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• 27391. [Image] CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E.

  	KP-2502-R2- Klamath Project- CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E. Close-up of the water inlet to the fracture showing how the water flows to the ...
  	Citation × Citation Citation Abstract Copy Title: CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E. Author: United States. Bureau of Reclamation, [Bunger, D.E.?] Year: 1959, 2008, 2006 KP-2502-R2- Klamath Project- CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E. Close-up of the water inlet to the fracture showing how the water flows to the south; September 28, 1959 Title: CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E. Author: United States. Bureau of Reclamation, [Bunger, D.E.?] Year: 1959, 2008, 2006 KP-2502-R2- Klamath Project- CLEAR LAKE- Ground Fracture - Southwest Shore, Section 16, T. 46 N., R. 7 E., M.D.M. - D. E. Close-up of the water inlet to the fracture showing how the water flows to the south; September 28, 1959 Close

• 27392. [Image] Michael Moore, General Manager for Quail Run Vineyards, tastes a new wine for consideration at 2014 World of Wine

  	In this photo, Michael Moore is tasting at South Stage Cellars in Jacksonville, Oregon
  	Citation × Citation Citation Abstract Copy Title: Michael Moore, General Manager for Quail Run Vineyards, tastes a new wine for consideration at 2014 World of Wine Author: Maureen Battistella Year: 2014 In this photo, Michael Moore is tasting at South Stage Cellars in Jacksonville, Oregon Title: Michael Moore, General Manager for Quail Run Vineyards, tastes a new wine for consideration at 2014 World of Wine Author: Maureen Battistella Year: 2014 In this photo, Michael Moore is tasting at South Stage Cellars in Jacksonville, Oregon Close

• 27393. [Image] Red Lily Mountain Top Vineyard

  	One of Red Lily's vineyards, planted on the top of a mountain with a breathtaking elevation and view. This photo taken during the 2014 SOREC vineyard tour led by Dr. Vinay Pagay.
  	Citation × Citation Citation Abstract Copy Title: Red Lily Mountain Top Vineyard Author: Red Lily Vineyards (Or.), Rachel Martin Year: 2014 One of Red Lily's vineyards, planted on the top of a mountain with a breathtaking elevation and view. This photo taken during the 2014 SOREC vineyard tour led by Dr. Vinay Pagay. Title: Red Lily Mountain Top Vineyard Author: Red Lily Vineyards (Or.), Rachel Martin Year: 2014 One of Red Lily's vineyards, planted on the top of a mountain with a breathtaking elevation and view. This photo taken during the 2014 SOREC vineyard tour led by Dr. Vinay Pagay. Close

• 27394. [Image] First aviation meeting in Southern Oregon

  	Curtiss biplane in field, barns and Roxy Ann Peak in background; 'FIRST AVIATION MEET IN SOUTHERN OREGON, Profs Ely and Hall, MEDFORD OREGON, June 4-5, 1910' on front of photo; men identified as Eugene ...
  	Citation × Citation Citation Abstract Copy Title: First aviation meeting in Southern Oregon Author: Hull Artists (Photography studio of Frank H. Hull: Medford, Or., 1900-1911, Central Point, Or., 1912-1917), Southern Oregon Historical Society Year: 1910 Curtiss biplane in field, barns and Roxy Ann Peak in background; 'FIRST AVIATION MEET IN SOUTHERN OREGON, Profs Ely and Hall, MEDFORD OREGON, June 4-5, 1910' on front of photo; men identified as Eugene Ely and Seely Hall Title: First aviation meeting in Southern Oregon Author: Hull Artists (Photography studio of Frank H. Hull: Medford, Or., 1900-1911, Central Point, Or., 1912-1917), Southern Oregon Historical Society Year: 1910 Curtiss biplane in field, barns and Roxy Ann Peak in background; 'FIRST AVIATION MEET IN SOUTHERN OREGON, Profs Ely and Hall, MEDFORD OREGON, June 4-5, 1910' on front of photo; men identified as Eugene Ely and Seely Hall Close

• 27395. [Image] Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C 910 - Patterson Constr. Co., Contractor

  	CN 12-201-496NA Klamath Project - Oregon-California. Another view of the John Deere scraper making the 0.5 fill over the open drains to be filled.
  	Citation × Citation Citation Abstract Copy Title: Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C 910 - Patterson Constr. Co., Contractor Author: United States. Bureau of Reclamation, Stein, D.W. Year: 1974, 2010, 2007 CN 12-201-496NA Klamath Project - Oregon-California. Another view of the John Deere scraper making the 0.5 fill over the open drains to be filled. Title: Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C 910 - Patterson Constr. Co., Contractor Author: United States. Bureau of Reclamation, Stein, D.W. Year: 1974, 2010, 2007 CN 12-201-496NA Klamath Project - Oregon-California. Another view of the John Deere scraper making the 0.5 fill over the open drains to be filled. Close

• 27396. [Image] Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C-910 - Patterson Constr. Co., Contractor

  	CN-12-201-501NA Klamath Project - Oregon-California. View showing #12 Motor Patrol shaping and completing open drain that was filled.
  	Citation × Citation Citation Abstract Copy Title: Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C-910 - Patterson Constr. Co., Contractor Author: United States. Bureau of Reclamation, [Stein, D.W.] Year: 1974, 2010, 2007 CN-12-201-501NA Klamath Project - Oregon-California. View showing #12 Motor Patrol shaping and completing open drain that was filled. Title: Closed Drain Construction, Tule Lake, Sump 3 Specs. 200C-910 - Patterson Constr. Co., Contractor Author: United States. Bureau of Reclamation, [Stein, D.W.] Year: 1974, 2010, 2007 CN-12-201-501NA Klamath Project - Oregon-California. View showing #12 Motor Patrol shaping and completing open drain that was filled. Close

• 27397. [Image] Third Eye Theater

  	A photo of a girl running in the middle of the Third Eye Theater installation. Four flat rocks are centered in the middle, surrounded by rocks lined up in ascending order of size. "Observing" the design ...
  	Citation × Citation Citation Abstract Copy Title: Third Eye Theater Author: Stone Studios; Holden, Dorbe; Webb, Gary; Osborne, Mark Year: 1975 A photo of a girl running in the middle of the Third Eye Theater installation. Four flat rocks are centered in the middle, surrounded by rocks lined up in ascending order of size. "Observing" the design are two unique standing sculptures, which appear human-like with rock heads and column bodies. Grass surrounds all of the rocks, and there is a dwelling in the background. The Third Eye Theater created by Olympia Washington artists, Dorbe Holden, Gary Webb, and Mark Osbornes (collectively "Stone Studios") is an arrangement of naturally formed Columnar Basalt and Andecite stone. The stones define the area as a gathering place, an impromptu stage for children and adults. The playful arrangement is highly interactive connecting the user with the sculpture by inviting them to step from stone to stone, riding the undulating curves of the stepping stone/seats. The viewer is also invited to engage and interpret the stone people that surround and approach the stage. These stone figures are suggestive of age and personality roles but ultimately their simple presence depends on the viewer to use thier imagination and create the personality and character that reflects their own experience. Children love this sculpture and enjoy dressing the stone people with props to further define their character. The figures also represent guardians that watch out for the surrounding community. These grounding ancient stones define a sacred site that intrigues and stirs the imaginations of people of all ages. (Stone Studios, 1998) Title: Third Eye Theater Author: Stone Studios; Holden, Dorbe; Webb, Gary; Osborne, Mark Year: 1975 A photo of a girl running in the middle of the Third Eye Theater installation. Four flat rocks are centered in the middle, surrounded by rocks lined up in ascending order of size. "Observing" the design are two unique standing sculptures, which appear human-like with rock heads and column bodies. Grass surrounds all of the rocks, and there is a dwelling in the background. The Third Eye Theater created by Olympia Washington artists, Dorbe Holden, Gary Webb, and Mark Osbornes (collectively "Stone Studios") is an arrangement of naturally formed Columnar Basalt and Andecite stone. The stones define the area as a gathering place, an impromptu stage for children and adults. The playful arrangement is highly interactive connecting the user with the sculpture by inviting them to step from stone to stone, riding the undulating curves of the stepping stone/seats. The viewer is also invited to engage and interpret the stone people that surround and approach the stage. These stone figures are suggestive of age and personality roles but ultimately their simple presence depends on the viewer to use thier imagination and create the personality and character that reflects their own experience. Children love this sculpture and enjoy dressing the stone people with props to further define their character. The figures also represent guardians that watch out for the surrounding community. These grounding ancient stones define a sacred site that intrigues and stirs the imaginations of people of all ages. (Stone Studios, 1998) Close

• 27398. [Image] Camp of Billy Barnhart, Umatilla indian, on Umatilla river, 1903; PH036_5607

  	A view of a dwelling site identified as "Billy Barnhart's camp on the Umatilla". At the left of the photo stands a canvas tipi supported by wooden poles. The ground it stands on, and that of the bluffs ...
  	Citation × Citation Citation Abstract Copy Title: Camp of Billy Barnhart, Umatilla indian, on Umatilla river, 1903; PH036_5607 Year: 1903 A view of a dwelling site identified as "Billy Barnhart's camp on the Umatilla". At the left of the photo stands a canvas tipi supported by wooden poles. The ground it stands on, and that of the bluffs that rise up behind it and follow the line of the river, is dry with small scrubby bushes. At the extreme right edge of the picture, part of a wooden wagon wheel can be seen, and its dark shadow shows it is a sunny day. In the center of the picture, a few feet from the tipi, sit two figures wrapped in dark plaid blankets. They are sitting on the edge of the bluff above the Umatilla river, and to their right there seems to be a path that would lead over the edge of the bluff. They appear to be children, possibly girls, and the blankets cover almost all their clothing; just a bit of pant leg and moccasins are visible on the figure on the left. Both seem to have their hair in braids, and the person on the left has a long light-colored strip, possibly an eagle feather or ermine, hanging from the left braid. There is an animal hide or piece of buckskin, next to the wagon wheel in the foreground; it appears to be draped over a stick or an antler on the ground. Title: Camp of Billy Barnhart, Umatilla indian, on Umatilla river, 1903; PH036_5607 Year: 1903 A view of a dwelling site identified as "Billy Barnhart's camp on the Umatilla". At the left of the photo stands a canvas tipi supported by wooden poles. The ground it stands on, and that of the bluffs that rise up behind it and follow the line of the river, is dry with small scrubby bushes. At the extreme right edge of the picture, part of a wooden wagon wheel can be seen, and its dark shadow shows it is a sunny day. In the center of the picture, a few feet from the tipi, sit two figures wrapped in dark plaid blankets. They are sitting on the edge of the bluff above the Umatilla river, and to their right there seems to be a path that would lead over the edge of the bluff. They appear to be children, possibly girls, and the blankets cover almost all their clothing; just a bit of pant leg and moccasins are visible on the figure on the left. Both seem to have their hair in braids, and the person on the left has a long light-colored strip, possibly an eagle feather or ermine, hanging from the left braid. There is an animal hide or piece of buckskin, next to the wagon wheel in the foreground; it appears to be draped over a stick or an antler on the ground. Close

• 27399. [Image] Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903

  	A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands ...
  	Citation × Citation Citation Abstract Copy Title: Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903 Year: 1903 A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands a tipi supported by its wooden poles. In the right foreground stand two women at either end of a fish drying rack made of wooden poles. The rack is a little above the head height of the women and is covered with eels hung up to dry. A similar rack seems to be just visible on the extreme left of the picture. Both women are wrapped in blankets. The woman on the left has a plaid blanket, and is wearing a dark patterned cloth dress. Her hair is in braids, and a disc earring or hair ornament is visible. Her left hand is lifted and she is holding an object. On the ground near her feet is a white enamel bowl. To the left of the bowl is an object made of buckskin, possibly a large bag or pouch for toting the fish. The woman on the right wears a blanket patterned with stripes and ovals over a dark patterned cloth dress. Her dark hair also hangs in long braids. The Umatilla river winds through the middle of the picture, and the distant shore with its low trees rises up gently, while in the distance mountains are visible. Title: Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903 Year: 1903 A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands a tipi supported by its wooden poles. In the right foreground stand two women at either end of a fish drying rack made of wooden poles. The rack is a little above the head height of the women and is covered with eels hung up to dry. A similar rack seems to be just visible on the extreme left of the picture. Both women are wrapped in blankets. The woman on the left has a plaid blanket, and is wearing a dark patterned cloth dress. Her hair is in braids, and a disc earring or hair ornament is visible. Her left hand is lifted and she is holding an object. On the ground near her feet is a white enamel bowl. To the left of the bowl is an object made of buckskin, possibly a large bag or pouch for toting the fish. The woman on the right wears a blanket patterned with stripes and ovals over a dark patterned cloth dress. Her dark hair also hangs in long braids. The Umatilla river winds through the middle of the picture, and the distant shore with its low trees rises up gently, while in the distance mountains are visible. Close

• 27400. [Image] Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume

  	A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her ...
  	Citation × Citation Citation Abstract Copy Title: Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume Year: 1897 A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her lap, which is where the photo cuts off. Her two long dark braids are tucked into the front of her belt, which has a geometric figure in the middle. She wears a choker necklace and has bracelets on both arms and rings on both hands. The top of her dress has squares of geometric beading, and its sleeves end in fringes. She wears a cloth shirt, or, possibly, underdress, underneath her leather dress. The old style deer tail dress is a dress that has a deer tail on the front and sometimes the back of a dress with beadwork around the tail. As in this photograph its tail is under her chin. Title: Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume Year: 1897 A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her lap, which is where the photo cuts off. Her two long dark braids are tucked into the front of her belt, which has a geometric figure in the middle. She wears a choker necklace and has bracelets on both arms and rings on both hands. The top of her dress has squares of geometric beading, and its sleeves end in fringes. She wears a cloth shirt, or, possibly, underdress, underneath her leather dress. The old style deer tail dress is a dress that has a deer tail on the front and sometimes the back of a dress with beadwork around the tail. As in this photograph its tail is under her chin. Close