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• 221. [Image] General Katô Kiyomasa on Horseback, from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583)

  	Japanese artwork from the Murray Warner Collection of Oriental Art; default; Edo (Japanese Migration style or period)
  	Citation × Citation Citation Abstract Copy Title: General Katô Kiyomasa on Horseback, from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583) Author: unknown Japanese Year: 1855 Japanese artwork from the Murray Warner Collection of Oriental Art; default; Edo (Japanese Migration style or period) Title: General Katô Kiyomasa on Horseback, from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583) Author: unknown Japanese Year: 1855 Japanese artwork from the Murray Warner Collection of Oriental Art; default; Edo (Japanese Migration style or period) Close

• 222. [Image] Ox, Ox-cart, Hina Dolls and Stands (?)

  	Japanese artworks from the Murray Warner Collection of Oriental Art. Ox and Ox-cart (MWJ67:64, MWJ67:65a-c) are from ca. 1681-1788. Hina Dolls (MWJ67:66.1-.13) are from ca. 1770. Stands (MWJ67:63) are ...
  	Citation × Citation Citation Abstract Copy Title: Ox, Ox-cart, Hina Dolls and Stands (?) Author: unknown Japanese Year: 1681 Japanese artworks from the Murray Warner Collection of Oriental Art. Ox and Ox-cart (MWJ67:64, MWJ67:65a-c) are from ca. 1681-1788. Hina Dolls (MWJ67:66.1-.13) are from ca. 1770. Stands (MWJ67:63) are ca. 1681-1778; default; Edo (Japanese Migration style or period) Title: Ox, Ox-cart, Hina Dolls and Stands (?) Author: unknown Japanese Year: 1681 Japanese artworks from the Murray Warner Collection of Oriental Art. Ox and Ox-cart (MWJ67:64, MWJ67:65a-c) are from ca. 1681-1788. Hina Dolls (MWJ67:66.1-.13) are from ca. 1770. Stands (MWJ67:63) are ca. 1681-1778; default; Edo (Japanese Migration style or period) Close

• 223. [Image] General Katô Kiyomasa on Horseback, General Toyotomi Hideyoshi on Horseback, General Katagiri Katsumoto (Sukesaku) on Horseback, General Kasuya Takenori (Sukezaemon),General Fukushima Masanori (Ichimatsu), General Hirano Nagayasu (Gonbei), General Wakisaka Jinnai and General Katô Yoshiaki (Magoroku), from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583)

  	Japanese artworks ca. 1770, from the Murray Warner Collection of Oriental Art.; default; Edo (Japanese Migration style or period)
  	Citation × Citation Citation Abstract Copy Title: General Katô Kiyomasa on Horseback, General Toyotomi Hideyoshi on Horseback, General Katagiri Katsumoto (Sukesaku) on Horseback, General Kasuya Takenori (Sukezaemon),General Fukushima Masanori (Ichimatsu), General Hirano Nagayasu (Gonbei), General Wakisaka Jinnai and General Katô Yoshiaki (Magoroku), from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583) Author: unknown Japanese Year: 1855 Japanese artworks ca. 1770, from the Murray Warner Collection of Oriental Art.; default; Edo (Japanese Migration style or period) Title: General Katô Kiyomasa on Horseback, General Toyotomi Hideyoshi on Horseback, General Katagiri Katsumoto (Sukesaku) on Horseback, General Kasuya Takenori (Sukezaemon),General Fukushima Masanori (Ichimatsu), General Hirano Nagayasu (Gonbei), General Wakisaka Jinnai and General Katô Yoshiaki (Magoroku), from a set portraying Toyotomi Hideyoshi and his Seven Spears (Loyal Generals) before the Battle of Shizugatake (1583) Author: unknown Japanese Year: 1855 Japanese artworks ca. 1770, from the Murray Warner Collection of Oriental Art.; default; Edo (Japanese Migration style or period) Close

• 224. [Image] Short Sword and Scabbard and Kozuka Knife

  	Japanese weapons from the Murray Warner Collection of Oriental Art. Short Sword and Scabbard (MWJ62:4) made by Yoshitangu is from the late 17th century. Kozuka Knife (MWJ62:5) is from the late 17th century.; ...
  	Citation × Citation Citation Abstract Copy Title: Short Sword and Scabbard and Kozuka Knife Author: Yoshitangu; unknown Japanese Year: 1670 Japanese weapons from the Murray Warner Collection of Oriental Art. Short Sword and Scabbard (MWJ62:4) made by Yoshitangu is from the late 17th century. Kozuka Knife (MWJ62:5) is from the late 17th century.; default; Edo (Japanese Migration style or period) Title: Short Sword and Scabbard and Kozuka Knife Author: Yoshitangu; unknown Japanese Year: 1670 Japanese weapons from the Murray Warner Collection of Oriental Art. Short Sword and Scabbard (MWJ62:4) made by Yoshitangu is from the late 17th century. Kozuka Knife (MWJ62:5) is from the late 17th century.; default; Edo (Japanese Migration style or period) Close

• 225. [Image] Front-Loading Gun, two Muzzle-Loading Rifles, Short Sword and Scabbard, Kozuka Knife, Boys' Festival (?) Sword and Commanding Sword

  	Japanese weapons from the Murray Warner Collection of Oriental Art. Front-Loading Gun (MWJ62:1) is from the 17th century. Both Muzzle-Loading Rifles (MWJ62:2, MWJ62:3) are from the 17th century. Short ...
  	Citation × Citation Citation Abstract Copy Title: Front-Loading Gun, two Muzzle-Loading Rifles, Short Sword and Scabbard, Kozuka Knife, Boys' Festival (?) Sword and Commanding Sword Author: Sukekane; Yoshitangu; unknown Japanese Year: 1601 Japanese weapons from the Murray Warner Collection of Oriental Art. Front-Loading Gun (MWJ62:1) is from the 17th century. Both Muzzle-Loading Rifles (MWJ62:2, MWJ62:3) are from the 17th century. Short Sword and Scabbard (MWJ62:4) made by Yoshitangu is from the late 17th century. Kozuka Knife (MWJ62:5) is from the late 17th century. Boys' Festival Sword (MWJ62:6) is probably from the 19th century. Commanding Sword (MWJ62:7) by Sukekane is from the mid 19th century.; default; Edo (Japanese Migration style or period) Title: Front-Loading Gun, two Muzzle-Loading Rifles, Short Sword and Scabbard, Kozuka Knife, Boys' Festival (?) Sword and Commanding Sword Author: Sukekane; Yoshitangu; unknown Japanese Year: 1601 Japanese weapons from the Murray Warner Collection of Oriental Art. Front-Loading Gun (MWJ62:1) is from the 17th century. Both Muzzle-Loading Rifles (MWJ62:2, MWJ62:3) are from the 17th century. Short Sword and Scabbard (MWJ62:4) made by Yoshitangu is from the late 17th century. Kozuka Knife (MWJ62:5) is from the late 17th century. Boys' Festival Sword (MWJ62:6) is probably from the 19th century. Commanding Sword (MWJ62:7) by Sukekane is from the mid 19th century.; default; Edo (Japanese Migration style or period) Close

• 226. [Image] Lidded Brush Container, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds [and five unidentified pieces]

  	Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water (MWJ8:56) ...
  	Citation × Citation Citation Abstract Copy Title: Lidded Brush Container, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds [and five unidentified pieces] Author: unknown Japanese Year: 1501 Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water (MWJ8:56) isa dated to the early 16th century. Incense Tray (MWJ8:57) is from the Edo period. Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds (MWJ8:58) is dated to the late 19th century.; default; Edo (Japanese Migration style or period) Title: Lidded Brush Container, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds [and five unidentified pieces] Author: unknown Japanese Year: 1501 Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water (MWJ8:56) isa dated to the early 16th century. Incense Tray (MWJ8:57) is from the Edo period. Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds (MWJ8:58) is dated to the late 19th century.; default; Edo (Japanese Migration style or period) Close

• 227. [Image] Lidded Brush Container, Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels and Poem Slips in the Water, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds, Paper Box [and four unidentified pieces]

  	Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels ...
  	Citation × Citation Citation Abstract Copy Title: Lidded Brush Container, Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels and Poem Slips in the Water, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds, Paper Box [and four unidentified pieces] Author: unknown Japanese Year: 1501 Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels and Poem Slips in the Water (MWJ8:55) is dated to the early 17th century. Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water (MWJ8:56) isa dated to the early 16th century. Incense Tray (MWJ8:57) and Paper Box (MWJ8:60) are from the Edo period. Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds (MWJ8:58) is dated to the late 19th century.; default; Edo (Japanese Migration style or period) Title: Lidded Brush Container, Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels and Poem Slips in the Water, Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water, Incense Tray, Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds, Paper Box [and four unidentified pieces] Author: unknown Japanese Year: 1501 Japanese artworks from the Murray Warner Collection of Oriental Art. Lidded Brush Container (MWJ6:27) is undated. Writing Box (Suzuribako) with Design of Cranes and Pines by the Shore and Wagon Wheels and Poem Slips in the Water (MWJ8:55) is dated to the early 17th century. Incense Tray with Design of Cranes, Pine, Bamboo, Peony, and Rock by the Water (MWJ8:56) isa dated to the early 16th century. Incense Tray (MWJ8:57) and Paper Box (MWJ8:60) are from the Edo period. Scroll Box (Fubako) with Design of Rolled Blinds (Sudare), Peonies, and Clouds (MWJ8:58) is dated to the late 19th century.; default; Edo (Japanese Migration style or period) Close

• 228. [Image] Kettle, Kettle, Pitcher, Pitcher, Teapot, Sake Pot, Covered Jar, Hand Warmer, Weight [and four unidentified pieces]

  	Japanese artworks from the Murray Warner Collection of Oriental Art. Kettle (MWJ6:3) and Kettle (MWJ6:5) are undated. Pitcher (MWJ6:7), Pitcher (MWJ6:8) and Weight (MWJ6:24) are from the 19th century. ...
  	Citation × Citation Citation Abstract Copy Title: Kettle, Kettle, Pitcher, Pitcher, Teapot, Sake Pot, Covered Jar, Hand Warmer, Weight [and four unidentified pieces] Author: unknown Japanese Year: 1601 Japanese artworks from the Murray Warner Collection of Oriental Art. Kettle (MWJ6:3) and Kettle (MWJ6:5) are undated. Pitcher (MWJ6:7), Pitcher (MWJ6:8) and Weight (MWJ6:24) are from the 19th century. Teapot (MWJ6:9) and Sake Pot (MWJ6:10) are dated ca. 1720. Covered Jar (MWJ6:11) and Hand Warmer (MWJ6:19) are dated ca. 1770.; default; Edo (Japanese Migration style or period) Title: Kettle, Kettle, Pitcher, Pitcher, Teapot, Sake Pot, Covered Jar, Hand Warmer, Weight [and four unidentified pieces] Author: unknown Japanese Year: 1601 Japanese artworks from the Murray Warner Collection of Oriental Art. Kettle (MWJ6:3) and Kettle (MWJ6:5) are undated. Pitcher (MWJ6:7), Pitcher (MWJ6:8) and Weight (MWJ6:24) are from the 19th century. Teapot (MWJ6:9) and Sake Pot (MWJ6:10) are dated ca. 1720. Covered Jar (MWJ6:11) and Hand Warmer (MWJ6:19) are dated ca. 1770.; default; Edo (Japanese Migration style or period) Close

• 229. [Image] Incense Box, Gourd, Covered Bowl, Sake Pot, Lidded Sake Pot, Vase, Bell, Lantern, Coin Tray, Holder [and two unidentified pieces]

  	Japanese artworks from the Murray Warner Collection of Oriental Art. Incense Box (MWJ6:2) and Covered Bowl (MWJ6:14) are dated ca. 1800. Gourd (MWJ6:13) is dated to the 19th century. Sake Pot (MWJ6:15) ...
  	Citation × Citation Citation Abstract Copy Title: Incense Box, Gourd, Covered Bowl, Sake Pot, Lidded Sake Pot, Vase, Bell, Lantern, Coin Tray, Holder [and two unidentified pieces] Author: unknown Japanese Year: 1765 Japanese artworks from the Murray Warner Collection of Oriental Art. Incense Box (MWJ6:2) and Covered Bowl (MWJ6:14) are dated ca. 1800. Gourd (MWJ6:13) is dated to the 19th century. Sake Pot (MWJ6:15) and Vase (MWJ6:18) are dated to ca. 1770. Lidded Sake Pot (MWJ6:17) is dated late 19th-early 20th century. Bell (MWJ6:20), Lantern (MWJ6:21) and Coin Tray, Holder (MWJ6:23) are undated.; default; Edo (Japanese Migration style or period) Title: Incense Box, Gourd, Covered Bowl, Sake Pot, Lidded Sake Pot, Vase, Bell, Lantern, Coin Tray, Holder [and two unidentified pieces] Author: unknown Japanese Year: 1765 Japanese artworks from the Murray Warner Collection of Oriental Art. Incense Box (MWJ6:2) and Covered Bowl (MWJ6:14) are dated ca. 1800. Gourd (MWJ6:13) is dated to the 19th century. Sake Pot (MWJ6:15) and Vase (MWJ6:18) are dated to ca. 1770. Lidded Sake Pot (MWJ6:17) is dated late 19th-early 20th century. Bell (MWJ6:20), Lantern (MWJ6:21) and Coin Tray, Holder (MWJ6:23) are undated.; default; Edo (Japanese Migration style or period) Close

• 230. [Image] American Cross-bills

  	The Cross-bill belongs to the Finch family. It lives in the very high mountains. Only occasionally, during the fall and winter migrations, do we see it in the lower parts of the valley. Here in Eugene, ...
  	Citation × Citation Citation Abstract Copy Title: American Cross-bills Year: 1900 The Cross-bill belongs to the Finch family. It lives in the very high mountains. Only occasionally, during the fall and winter migrations, do we see it in the lower parts of the valley. Here in Eugene, which is practically at sea level, it sometimes appears during the early winter about the outskirts of town among the fir trees, or even around the farm buildings. The Cross-bill has many of the characteristics of the Purple Finch. The male is more or less reddish; the female is a greenish gold. Peculiarly characteristic is the fact that the lower and the upper bill do not meet as they do in ordinary birds, but cross each other, much like pruning shears. Its diet consists largely of seeds of pine cones, to the extracting of which this sort of bill is well-adapted. When feeding the bird gives out a sort of intermittent cry, sometimes called a titter; when in flight it emits a short clear whistle. A flock composed entirely of Cross-bills will make considerable noise as they fly by. It has no regular nesting time, but seems to nest whenever the whim takes it — sometimes in January or February, and sometimes as late as July. The communal instinct is very well developed among them. They live in large flocks. Occasionally, however, a few will leave the flock to take care of their nestlings. Title: American Cross-bills Year: 1900 The Cross-bill belongs to the Finch family. It lives in the very high mountains. Only occasionally, during the fall and winter migrations, do we see it in the lower parts of the valley. Here in Eugene, which is practically at sea level, it sometimes appears during the early winter about the outskirts of town among the fir trees, or even around the farm buildings. The Cross-bill has many of the characteristics of the Purple Finch. The male is more or less reddish; the female is a greenish gold. Peculiarly characteristic is the fact that the lower and the upper bill do not meet as they do in ordinary birds, but cross each other, much like pruning shears. Its diet consists largely of seeds of pine cones, to the extracting of which this sort of bill is well-adapted. When feeding the bird gives out a sort of intermittent cry, sometimes called a titter; when in flight it emits a short clear whistle. A flock composed entirely of Cross-bills will make considerable noise as they fly by. It has no regular nesting time, but seems to nest whenever the whim takes it — sometimes in January or February, and sometimes as late as July. The communal instinct is very well developed among them. They live in large flocks. Occasionally, however, a few will leave the flock to take care of their nestlings. Close