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• 1. [Article] Mobile Thresholds, Immobile Phones: Staging Migration, Return, and the Empty Home in Recent Ecuadorian Theater.

  Citation × Citation Citation Abstract Copy Title: Mobile Thresholds, Immobile Phones: Staging Migration, Return, and the Empty Home in Recent Ecuadorian Theater. Author: Gladhart, Amalia Year: 2010, 2008 Title: Mobile Thresholds, Immobile Phones: Staging Migration, Return, and the Empty Home in Recent Ecuadorian Theater. Author: Gladhart, Amalia Year: 2010, 2008 Close

• 2. [Article] The Leper in Blue: Coercive Performance and the Contemporary Latin Amerifcan Theater

  305 p.

  Citation × Citation Citation Abstract Copy Title: The Leper in Blue: Coercive Performance and the Contemporary Latin Amerifcan Theater Author: Gladhart, Amalia Year: 2009, 2000 305 p. Title: The Leper in Blue: Coercive Performance and the Contemporary Latin Amerifcan Theater Author: Gladhart, Amalia Year: 2009, 2000 305 p. Close

• 3. [Article] The Experience of Place in Performance: A Survey of Site-Specific Theatre

  For practitioners and scholars of site-specific theatre, attempts to understand the relationship between a site and performance have often focused on performance. The many ways a site can inform and enhance ...

  Citation × Citation Citation Abstract Copy Title: The Experience of Place in Performance: A Survey of Site-Specific Theatre Author: Rorem, Jacob Year: 2014 For practitioners and scholars of site-specific theatre, attempts to understand the relationship between a site and performance have often focused on performance. The many ways a site can inform and enhance the audience's experience of performance has been thoroughly explored, but what about the reverse? How can performance facilitate an experience of place and inform audiences about the value and potential of the places around us? I contend that site-specific performance which privileges place--including its varied histories and meanings--can foster a more thorough consideration of the places we inhabit and equip us to make better decisions about them. This thesis uses three case studies to explore the experience of place in performance and its potential implications. My case studies are Rob Ashford and Kenneth Branagh's production of Macbeth at the 2013 Manchester International Festival, We Players of San Francisco, and PlaceBase Productions of Minneapolis. Title: The Experience of Place in Performance: A Survey of Site-Specific Theatre Author: Rorem, Jacob Year: 2014 For practitioners and scholars of site-specific theatre, attempts to understand the relationship between a site and performance have often focused on performance. The many ways a site can inform and enhance the audience's experience of performance has been thoroughly explored, but what about the reverse? How can performance facilitate an experience of place and inform audiences about the value and potential of the places around us? I contend that site-specific performance which privileges place--including its varied histories and meanings--can foster a more thorough consideration of the places we inhabit and equip us to make better decisions about them. This thesis uses three case studies to explore the experience of place in performance and its potential implications. My case studies are Rob Ashford and Kenneth Branagh's production of Macbeth at the 2013 Manchester International Festival, We Players of San Francisco, and PlaceBase Productions of Minneapolis. Close

• 4. [Article] Nineteenth-century Italian ballet music before national unification: Sources, style, and context

  xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.

  Citation × Citation Citation Abstract Copy Title: Nineteenth-century Italian ballet music before national unification: Sources, style, and context Author: Ertz, Matilda Ann Butkas, 1979- Year: 2011, 2010 xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Title: Nineteenth-century Italian ballet music before national unification: Sources, style, and context Author: Ertz, Matilda Ann Butkas, 1979- Year: 2011, 2010 xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Close

• 5. [Article] The rake's progress: Masculinities on stage and screen

  viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.

  Citation × Citation Citation Abstract Copy Title: The rake's progress: Masculinities on stage and screen Author: Wardell, Kathryn Brenna Year: 2011, 2010 viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Title: The rake's progress: Masculinities on stage and screen Author: Wardell, Kathryn Brenna Year: 2011, 2010 viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. Close

• 6. [Article] The Abject in Science Fiction Theatre and Marked: A Play in Two Acts

  114 pages. A thesis presented to the Department of Theatre Arts and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Science, Spring ...

  Citation × Citation Citation Abstract Copy Title: The Abject in Science Fiction Theatre and Marked: A Play in Two Acts Author: Maurer, Nicholas Year: 2016 114 pages. A thesis presented to the Department of Theatre Arts and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Science, Spring 2016. Title: The Abject in Science Fiction Theatre and Marked: A Play in Two Acts Author: Maurer, Nicholas Year: 2016 114 pages. A thesis presented to the Department of Theatre Arts and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Science, Spring 2016. Close

• 7. [Article] Mind's eye: Theatrical editing of Shakespearean text

  x, 277 p.

  Citation × Citation Citation Abstract Copy Title: Mind's eye: Theatrical editing of Shakespearean text Author: Powell, Janet, 1955- Year: 2011 x, 277 p. Title: Mind's eye: Theatrical editing of Shakespearean text Author: Powell, Janet, 1955- Year: 2011 x, 277 p. Close

• 8. [Article] Plague and mirror: Metaphors of emotional transfer and their effect on the actor-audience relationship in theatre

  ix, 181 p.

  Citation × Citation Citation Abstract Copy Title: Plague and mirror: Metaphors of emotional transfer and their effect on the actor-audience relationship in theatre Author: Vrtis, Robert James, 1980- Year: 2011 ix, 181 p. Title: Plague and mirror: Metaphors of emotional transfer and their effect on the actor-audience relationship in theatre Author: Vrtis, Robert James, 1980- Year: 2011 ix, 181 p. Close