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• 241. [Image] PH014_90-08 Gertrude Bass Warner photographs

  	Hand tinted image. A woman, with her back to the camera, has been identified as Maude Kerns. She sits in a garden in front of a wooden easel. Paper is positioned on the easel. She is dressed in a hat ...
  	Citation × Citation Citation Abstract Copy Title: PH014_90-08 Gertrude Bass Warner photographs Year: 1910 Hand tinted image. A woman, with her back to the camera, has been identified as Maude Kerns. She sits in a garden in front of a wooden easel. Paper is positioned on the easel. She is dressed in a hat and jacket with long sleeves and collar. A large flowering bush is visible on the right side of the image. Shrubs and trees are visible in the surrounding landscape. Title: PH014_90-08 Gertrude Bass Warner photographs Year: 1910 Hand tinted image. A woman, with her back to the camera, has been identified as Maude Kerns. She sits in a garden in front of a wooden easel. Paper is positioned on the easel. She is dressed in a hat and jacket with long sleeves and collar. A large flowering bush is visible on the right side of the image. Shrubs and trees are visible in the surrounding landscape. Close

• 242. [Image] Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi

  	A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised ...
  	Citation × Citation Citation Abstract Copy Title: Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi Year: 1897 A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures. Title: Lou French ; Lou French, Walla Walla Indian, in costume, outside tipi, carrying cradled infant ; Lou French, Walla Walla Indian, in costume carrying cradled infant, outside tipi Year: 1897 A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures. Close

• 243. [Image] PH014_90-17 Gertrude Bass Warner photographs

  	Hand tinted image. A woman identified as Gertrude Bass Warner sits at a wooden table in an interior space. She is seated on one of two wicker chairs pulled up to the table. She is dressed in a long-sleeved ...
  	Citation × Citation Citation Abstract Copy Title: PH014_90-17 Gertrude Bass Warner photographs Year: 1910 Hand tinted image. A woman identified as Gertrude Bass Warner sits at a wooden table in an interior space. She is seated on one of two wicker chairs pulled up to the table. She is dressed in a long-sleeved shirt with a high collar and a long pleated skirt and wears her hair pulled up off her neck. A potted fern can be seen in the foreground of the image. Also visible are wooden doors, brick walls, marble flooring, an arched window, and a bamboo window shade. Although the location cannot be verified, the wicker chairs and bamboo window shades are commonly seen in China. Title: PH014_90-17 Gertrude Bass Warner photographs Year: 1910 Hand tinted image. A woman identified as Gertrude Bass Warner sits at a wooden table in an interior space. She is seated on one of two wicker chairs pulled up to the table. She is dressed in a long-sleeved shirt with a high collar and a long pleated skirt and wears her hair pulled up off her neck. A potted fern can be seen in the foreground of the image. Also visible are wooden doors, brick walls, marble flooring, an arched window, and a bamboo window shade. Although the location cannot be verified, the wicker chairs and bamboo window shades are commonly seen in China. Close

• 244. [Image] PH014_27-43 Gertrude Bass Warner photographs; 623

  	Hand tinted image. Three Japanese womenare in the process of making silk. They wear kimonos and sashes called obi around their waists; they have their hair dressed in traditional Japanese style.The cords ...
  	Citation × Citation Citation Abstract Copy Title: PH014_27-43 Gertrude Bass Warner photographs; 623 Year: 1910 Hand tinted image. Three Japanese womenare in the process of making silk. They wear kimonos and sashes called obi around their waists; they have their hair dressed in traditional Japanese style.The cords crossing on their backs are used to tuck up the sleeves of a kimono. All three womenare in different processes of working with the silk on a wooden device. A big reel of silk is hung from the eaves, and small reels of silk are on wooden board and straw mats.Behind the big reel are a verandah and sliding doors, called fusuma, decorated with Japanese calligraphy-patterned fusuma papers. One big stepping stone is visible in front of the verandah. Title: PH014_27-43 Gertrude Bass Warner photographs; 623 Year: 1910 Hand tinted image. Three Japanese womenare in the process of making silk. They wear kimonos and sashes called obi around their waists; they have their hair dressed in traditional Japanese style.The cords crossing on their backs are used to tuck up the sleeves of a kimono. All three womenare in different processes of working with the silk on a wooden device. A big reel of silk is hung from the eaves, and small reels of silk are on wooden board and straw mats.Behind the big reel are a verandah and sliding doors, called fusuma, decorated with Japanese calligraphy-patterned fusuma papers. One big stepping stone is visible in front of the verandah. Close

• 245. [Image] PH014_13-25 Gertrude Bass Warner photographs; Geisha and Maiko girls

  	Hand tinted image. Young Geisha girls, called Maiko, dressed in colorful kimonos with long sleeves and high wooden shoes, called Koppori, sit on a lattice wooden bench. The girls hold folding fans and ...
  	Citation × Citation Citation Abstract Copy Title: PH014_13-25 Gertrude Bass Warner photographs; Geisha and Maiko girls Year: 1910 Hand tinted image. Young Geisha girls, called Maiko, dressed in colorful kimonos with long sleeves and high wooden shoes, called Koppori, sit on a lattice wooden bench. The girls hold folding fans and wear special hair accessories. Five women , two okami (the name for the head woman of a Geisha house) and three Geisha girls, are seated behind a bamboo partition. A wooden dwelling with screens covering its windows is visible in the background. The white and blue color drapes with red tassels are hung from the roof for a special occasion, such as a festival. Two individuals, one wearing a wide brimmed hat, and the other a kimono, are visible in the background. Title: PH014_13-25 Gertrude Bass Warner photographs; Geisha and Maiko girls Year: 1910 Hand tinted image. Young Geisha girls, called Maiko, dressed in colorful kimonos with long sleeves and high wooden shoes, called Koppori, sit on a lattice wooden bench. The girls hold folding fans and wear special hair accessories. Five women , two okami (the name for the head woman of a Geisha house) and three Geisha girls, are seated behind a bamboo partition. A wooden dwelling with screens covering its windows is visible in the background. The white and blue color drapes with red tassels are hung from the roof for a special occasion, such as a festival. Two individuals, one wearing a wide brimmed hat, and the other a kimono, are visible in the background. Close

• 246. [Image] PH014_70-52 Gertrude Bass Warner photographs

  	Hand tinted image. Two Japanese womensit in an interior space. One woman kneels in front of a dressing table. She is dressed in a mid-length coat called a haorirobe with diamond-shaped patterns on its ...
  	Citation × Citation Citation Abstract Copy Title: PH014_70-52 Gertrude Bass Warner photographs Year: 1905 Hand tinted image. Two Japanese womensit in an interior space. One woman kneels in front of a dressing table. She is dressed in a mid-length coat called a haorirobe with diamond-shaped patterns on its surface. Underneath this coat she wears a kimono. A woman stands behind her dressing her hair. She is dressed in a white smock and holds a hair pick in her hand. Sitting on the tatami matts next to the womenare glass bottles with labels, a small washtub, and and a miniature stand with a flat surface. Hanging from the side of the wooden mirror is an oval wooden hand mirror. Visible in the background of the image is a doorway, brazier, Fusuma screen doors, and a tokonoma (alcove). Title: PH014_70-52 Gertrude Bass Warner photographs Year: 1905 Hand tinted image. Two Japanese womensit in an interior space. One woman kneels in front of a dressing table. She is dressed in a mid-length coat called a haorirobe with diamond-shaped patterns on its surface. Underneath this coat she wears a kimono. A woman stands behind her dressing her hair. She is dressed in a white smock and holds a hair pick in her hand. Sitting on the tatami matts next to the womenare glass bottles with labels, a small washtub, and and a miniature stand with a flat surface. Hanging from the side of the wooden mirror is an oval wooden hand mirror. Visible in the background of the image is a doorway, brazier, Fusuma screen doors, and a tokonoma (alcove). Close

• 247. [Image] Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903

  	A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands ...
  	Citation × Citation Citation Abstract Copy Title: Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903 Year: 1903 A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands a tipi supported by its wooden poles. In the right foreground stand two women at either end of a fish drying rack made of wooden poles. The rack is a little above the head height of the women and is covered with eels hung up to dry. A similar rack seems to be just visible on the extreme left of the picture. Both women are wrapped in blankets. The woman on the left has a plaid blanket, and is wearing a dark patterned cloth dress. Her hair is in braids, and a disc earring or hair ornament is visible. Her left hand is lifted and she is holding an object. On the ground near her feet is a white enamel bowl. To the left of the bowl is an object made of buckskin, possibly a large bag or pouch for toting the fish. The woman on the right wears a blanket patterned with stripes and ovals over a dark patterned cloth dress. Her dark hair also hangs in long braids. The Umatilla river winds through the middle of the picture, and the distant shore with its low trees rises up gently, while in the distance mountains are visible. Title: Camp of Billy Barnhart, Umatilla Indian, on Umatilla river, 1903 Year: 1903 A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands a tipi supported by its wooden poles. In the right foreground stand two women at either end of a fish drying rack made of wooden poles. The rack is a little above the head height of the women and is covered with eels hung up to dry. A similar rack seems to be just visible on the extreme left of the picture. Both women are wrapped in blankets. The woman on the left has a plaid blanket, and is wearing a dark patterned cloth dress. Her hair is in braids, and a disc earring or hair ornament is visible. Her left hand is lifted and she is holding an object. On the ground near her feet is a white enamel bowl. To the left of the bowl is an object made of buckskin, possibly a large bag or pouch for toting the fish. The woman on the right wears a blanket patterned with stripes and ovals over a dark patterned cloth dress. Her dark hair also hangs in long braids. The Umatilla river winds through the middle of the picture, and the distant shore with its low trees rises up gently, while in the distance mountains are visible. Close

• 248. [Image] Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume

  	A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her ...
  	Citation × Citation Citation Abstract Copy Title: Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume Year: 1897 A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her lap, which is where the photo cuts off. Her two long dark braids are tucked into the front of her belt, which has a geometric figure in the middle. She wears a choker necklace and has bracelets on both arms and rings on both hands. The top of her dress has squares of geometric beading, and its sleeves end in fringes. She wears a cloth shirt, or, possibly, underdress, underneath her leather dress. The old style deer tail dress is a dress that has a deer tail on the front and sometimes the back of a dress with beadwork around the tail. As in this photograph its tail is under her chin. Title: Sabrina MinThorn Cayuse Tribe ; Sabrina Minthorn, Cayuse Indian, in costume ; Sabrina Minthorn, Cayuse Indian in costume Year: 1897 A Native American woman, identified as Sabina Minthorn from the Cayuse Tribe, appears to be sitting in front of a backdrop. She faces the photographer with her hands partly crossed in front of her in her lap, which is where the photo cuts off. Her two long dark braids are tucked into the front of her belt, which has a geometric figure in the middle. She wears a choker necklace and has bracelets on both arms and rings on both hands. The top of her dress has squares of geometric beading, and its sleeves end in fringes. She wears a cloth shirt, or, possibly, underdress, underneath her leather dress. The old style deer tail dress is a dress that has a deer tail on the front and sometimes the back of a dress with beadwork around the tail. As in this photograph its tail is under her chin. Close

• 249. [Image] PH036_6037 Lee Moorhouse photographs; Camps on Umatilla Indian Reservation ; Camps on Umatilla Indian reservation

  	A Native American woman stands in front of a canvas tipi. The woman is wearing a cloth dress, with a woven blanket draped around her. One foot is visible and it can be seen she is wearing a plain moccasin. ...
  	Citation × Citation Citation Abstract Copy Title: PH036_6037 Lee Moorhouse photographs; Camps on Umatilla Indian Reservation ; Camps on Umatilla Indian reservation Year: 1897 A Native American woman stands in front of a canvas tipi. The woman is wearing a cloth dress, with a woven blanket draped around her. One foot is visible and it can be seen she is wearing a plain moccasin. The dress cloth is a floral pattern; the blanket is striped with wavy lines, and has fringe on all four sides. The woman is wearing a beaded necklace and shell earrings, and has two long braids. A young girl wearing a long dress stands in the doorway of the tipi, but her image is blurry as she must have turned just as the photo was shot. A second tipi is partially visible to the right side, behind the front tipi. Both tipis are shaded by the tall deciduous trees behind them. Title: PH036_6037 Lee Moorhouse photographs; Camps on Umatilla Indian Reservation ; Camps on Umatilla Indian reservation Year: 1897 A Native American woman stands in front of a canvas tipi. The woman is wearing a cloth dress, with a woven blanket draped around her. One foot is visible and it can be seen she is wearing a plain moccasin. The dress cloth is a floral pattern; the blanket is striped with wavy lines, and has fringe on all four sides. The woman is wearing a beaded necklace and shell earrings, and has two long braids. A young girl wearing a long dress stands in the doorway of the tipi, but her image is blurry as she must have turned just as the photo was shot. A second tipi is partially visible to the right side, behind the front tipi. Both tipis are shaded by the tall deciduous trees behind them. Close

• 250. [Image] PH014_90-19 Gertrude Bass Warner photographs; Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture.

  	Hand tinted image. Four people identified as Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture. This structure may be a shrine. It is composed of multiple ...
  	Citation × Citation Citation Abstract Copy Title: PH014_90-19 Gertrude Bass Warner photographs; Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture. Year: 1910 Hand tinted image. Four people identified as Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture. This structure may be a shrine. It is composed of multiple tiers and is supported by a decorative stone base with steps. Two women (Warner is on the left, Epperley on the right) are seated on these steps, dressed in long sleeved blouses and long skirts. Sam Warner leans on the stone base and is dressed in a long sleeved shirt, belt, trousers, and shoes. On the left of the image, Murray Warner holds a hat and is dressed in a long sleeved button-up shirt and trousers. In front of the group is a wooden trough. On top of this wooden structure sits a hat with a wide brim. The ground is covered with flat rectangular rocks pieced together like brickwork. A low wooden fence, trees, and two pieces of wood are visible on the far left side of the image. A tall wooden fence and the tied roof of a dwelling is visible in the background. Title: PH014_90-19 Gertrude Bass Warner photographs; Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture. Year: 1910 Hand tinted image. Four people identified as Gertrude Bass Warner, Murray Warner, Sam Warner, and Mrs. Epperley pose next to an outdoor sculpture. This structure may be a shrine. It is composed of multiple tiers and is supported by a decorative stone base with steps. Two women (Warner is on the left, Epperley on the right) are seated on these steps, dressed in long sleeved blouses and long skirts. Sam Warner leans on the stone base and is dressed in a long sleeved shirt, belt, trousers, and shoes. On the left of the image, Murray Warner holds a hat and is dressed in a long sleeved button-up shirt and trousers. In front of the group is a wooden trough. On top of this wooden structure sits a hat with a wide brim. The ground is covered with flat rectangular rocks pieced together like brickwork. A low wooden fence, trees, and two pieces of wood are visible on the far left side of the image. A tall wooden fence and the tied roof of a dwelling is visible in the background. Close