom is written Yakima Moorhouse. The man stands in front of a canvas backdrop on which is painted a leafy woodland scene. The canvas extends onto the floor and into the foreground of the photo; he is standing on it, and in front of him are two leaf-shaped stone arrowheads. The man's hair is pulled up and back from his face and into pigtails which are bound in fur hairwraps and extend nearly to his waist. A long quilled and beaded hair ornament hangs from the right side of his head; on the left side is an ornament of feathers. He wears shell disk earrings, a choker necklace, and loop necklaces, with a disk hanging from one of the loops. The collar of his long dark cloth shirt is turned down. Over the shirt he wears a wide beaded armband above the elbow on each arm. His open cloth vest is decorated or patterned, and it appears that a long ornament including hair, beads, and feathers is attached to the right shoulder. It hangs down to his knees. Under the vest but over the shirt he seems to be wearing a leather belt decorated with brass tacks. Below that is an dark apron with geometrical decorations made with buttons or coins; the hem has a white zigzag edging with the points facing down. His dark leggings also have a lighter zigzag edging, but on them the points face up. There seem to be lighter strips of weaving or beading, as well as some braids, hanging loose from underneath the apron or the shirt and reaching to his ankles. The man wears moccasins beaded with a floral design. In his hands he holds a hatchet-style pipe with the blade facing down. The handle of the pipe has geometric designs on it, and a triangle of beading or weaving hanging off the end, itself fringed with long strips that hang to the ground. The fringe is decorated with a few small bells. On the floor at the left of the photo is a pile of blankets and other objects. Close

• 22585. [Image] Dear Mohamed Atta

  	Title from colophon booklet; 50 letters created by Elsi Vassdal Ellis written between Sept. 11, 2001 and Mar. 11, 2002, to Mohamed Atta, one of the hijackers believed to be at the controls of American ...
  	Citation × Citation Citation Abstract Copy Title: Dear Mohamed Atta Author: Ellis, Elsi Vassdal Title from colophon booklet; 50 letters created by Elsi Vassdal Ellis written between Sept. 11, 2001 and Mar. 11, 2002, to Mohamed Atta, one of the hijackers believed to be at the controls of American Airlines Flight 11 that flew into the North Tower of the World Trade Center on Sept. 11, 2001; Each letter is 1 folded sheet and is in separate envelope, stamped and addressed Mohammed Atta, World Trade Center, New York, New York , with return address label EVE, Harmony Road, USA. ;Accompanied by colophon booklet, sewn in black wraps, in envelope; Issued in red and gold box (13 x 26 cm.), with letter opener; One-third of the letterheads/cards were purchased... Two-thirds of the 'letterheads' were printed on scrap/left over/offcut papers... The images are from my growing collection of photopolymer 'cuts.' All letterpress printing was done on a Vandercook 4. The letters and envelopes were printed on an Epson 3000 inkjet printer. The 'stamps' were designed in Photoshop using the primary image of Mohamed Atta found on many web sites. Various filters were applied and in some cases combined with images from my own antique photo collection and/or Corel Photo CDs. The stamps were printed on an Epson 3000. All envelopes have been 'cancelled' with a rubber stamp. The cigar-style letter box has been constructed in Davey board with double walls and covered in momi style decorative papers in red and black...An edition of 20 will be created, referencing the 19 highjackers of the four planes and Osama bin Laden Title: Dear Mohamed Atta Author: Ellis, Elsi Vassdal Title from colophon booklet; 50 letters created by Elsi Vassdal Ellis written between Sept. 11, 2001 and Mar. 11, 2002, to Mohamed Atta, one of the hijackers believed to be at the controls of American Airlines Flight 11 that flew into the North Tower of the World Trade Center on Sept. 11, 2001; Each letter is 1 folded sheet and is in separate envelope, stamped and addressed Mohammed Atta, World Trade Center, New York, New York , with return address label EVE, Harmony Road, USA. ;Accompanied by colophon booklet, sewn in black wraps, in envelope; Issued in red and gold box (13 x 26 cm.), with letter opener; One-third of the letterheads/cards were purchased... Two-thirds of the 'letterheads' were printed on scrap/left over/offcut papers... The images are from my growing collection of photopolymer 'cuts.' All letterpress printing was done on a Vandercook 4. The letters and envelopes were printed on an Epson 3000 inkjet printer. The 'stamps' were designed in Photoshop using the primary image of Mohamed Atta found on many web sites. Various filters were applied and in some cases combined with images from my own antique photo collection and/or Corel Photo CDs. The stamps were printed on an Epson 3000. All envelopes have been 'cancelled' with a rubber stamp. The cigar-style letter box has been constructed in Davey board with double walls and covered in momi style decorative papers in red and black...An edition of 20 will be created, referencing the 19 highjackers of the four planes and Osama bin Laden Close

• 22586. [Image] No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon

  	A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington ...
  	Citation × Citation Citation Abstract Copy Title: No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington and the Columbia River. Various houses, yards, and buildings are visible. At the right of the photograph is a railyard, with a large water tank at far right and a smaller, taller one closer to the water. At least three segments of trains are on the tracks: one is on the outskirts of town, and a few other railroad cars are visible on two different tracks amongst the buildings of the railyard, including a boxcar with an open door and a round tanker car. In the distance beyond the town, the line of the railroad tracks and the line of a road parallel each other just above the river bank. The eye can follow them a long way down the river, past a landscape which with its treeless bluffs on both sides of the river looks barren and deserted. On the hill above them runs a line of telephone or telegraph poles which continues down into and through the village. In the foreground of the photo beyond the boulders at the edge of the hill from which the photo seems to have been taken is a house and yard (with the corner of another yard showing). Two privies or outhouses are visible at right. In the center a person in a hat and jacket stands next to a pile of firewood. Behind the person is a water pump in the yard. This house has a lean-to or shed which is roofed with tar paper and has a stove pipe sticking out. Other wooden houses, and some fenceposts, are visible through the scattered trees in the town. Title: No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington and the Columbia River. Various houses, yards, and buildings are visible. At the right of the photograph is a railyard, with a large water tank at far right and a smaller, taller one closer to the water. At least three segments of trains are on the tracks: one is on the outskirts of town, and a few other railroad cars are visible on two different tracks amongst the buildings of the railyard, including a boxcar with an open door and a round tanker car. In the distance beyond the town, the line of the railroad tracks and the line of a road parallel each other just above the river bank. The eye can follow them a long way down the river, past a landscape which with its treeless bluffs on both sides of the river looks barren and deserted. On the hill above them runs a line of telephone or telegraph poles which continues down into and through the village. In the foreground of the photo beyond the boulders at the edge of the hill from which the photo seems to have been taken is a house and yard (with the corner of another yard showing). Two privies or outhouses are visible at right. In the center a person in a hat and jacket stands next to a pile of firewood. Behind the person is a water pump in the yard. This house has a lean-to or shed which is roofed with tar paper and has a stove pipe sticking out. Other wooden houses, and some fenceposts, are visible through the scattered trees in the town. Close

• 22587. [Image] No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon

  	A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington ...
  	Citation × Citation Citation Abstract Copy Title: No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington and the Columbia River. Various houses, yards, and buildings are visible. At the right of the photograph is a railyard, with a large water tank at far right and a smaller, taller one closer to the water. At least three segments of trains are on the tracks: one is on the outskirts of town, and a few other railroad cars are visible on two different tracks amongst the buildings of the railyard, including a boxcar with an open door and a round tanker car. In the distance beyond the town, the line of the railroad tracks and the line of a road parallel each other just above the river bank. The eye can follow them a long way down the river, past a landscape which with its treeless bluffs on both sides of the river looks barren and deserted. On the hill above them runs a line of telephone or telegraph poles which continues down into and through the village. In the foreground of the photo beyond the boulders at the edge of the hill from which the photo seems to have been taken is a house and yard (with the corner of another yard showing). Two privies or outhouses are visible at right. In the center a person in a hat and jacket stands next to a pile of firewood. Behind the person is a water pump in the yard. This house has a lean-to or shed which is roofed with tar paper and has a stove pipe sticking out. Other wooden houses, and some fenceposts, are visible through the scattered trees in the town. Title: No. 126. River Front, Arlington, Oregon.; River Front, Arlington, Oregon A black-and-white photograph. At the bottom is written in white ink "No. 126. River Front, Arlington, Oregon. B.C. Markham The Dalles Ore." The picture was taken looking down a hill towards Arlington and the Columbia River. Various houses, yards, and buildings are visible. At the right of the photograph is a railyard, with a large water tank at far right and a smaller, taller one closer to the water. At least three segments of trains are on the tracks: one is on the outskirts of town, and a few other railroad cars are visible on two different tracks amongst the buildings of the railyard, including a boxcar with an open door and a round tanker car. In the distance beyond the town, the line of the railroad tracks and the line of a road parallel each other just above the river bank. The eye can follow them a long way down the river, past a landscape which with its treeless bluffs on both sides of the river looks barren and deserted. On the hill above them runs a line of telephone or telegraph poles which continues down into and through the village. In the foreground of the photo beyond the boulders at the edge of the hill from which the photo seems to have been taken is a house and yard (with the corner of another yard showing). Two privies or outhouses are visible at right. In the center a person in a hat and jacket stands next to a pile of firewood. Behind the person is a water pump in the yard. This house has a lean-to or shed which is roofed with tar paper and has a stove pipe sticking out. Other wooden houses, and some fenceposts, are visible through the scattered trees in the town. Close

• 22588. [Image] John M. Bloss

  	Photo of John M. Bloss in the college greenhouse. John McKnight Bloss was the third president of Oregon Agricultural College from 1892-1896. Bloss was also the Director of the Agricultural Experiment Station ...
  	Citation × Citation Citation Abstract Copy Title: John M. Bloss Year: 1896 Photo of John M. Bloss in the college greenhouse. John McKnight Bloss was the third president of Oregon Agricultural College from 1892-1896. Bloss was also the Director of the Agricultural Experiment Station and Professor of Mental and Moral Science. During his years of presidency, the school colors were changed from navy blue to orange and black and intercollegiate athletics were formed. Bloss was also the first president to encourage women to study agriculture. The first school annual, The Hayseed, was created. Title: John M. Bloss Year: 1896 Photo of John M. Bloss in the college greenhouse. John McKnight Bloss was the third president of Oregon Agricultural College from 1892-1896. Bloss was also the Director of the Agricultural Experiment Station and Professor of Mental and Moral Science. During his years of presidency, the school colors were changed from navy blue to orange and black and intercollegiate athletics were formed. Bloss was also the first president to encourage women to study agriculture. The first school annual, The Hayseed, was created. Close

• 22589. [Image] CCC enrollee from Riley Creek (Wisconsin) constructing a side deflector

  	USFS photo #370680 The deflector that the men are installing is firmly anchored in the stream and is then covered with sod. The enrollees are digging under the farther bank to form a hole for trout shelter. ...
  	Citation × Citation Citation Abstract Copy Title: CCC enrollee from Riley Creek (Wisconsin) constructing a side deflector Year: 1938 USFS photo #370680 The deflector that the men are installing is firmly anchored in the stream and is then covered with sod. The enrollees are digging under the farther bank to form a hole for trout shelter. The deflector will narrow the stream, thus increasing the speed of the flow of the water. The area in back of the deflector will all fill in. Title: CCC enrollee from Riley Creek (Wisconsin) constructing a side deflector Year: 1938 USFS photo #370680 The deflector that the men are installing is firmly anchored in the stream and is then covered with sod. The enrollees are digging under the farther bank to form a hole for trout shelter. The deflector will narrow the stream, thus increasing the speed of the flow of the water. The area in back of the deflector will all fill in. Close

• 22590. [Image] Two Indian friends are intent on the dance beat

  	Intent on the beat, two Indian friends enter the dance at the OSU Powwow. The young mother, a member of the Klamath tribe, carries her infant laced into its cradleboard. Photo used in Oregon Stater.
  	Citation × Citation Citation Abstract Copy Title: Two Indian friends are intent on the dance beat Year: 1977 Intent on the beat, two Indian friends enter the dance at the OSU Powwow. The young mother, a member of the Klamath tribe, carries her infant laced into its cradleboard. Photo used in Oregon Stater. Title: Two Indian friends are intent on the dance beat Year: 1977 Intent on the beat, two Indian friends enter the dance at the OSU Powwow. The young mother, a member of the Klamath tribe, carries her infant laced into its cradleboard. Photo used in Oregon Stater. Close